Interview: the Brother and Sister Behind ‘Discover the Gift’

Posted on May 27, 2011 at 8:00 am

Discover the Gift” is an extraordinary new documentary, book, blog, and CD that reaches from the broadest universal dreams to the most intimate, personal insights, with appearances from powerful lessons from authors, educators, activists, artists, and icons including His Holiness the Dalai Lama, His Holiness Sri Sri Ravi Shankar, Jack Canfield, Janet Attwood, Terry Tillman, David `Avocado` Wolfe, Michael Bernard Beckwith, Mark Victor Hansen, and Niurka and more.

It is the passion project of a brother and sister, filmmaker Demian Lichtenstein and educator Shajen Joy Aziz. Part of the pleasure of speaking to them was the way they brought all they have learned about recognizing and respecting the gifts in others as well as ourselves to the conversation. And it is impossible not to feel privileged by the way they have opened up their own lives as a part of their quest to bring this message to everyone.

This movie is unusual because you shared your personal story to illuminate and demonstrate the broader themes.  What made you decide to do that? How did you decide how to balance the two?

Demian Lichtenstein: The entire project began with a question from my sister: “When is the man I know going to match the work he is doing in the world?”  So from the beginning there was a personal, family reality to the project.  When we began making the movie our thought was to interview and speak with many of the great teachers, luminaries and masters that had influenced our lives on a global and personal level.  But as we progressed something became very evident — when Shajen and the editor and I sat down with the rough cut and realized the movie didn’t work.  Suddenly you’re like — wow, everything we were working on isn’t working.  It was because there was not enough of our true story in it.  At that point we realized we needed to open ourselves up to sharing our personal lives on an even deeper level.

Shajen Joy Aziz: We had multiple reasons for choosing to share that much.  One was because authenticity is the key to everything.  We needed to be authentic and real and share what was really happening in our lives.  And we’re a metaphor for everyone’s life. We’ve all been there in some way or another.  People could access their own learning by being engaged in someone else’s process.  As an educator and a mental health professional, we think a lot about the best way to share what we have to say to everyone.

In the film, you put your findings into eight steps.  Did those steps become a part of your film-making as well as in other parts of your lives?

Step #1: Receptivity
Step #2: Intention
Step #3: Activation
Step #4: Infinite Feedback
Step #5: Vibration
Step #6: Adversity and Transformation
Step #7: Creating a Conscious & Compassionate World
Step #8: Love

DL: Every day!  For me, it’s like, “Oh, no, that’s step 4!” or “I’d better go back to step 1!”

SJA: Yes  — it all informed the book, the film-making, and our lives.  Demian and I and all our crew sat down to ask ourselves, and we really looked at what really happens to us in our life, what needs to happen, what needs to change.  We really hashed it out. What needs to get clear?  That’s receptivity!  You have to be open before anything else can happen.  It came about through the real conversation about what had to happen before we could become the best selves we could become at this point in our lives because we’re always a work in progress.

Why are these concepts so scary for people?

DL: I have an answer and then my sister will probably give you a better one.  We become so stuck on a particular paradigm.  The fear of the unknown is so much greater than what we’ve got.  So we remain so closed off to what’s possible because there’s an identity that’s running the show.  That is not our higher self.  If you’ve ever been driving home and gotten off the freeway and looked up and found yourself in your garage and can’t remember even getting off the freeway?  So who’s driving?  There’s an identity that is not that interested in a higher state of consciousness.  It likes the status quo and being open to what’s possible is not what it wants.

SJA: Language really creates much of our world.  The old paradigm tells us to face our fears.  The shift that has worked for us is rather than facing them, we think we should step through them.  Instead of “I’m afraid and I’m facing them, good for me, ” you’re still there, facing them.  That’s where people get stuck, on taking that step, shifting that gear.  What people really lack and need is permission — it seems so silly and simple.  The thousands of people people I’ve talked to tell me over and over again that they want to know it’s okay to change, to go deeper.

Where do those messages come from?

SJA: From our parents, society, school, conditioning.  We focus so much on what we do wrong, and so we become a fear-based, crisis-driven society.

Did you find that the experts you spoke to used different language to express the same kinds of insights?

DL: They all had different vocabularies based on their background and culture, religion, race, creed.  But we found as we literally traveled the world that underneath it all human being share the same underlying principles and desires.  We all have unique and individual gifts seeking to express themselves, but it often boils down to a past-based paradigm that does not give permission for someone to discover what it is they have to share with the world.  Many cultures demand a certain way of being that does not support who we are at our highest levels.

SJA: Agreed.  And for me as an educator and school-based mental health professional, we focus on what’s wrong with our kids, how many answers they got wrong instead of what they got right.  We want to show people what is right about them, those pieces that want to emerge.  The possibilities seem endless if you focus on what’s right about you.

What led you to present this in such a multi-formated way, with a book, movie, workshops, soundtrack?

SJA: There are so many different learning styles: visual, tactile, auditory, kinesthetic, through emotions, spirituality, nature, Howard Gardner’s multiple intelligence theory.  We wanted to make access possible for anyone who wanted it.

DL: A great way to say it, Shajen.  Everyone we spoke to had an opinion about where they felt they were best able to learn.  On a global level, the motion picture is the greatest collaborative art form on the planet today.  Though we are the leaders of a team of unbelieveably passionate and creative people from all over the planet in the support of the creation of a multi-media project.  We’re also going to do “Discover the Gifts of Kids” for and about the children of the earth.  People learn in a multitude of ways and there are many ways to reach people.

So you are saying that it is incumbent on each of us to be receptive but it is also incumbent on us to respect and try to respond to the way that those around us are most receptive.

DL: Watch the video we did at Agape.  In the Agape space there are drummers and dancers and color and light and sound — a shared communal experience connecting people on a spiritual and inspirational level. And then we have the movie and we’re open to the tears and laughter and hugs.  And then we have a panel and then the experience of photography and interviews.  People had so many ways to experience “Discover the Gift” and our intention is not just to deliver you a book, and a movie, and a web portal, but to engage people in every way possible to help people discover the gifts in themselves.  As much as we share of ourselves, the focus is on you.

 

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Documentary Interview Spiritual films

Kung Fu Panda 2

Posted on May 26, 2011 at 6:39 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for sequences of martial arts action and mild violence
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Martial arts action and violence, children separated from parents, characters in peril
Diversity Issues: A theme of the movie
Date Released to Theaters: May 27, 2011

Po, the kung-fu master panda (Jack Black), has everything he hoped for in the first movie.  He has the martial arts skills to protect and impress the community and he is accepted as a teammate by the greatest champions in China.  But he has not yet found inner peace, and that will require an even greater struggle.

Po has not wanted to think about the fact that his father is not a panda, until a glimpse of an all-but-forgotten insignia on an enemy unlocks some memories so painful Po does not want to think about.  But a new villain (Gary Oldman as the peacock Lord Shen) is the most vicious Po has faced, and he cannot be defeated unless Po understands the tragedy that links them together.  He cannot fight his memories and his adversaries at the same time.  Po must make peace with his past to move on to the future.

As with the first one, this film combines exquisite, Asian-influenced design and a story that includes the classic heroic themes and gentle humor.  The action sequences are exciting, especially a sensational scene with our heroes hiding out in a dragon costume.  Before the peril gets too tense, there is always a laugh to remind us that we are safe with Po.  “Ah,” he says, walking into battle, “my old enemy — stairs!”

It has some nice parallels — Po and Lord Shen were both given up by their parents, for different reasons.  And both make use of fight techniques that can be used for good or evil.  The same gunpowder that creates inspiring firework displays can be weaponized into something that could mean the end of kung fu.  Po fights for freedom and for the discipline and skill of martial arts itself.

It opens with some background, beautifully told with traditional shadow puppets.  Po’s existential crisis is handled deftly, with the reassuring message that even when the beginning of our story is not happy, that does not have to control who we are.

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3D Action/Adventure Animation Fantasy For the Whole Family Movies -- format Series/Sequel
Midnight in Paris

Midnight in Paris

Posted on May 26, 2011 at 6:00 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for some sexual references and smoking
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: None
Diversity Issues: None
Date Released to Theaters: May 27, 2011
Date Released to DVD: December 20, 2011
Amazon.com ASIN: B005MYEQ4U

Woody Allen’s best film in years is a nostalgic tribute to nostalgia.  And this is one you’ll enjoy more by knowing less, so consider this entire review a spoiler alert and stop now if you want to preserve all of its surprises.

It begins with postcard Paris, a series of shots of iconic locations and a rueful jazz score.  

Gil Pender (Owen Wilson) is a successful Hollywood writer who longs for something richer and more challenging.  He has come to Paris with his fiancee, Inez (Rachel McAdams, doing her best in a thin role), and her parents, caricature Californians who prefer Napa Valley wine and American movies, even when they are in France.  A character calls him Miniver Cheevy because he romanticizes the Paris of the past, when Hemingway and Fitzgerald wrote and drank and things seemed — at least in retrospect — simpler and filled with promise.  It all seems even more appealing as he struggles to do the writing he says he wants to do and fumes as Inez seems enthralled by Paul, a fatuous know-it-all (Michael Sheen).

Okay, now spoiler alert again — stop reading if you don’t want to know what happens.  One night, when Inez has gone dancing with Paul and his girlfriend, Gil goes for a walk.  Just as the clock chimes twelve, a car pulls up and he is beckoned inside.  At first, he thinks he has happened upon a costume party, but then he realizes that he is not talking to a couple dressed as Scott and Zelda Fitzgerald (Tom Hiddleston and Alison Pill); he is speaking to the legendary writers, and seeing them when they were young and happy and excited by the world around them.  He meets his heroes.  They accept him as one of them.  He begins to live the life he believes he was meant to live — but only at midnight.

And there’s a girl.  Marion Cotillard plays a free-spirited but warm-hearted girl who has had relationships with some of the now-legendary names of the era.  And Gil is engaged.  But she and Gil are drawn to each other and suddenly the only thing he can remember that he has in common with Inez is a fondness for Naan bread.

Allen makes no attempt to re-create the historical Paris of the lost generation.  Part of the charm of the story is the way that it is very much Gil’s idealized dream of the era, with all of the now-famous names friendly and obliging.  Gertrude Stein (Kathy Bates) is perfectly happy to read his novel (about a man who owns a nostalgia shop) and give him both encouragement and constructive suggestions.  Just from reading what Gil wrote, a famous author (portrayed with great wit and gusto by Corey Stoll) has insights about Inez that Gil could not see.   In a Jungian sense, each of the real-life characters is here simply as a manifestation of some aspect of Gil, a way for him to think through things he has been too successful to consider.  When the story takes an “Inception”-like inverted twist, Gil begins to understand, like Dorothy Gale of Kansas, that the power is inside him when it is time to go home.

The retro scenes are brimming with charm, an all-star parade of early 20th century luminaries, charmingly written and beautifully portrayed.  They may be Gil’s projections, but they are enchanting.  The opening postcard shots shimmer into the dream of Paris and we embrace it as happily as Gil does, swept up in the bittersweet nostalgia you can only feel for something you never really experienced.  Those midnight excursions for Gil are what movies like this one are for us, an emotional vacation that, if we are lucky, provides respite, clarity, and renewal.  Allen continues his exploration of the great capitals of Europe next year with Rome.  I’m nostalgic for it already.

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Comedy Date movie DVD/Blu-Ray Pick of the Week Fantasy Romance

The Hangover, Part II

Posted on May 25, 2011 at 11:15 am

What’s it called again when you suffer the morning-after consequences of a wild night of extravagent, if debauched, fun?  Oh yes, a hangover.

This second night out with the wolf pack of Phil (Bradley Cooper), Stu (Ed Helms), and Alan (Zach Galifianakis), suffers from sequelitis, that headache-y uncertainty about exactly what it was that worked the last time and inability to make its premise seem fresh.  It feels as stale as the air in the squalid hotel room our heroes find themselves in with no idea of how they got there.  But it will still do as a taste of the hair of the dog.  The laughs may be fewer and  the gasps more “ewww” than “wow,” but there is still some pleasure in seeing those guys suffer.

A couple of years have passed and Stu is about to get married, not to the stripper he wed in Las Vegas in the first movie but to a lovely girl named Lauren (Jamie Chung).  As a tribute to her heritage, the wedding is going to take place in  Thailand.  Stu insists that brunch at IHOP with Phil and Doug (Justin Bartha) is all the bachelor party he wants (and he puts a napkin over his orange juice glass just to make sure no  one is slipping him a roofy this time).  But Doug persuades Stu to invite his brother-in-law Alan, and they are joined by Lauren’s 16-year-old brother, Teddy (Mason Lee), a prodigy who plays cello and is pre-med at Stanford.

Two nights before the wedding, after Lauren’s father insults Stu in a toast, the guys agree to have one drink on the beach before bed.  And Stu, Phil, and Alan wake up the next morning, as they did in the first one, with no memory of what happened the night before and a lot of incontrovertible evidence that what did happen was dangerous, probably criminal, and certainly disgusting.  Stu’s face bears the Maori tattoo they saw in the last movie on Mike Tyson.  There is a severed finger that appears to belong to Teddy, who is missing.  In his place is their old nemsis, Mr. Chow (Ken Jeong).  And instead of the last film’s tiger, there is a monkey wearing a Rolling Stones jean jacket.

They have somehow found themselves in Bangkok, and their search for Teddy involves an aged mute monk in a wheelchair, an American tattoo artist, a strip club, Russian drug dealers, some panicked phone calls, a Molotov cocktail, and both human and animal gun shot wounds.

The trick in comedies like this one is to find the sweet spot between the familiar and the surprising and between the shocking and the disturbing.  It misses.  Some in the audience will be happy to see the structure of the original repeated but most will wish for something new.  And the key to comedy is the “almost,” the ability to have it both ways by making sure the chaos is disruptive but not conclusively so.  Trashy is good.  Tawdry, not so much.  And aren’t we a couple of decades past finding humor in homosexual panic?

There are some very funny moments, with a hilarious password joke, Stu’s version of “Alan-town,”  and some deliciously weird comments from Galifianakis and Jeong.  But it misses the sense of genuine connection between the characters we just saw in “Bridesmaids.”  The first one ended with a satisfying sense of lessons learned.  This one should end with an intervention.

 

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Comedy Series/Sequel

Veggie Tales Live! Sing Yourself Silly

Posted on May 23, 2011 at 8:00 am

B+
Lowest Recommended Age: All Ages
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: None
Date Released to DVD: May 23, 2011
Amazon.com ASIN: B004RBC5FQ

I love the silly songs from Bob and Larry and the Veggie Tales gang!

The first-ever live show DVD from Big Idea entertainment is this delightful collection of the silliest silly songs ever sung, including my two favorites, “The Hairbrush Song” and “Endangered Love” (which we refer to as “Barbara Manatee” in our house).  The live show has classics like “The Pirates Who Don’t Do Anything” and some new songs, plus dancing, bubbles, confetti, some peeks backstage, and some lessons about sharing and friendship.  It won’t be out until next month but I have one DVD to give away to a lucky fan.  Send me an email at moviemom@moviemom.com with “Veggie” in the subject line and tell me your favorite silly song.  Don’t forget your address!  I’ll select one winner at random on June 1.  Good luck and stay silly!

 

http://www.youtube.com/watch?v=3TSoEYkMnAQ
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Comedy DVD/Blu-Ray Pick of the Week Elementary School For the Whole Family Music Preschoolers
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