Kavanah Productions:
Posted on July 10, 2008 at 8:00 am
Kavanah is a documentary production company dedicated to creating films on Jewish themes to be used in educational settings. It was established by Lauren Shweder Biel, a Ph.D. candidate in Anthropology at New York University. The word “kavanah” means “intention,” “concentration,” or “focus” and is an essential part of meaningful action of all kinds, including ritual and prayer.
Beil has made two films so far:
Abraham’s Daughters: A Bat Mizvah Story, exploring the multiple dimensions of this life cycle ceremony as it is practiced and experienced in contemporary Jewish life (35 minutes), and 1-800-GO-KOSHER, a day in the life of New York City’s only rapid-response kitchen koshering service (10.5 minutes).
For more information or to order a film, contact info@kavanahproductions.com
A young soldier who has come home from Iraq is forced to rethink his ideas about heroism and patriotism when he is “stop-lossed” — informed that instead of leaving the Army he has been involuntarily assigned to another tour of duty. Brandon (Ryan Phillippe) and Steve (Channing Tatum), his best friend since high school, were greeted with an old-fashioned hero’s welcome right out of a Norman Rockwell painting, with a parade and a warm handshake from their Senator, who says his door will always be open to real-life American heroes. They speak proudly about “killing ’em in Iraq so we won’t have to kill ’em in Texas.” But when Brandon finds out that the government has the right to send him back, he goes AWOL and leaves for Washington with Steve’s estranged fiancée (Abbie Cornish), hoping the Senator will find a way for him to stay home.
to 
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A gimmicky thriller without much of a gimmick or many thrills, “Vantage Point” suffers, too, from being out of synch with its time. Its premise may be current — an assassination attempt at an anti-terrorism summit — but its tone is off. A good thriller — or even a good episode of “Law and Order” — uncovers our underlying fears, recognizes that they are closely tied to curiosity, and pushes them to the point of pleasurable fear and cathartic release. This film clumsily builds on the headlines with a simplistic story that, even told in mosaic bits and pieces is obvious and clunky, with big logical gaps. It would be more intriguing to see the same story told several times from different perspectives, each one adding another layer of information, if the underlying story was worthwhile. But this story of a terrorist attack at an anti-terrorism summit, is too thin to withstand the repetition. Instead of making it deeper and more complex, the retellings get tiresome and overblown.