Nancy Drew: Mystery in the Hollywood Hills

Posted on March 11, 2008 at 8:00 am

Part of the appeal of Nancy Drew through the decades has been the way she has continually been updated while remaining essentially the same. The problem with this movie is that the updates are poorly chosen, awkwardly inserted, and inappropriate for its intended audience.

In the original books, Nancy’s mysteries were usually about lost lockets, secret codes, maybe a kidnapping or some attempted harm that Nancy was able to prevent just in time. In this film, the central puzzle is the murder of a film star, and the plot centers on an out-of-wedlock pregnancy kept secret even from the father. This is an incomprehensibly poor choice in a movie intended for children. It also a poor dramatic choice, undercutting the movie’s plot, tone, and style and throwing its story off-balance.


In the opening scene, Nancy (Emma Roberts) crisply captures a couple of bad guys (watch for “Saturday Night Live” alum Chris Kattan). They may think they have captured her, but she soon turns them over to the grateful local cops, who have come to rely on her for their toughest cases. But all of that is coming to an end. Nancy’s father (Tate Donovan) has to go to Los Angeles for several months on business and she is going with him. And after solving that last mystery had her dangling off a rooftop, Mr. Drew makes Nancy promise that she will take a break from crime and just be a normal high school girl in their new city.


She does not tell him she selected their new home because it had a mystery for her to solve. Many years ago, a beautiful and successful actress was murdered there and left some clues behind. And there is a caretaker who may know something as well.


All of this is much more important to Nancy than lesser mysteries like how to make friends in her new school. But that retro attire she whipped up from her mother’s old patterns pretty much acts as a classmate-repellent, so she has to find a way to make some friends who like her the way she is.


Roberts (daughter of Eric and niece of Julia) has a natural elegance, poise, and focus. She fits well in the role and she looks sweetly chic in her classic wardrobe. As in the books, Nancy is a clever, determined, and spunky detective who can be fascinated by crime and still have an air of innocence. When it comes to boyfriend Ned Nickerson (Max Thieriot), she is barely aware that he might feel anything more than friendship or expect her to make him a priority. This makes her focus on the illicit romance of a long-dead movie star all the more awkward. So is a possible jealousy subplot involving Ned and an annoyingly precocious 12-year-old named Corky (Josh Flitter). A surprise cameo from a big star is just a distraction, adding nothing to the sleuthing or new kid in school storylines.


Young detectives serve as inspiration and metaphor for children trying to puzzle out the mysteries of the adult world. Seeing someone their own age understand and explain what is going on to grown-ups is highly satisfying for children. But here the uncertain shifts in tone from sincerity to almost-camp and the inappropriate subject matter make the unsolvable mystery just who this movie’s audience was intended to be.

Parents should know that although handled in a low-key way, the themes of this film include murder and out of wedlock pregnancy. There are some scary moments, including what appears to be a ghost. Nancy also takes some risks and breaks some rules.

Families who see this movie should talk about why some of the other girls thought Nancy was strange and how that affected the way they treated her. How should we treat people who are different? What made them change their minds? Who in the film was jealous, and why? They might like to think about the changes Nancy has had to make over the years. Even in the constantly-reissued books, Nancy does not drive a blue roadster anymore. She uses the internet in her sleuthing. Vestiges of racial and gender stereotypes have been eliminated. What other changes do you think they have made or should make?

Families who enjoy this movie will also enjoy reading the books. Nancy Drew now appears at different ages in separate series designed for ages eight to early teens (with more mature material than the original series). She even appears in video games.

For more background on the history of Nancy Drew, try Girl Sleuth: Nancy Drew and the Women Who Created Her and Bobbie Ann Mason’s The Girl Sleuth. They will also enjoy Agent Cody Banks and an earlier version, The Original Nancy Drew Movie Mystery Collection, played by Bonita Granville.

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Family Issues Thriller

Dan in Real Life

Posted on March 10, 2008 at 6:00 pm

No one is better than Steve Carell at playing clenched. In “Dan in Real Life,” he plays a character so clenched he just about levitates off the ground. Dan is an advice columnist and a single parent. He cares for his three daughters. He provides warm and witty counsel to the lonely hearts who write in for help. But his own lonely heart feels like it has been on hold for four years, since his wife died. Dan is holding on to what he has left as hard as he can; a little too tightly, according to the two older daughters. He is not quite ready to let Jane (Alison Pill) drive. And he is not even close to ready to let 15-year-old Cara (Brittany Robertson) have a boyfriend, even one who calls him “sir.” It’s as if he lets go of them, if he lets go of anything, he might experience another devastating loss. So, he subsists on tight smiles and denial, tossing off a few gentle wisecracks to try to pretend to the girls and to himself that everything is just fine.

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Comedy Drama Romance

Bee Movie

Posted on March 10, 2008 at 8:00 am

Jerry Seinfeld will always be remembered for creating a brilliant and beloved television show about…nothing. His unbreakable rule was “no learning, no hugging.” Popular sitcoms had always been about learning and hugging and “very special episodes.” But Seinfeld created four intensely self-absorbed characters and if we did not exactly care about them, we were captivated by them. Now, he and some of the “Seinfeld” show writers have created an animated movie aimed at children. There is some hugging and learning involved but it is still as close to being about nothing as it can be.

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Animation Comedy Family Issues

Special offer for Public Libraries on Films of Frederick Wiseman

Posted on March 9, 2008 at 6:10 pm

Pioneering documentarian Frederick Wiseman is one of the key developers of what is sometimes called “observational” or “direct” cinema. These days, our concept of documentaries is often shaped by Michael Moore or Al Gore, unabashedly advocacy movies that are more like op-ed pieces than journalism. But Wiseman’s interest in institutions of all kinds, from mental hospitals to high schools, from high end department stores to welfare offices, from making decisions with and about patients at the end of life to the efforts of people with disabilities to achieve independence, from people on welfare to state legislators, from missile-makers to high-fashion models, all are displayed in forthright documentaries that tell their stories without narration.
While there is no such thing as complete objectivity in any story-telling and Wiseman himself is the first to admit that he shapes his stories with his choice of structure, the order and the positioning of the cuts, his movies have a kind of directness and intimacy that lets us experience what he shows us in our own way, without relying on anyone telling us what to think about what we are seeing. He does not interact with his subjects. He lets them tell their own stories, not by speaking to us directly but by becoming so comfortable with his camera that they let us see them as they are.
Wiseman’s films have sometimes been controversial. His first documentary, “Titticut Follies,” is a searing expose of a Massachusetts mental hospital. It was banned from release and restricted in its showing to anyone but educators and students by a court order on the grounds that it violated the patients’ rights to privacy, despite the fact that Wiseman had received permission from all of the people portrayed in the film or else their legal guardian. The film’s unblinking portrayal of the abusive and neglectful treatment of the patients may have been the reason for the ruling. In 1992, it was allowed to be shown on PBS.
The films are available on DVD at a modest price for individuals. For a limited time, Wiseman’s films are available to public libraries at a discount.
Enter code “PUBLIB15” at checkout to receive 15% off orders of 5 films or more
Enter code “PUBLIB20” at checkout to receive 20% off orders of 15 films or more

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Documentary

10,000 B.C.

Posted on March 6, 2008 at 9:42 pm

C
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG-13 for sequences of intense action and violence.
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Peril and violence including battles with swords and arrows and animal attacks, characters injured and killed
Diversity Issues: None
Date Released to Theaters: March 7, 2008

10000bcposter.jpgIf you are ten years old, a fan of video games, and have a short attention span and no knowledge of history, you will love this movie. The further you stray from these core qualifications, the less you will love it.
“10,000 B.C.” is the story of a tribe of ice age mammoth hunters who are scratching out a peaceful existence in the mountains when they are set upon by a fierce band of marauders who capture members of the tribe and drag them off into slavery. One of the captives is Evolet (the deserving-of-better Camilla Belle), the blue-eyed girlfriend of the young hunter D’Leh (Steven Strait). He vows to follow them to the ends of the earth to get her back, and so begins an epic journey in which D’Leh grows from a callow and frightened young man to a mature and powerful leader of men.

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Action/Adventure Epic/Historical Movies -- format
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