Lions for Lambs

Posted on November 7, 2007 at 3:21 pm

C
Lowest Recommended Age: High School
MPAA Rating: MPAA Rating: R for some war violence and language
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Brief graphic battle violence
Diversity Issues: A strength of the movie is strong, loyal relationships between diverse characters
Date Released to Theaters: November 9, 2007

It is more op-ed than movie. “Lions for Lambs” is a well-meaning attempt to encapsulate and move forward one segment of our current political debates. But it is mostly speeches, not stories.
Lions%20for%20Lambs.jpg

(more…)

Related Tags:

 

Drama Genre , Themes, and Features Movies -- format Reviews

How to Cook Your Life

Posted on November 7, 2007 at 12:58 pm

howtocookyourlife-a.jpg
Writer-director Doris Dörrie has made a wonderfully touching and inspiring documentary about zen priest and best-selling cookbook author Edward Espe Brown. It is about food and dignity and touch and mindfulness, sufficiency and abundance, physical, spiritual, and emotional hunger, anger and satisfaction. It is funny and moving and inspiring and even in its own way nourishing. And it has a wonderful score. It is worth seeing just for the scene when Brown recites the poem his mother included in a letter just before she died, about a duck that “reposes in the immediate as if it were infinity — which it is. He has made himself a part of the boundless by easing himself into just where it touches him.”

(more…)

Related Tags:

 

Documentary

O Jerusalem

Posted on October 21, 2007 at 10:28 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for some war scenes
Profanity: None
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Battle violence including war atrocities, references to Holocaust, many characters injured and killed
Diversity Issues: A theme of the movie, very strong women characters
Date Released to Theaters: October 17, 2007

Good intentions often make bad movies.

(more…)

Related Tags:

 

Epic/Historical Genre , Themes, and Features Movies -- format Reviews War

The Jane Austen Book Club

Posted on October 4, 2007 at 12:49 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for mature thematic material, sexual content, brief strong language and some drug use
Profanity: Brief strong language
Alcohol/ Drugs: Drinking, drug use
Violence/ Scariness: Accident involving minor injuries, tense confrontations
Diversity Issues: None
Date Released to Theaters: October 4, 2007
Date Released to DVD: 2008
Amazon.com ASIN: B000ZS8GW6

I’m pretty sure that Jane Austen never thought of including a lesbian jumping out of an airplane in any of her books, and yet somehow that scene fits in just fine in this story of six people who get together to read all six of Austen’s novels. Austen did manage to cover, in six books all taking place almost entirely in the quiet British countryside of the late 18th century, many variations on the themes of love and learning, and this film shows us how her stories continue to inspire and connect people who realize that very little has changed in the last 200 plus years.
The book club starts as a way to cheer up Sylvia (Amy Brenneman), just dumped by her husband (Jimmy Smits). Sylvia’s friends, the free-spirited Bernadette (Kathy Baker) and the dog-breeding loner Jocelyn (Maria Bello), invite Sylvia’s daughter Allegra (Maggie Grace), an impetuous, extreme sport-loving lesbian. Bernadette impulsively invites Prudie (Emily Blunt), a prim high school French teacher who has never been to France. And Jocelyn even more impulsively invites a man — Hugh Dancy as Grig, a sci-fi loving techie who asks if some of the six Austen books are sequels.
Once a month, they meet to talk about the books, each of them taking turns to host and present. And the themes of the book — from the patient hoping of Mansfield Park and Persuasion to the jump-to-the-wrong conclusions of Northanger Abbey, Pride and Prejudice, and Emma, to Sense and Sensibility, which has both, each book seems to resonate to one or more of the characters and their own paths to love.
The movie is a big improvement over the wispy novel, which teetered between being cutesy and being cloying. One reason is a brilliant cast, each of whom adds tremendous heart and vibrancy to the story. It also benefits from lively direction and high spirits provided by screenwriter Robin Swicord. The opening credit sequence sets the stage with a collection of scenes showing the frustrations of modern life. And the pacing keeps things light and bubbly, making it clear that, like Austen’s heroines, a happy ending will be in store.
Parents should know that this movie includes explicit sexual references and situations, gay and straight. A character commits adultery and another considers having sex with a very inappropriate partner. The movie includes brief strong language, alcohol, and drug use.
Families who see this movie should talk about how the stories of the characters parallel the novels by Jane Austen. What are some other examples of “the humbling of the know-it-all pretty girl?” Do you agree that “high school is never over?”
Families who enjoy this movie will also enjoy “In Her Shoes,” and the movies based on and inspired by Jane Austen’s novels, including “Sense and Sensibility,” “Emma,” “Pride and Prejudice,” “Bride and Prejudice,” “Clueless,” and “Bridget Jones’s Diary.”

Related Tags:

 

Based on a book Date movie Movies -- format Romance

The Kingdom

Posted on September 24, 2007 at 11:47 am

C
Lowest Recommended Age: High School
MPAA Rating: Rated R for intense sequences of graphic brutal violence, and for language.
Profanity: Some very strong language, racial epithets
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Extreme, graphic, and intense peril and violence, terrorist attacks, torture, many characters injured and killed, including parents and children
Diversity Issues: A theme of the movie
Date Released to Theaters: 2007

The highlight of this film is over by the time it begins. A brief credit sequence outlines the relationship between the US and Saudi Arabia in provocative, trenchant terms covering the Saudi nationality of Osama Bin Laden and most 9/11 hijackers to the entanglements between the US and its top politicians and the oil companies and the Saudis.


Then the movie opens and the last moments of complexity and signficance are over and it becomes a high-budget episode of “The A Team” crossed with “24” and a sort of “CSI: Riyadh” until a few minutes at the end try to tack on some larger meaning. It just shows how thin the material in the rest of the film is by contrast.


It is carefully constructed for maximum impact. Happy American families stationed in Saudi Arabia, mostly by oil companies, are relaxing in that most American of pastimes, a baseball game. And then an all-too-sickeningly familiar scenario unfolds, as a carefully orchestrated multi-stage terrorist attack, killing hundreds of people. Meanwhile, the man who planned it, watches from a balcony far away, filming the explosions.


Who has jurisdiction to investigate and respond? Legally, the Saudis have exclusive authority. As a matter of diplomacy, the United States does not want to interfere. But a movie-genically diverse group of FBI agents fly over to investigate, over the objections of the State Department and his Justice Department superiors.


Jamie Foxx is leader Ronald Fleury, and he is joined by canny cracker (Chris Cooper), a wisecracking newbie (Jason Bateman), and a tough but tender-hearted woman (Jennifer Garner). They are escorted by a sympathetic Saudi (Ashraf Barhom) and pestered by an obnoxious embassay aide (Jeremy Piven).


Director Peter Berg tries to show his mastery of the situation by even-handed assigment of good- and bad-guy roles on all sides and undercutting his shoot-em-up, just-in-time, climax with a final acknowledgement of the inextricability of the forces and tensions behind terrorism and corruption. His capable cast does their best to inject some character into all the bang bang. But it still comes across as arrogant, superficial and part of the problem, not part of the solution. A character is shown reading “The Koran for Dummies” as preparation for the investigation. The movie so mistrusts its audience that it tries to be “The Mideast Conflict for Dummies,” throwing a lot of gunfire and brutality on the screen to get us to learn something about Saudi Arabia and ending up losing not just credibility but interest as well.

Parents should know that this movie has very graphic violence, including a massive terrorist attack by suicide bombers that results in the death of a hundred civilians, including children, torture, and heavy artillery attacks, with explicit shots of gruesome injuries, bloody deaths, and dead bodies. Characters are in intense peril and many, many people are killed. Characters also smoke and use very strong language. A strength of the movie is the portrayal of strong, loyal, capable diverse characters.


Families who see this movie should talk about how we draw the line between diplomacy and law enforcement. How would the US respond to another country’s law enforcement officers coming to investigate a crime in the US? What do you think about the ending? What does it mean to say that tradition and modernity are in violent collision?


Families who appreciate this film will also like The Siege and Arlington Road.

Related Tags:

 

Drama Movies -- format Thriller
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2026, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik