Love and Basketball

Posted on December 13, 2002 at 5:17 am

About eighty percent love and twenty percent basketball, this is a romance about two basketball-loving kids who go one-on-one in both games for almost twenty years before they get it right.

The movie is divided into quarters, like a basketball game. Monica moves next door to Quincy when they are both 11. He is so affronted by her skill at making baskets that he knocks her to the ground — and so impressed that he asks her to be his girl. They kiss for an agreed-upon five seconds, and then break up when they argue over whether he gets to be the boss.

Seven years later, they are seniors in high school, and both star players. Monica (Sanaa Lathan) and Quincy (Omar Epps) are friends, very aware of each other, but awkward at expressing their feelings. He is heavily recruited, but opportunities for girl players are more limited. At the last minute, she gets recruited, too. On the night of the prom, they acknowledge how they feel about each other and become intimate.

At USC, they each face challenges. Quincy learns that the father he respects has not been honest. Monica must deal with a demanding coach and with competition from teammates. They part, and Quincy drops out of school to play professional basketball. In the last quarter, they meet again, for one last chance at love and basketball.

Writer/director Gina Prince-Blythewood has crafted a nice, old-fashioned story. There are a few modern touches, like Monica’s independence in addressing the conflicts between her love for Quincy and her love for basketball, but it is surprisingly traditional in structure and outcome. For example, Quincy is permitted to have had many romantic encounters, but Monica, our heroine, is as hopelessly devoted to her one love as Olivia Newton-John was in “Grease.” And when she sees Quincy again, years after their college break-up, she apologizes to him for leaving him when he was upset so that she could get back to the dorm before her curfew. She says, “I should have been there for you. But I didn’t know how to do that and be all about ball.” There is also a “Star is Born” element as Monica becomes successful as Quincy is having difficulty.

Monica and Quincy must also resolve standard-issue family conflicts. Monica feels unappreciated by her mother (a criminally underused Alfre Woodard), who is happy to be a very traditional housewife and subordinate her life to her family. It turns out that Monica’s mother feels unappreciated too. Quincy’s father, a professional basketball player, turns out to be less than the hero Quincy thought he was. Quincy says to him, “How come you couldn’t be the man you kept trying to make me?” Both must learn to forgive their parents for not being perfect before they can truly become adults.

It is especially nice to see a movie with a primarily black cast that has a genuine feel for the culture but avoids the usual clichés. Monica and Quincy live in an upper middle class neighborhood and each has two loving parents.

Parents should know that the movie has strong sexuality for a PG-13, including descriptions of some sexually aggressive women, a strip basketball game and a scene of Monica and Quincy having sex that has no nudity but is fairly explicit. (It also includes the use of a condom.) A character is accused of fathering a child out of wedlock. Quincy’s father admits that he married Quincy’s mother because she was pregnant. A character gets drunk when she finds out that her husband has been unfaithful. A mother slaps a grown child.

Families who see this movie should talk about how people reconcile the demands of love, family, and career, and why it is that Monica and Quincy had so much trouble telling each other how they felt. Teenagers may also want to talk about the different views Monica and Quincy had of their relationship at different ages, and how the key element linking them through all of them was not basketball but friendship.

Families who enjoy this movie will also enjoy a very different basketball movie, “Hoosiers,” about a 1950’s championship high school team, and a very different romantic movie, “Claudine.”

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Romance Sports

Panic Room

Posted on December 13, 2002 at 5:17 am

This thriller, in the claustrophobic mode of “Rear Window”, finds Meg (Jodie Foster), a recent divorcee, and her combative daughter Sarah (Kristen Stewart), trapped in the secret vault/bomb shelter/safe room set up by their apartment’s previous owner, a paranoid millionaire with a squabbling family. The least favorite cousin, Junior (Jared Leto), has broken into the apartment with the help of security expert Burnham (Forest Whitaker) and tag-along psycho Raoul (Dwight Yoakam). The bad guys want in to the vault, where the old millionaire hid his millions. The girls just want to get out, but the protected phone line inside the room hasn’t been activated yet (they just moved in).

This is not a movie about insight into the human condition or subtle, complex characters. This is just a movie about scaring the heck out of you, and it does that very expertly.

Jodie Foster’s inner mama tiger takes over and escalates as the burglars take more and more drastic steps to try and enter the impregnable vault, and Kristen Stewart moves from being a tough, sullen teen to a tough, sullen, wily teen. On the outside, Forest Whitaker gets to play the good bad guy, while Mr. Leto and Mr. Yoakam act progressively more evil.

For a story which should have been a claustrophobic battle of wits, too often it’s simply a battle of violence, although there are some riveting action sequences. And while the family dynamics are underdeveloped, the film does show how divorced parents and their children can remain a family even after separation.

Parents should know that the movie has extreme suspense and some graphic violence. A child is in peril. Characters use strong language.

Families who see this movie should discuss what the characters do to escalate the level of violence, and how acting from emotions as opposed to reason can aggravate problems, no matter how satisfying it may seem at the time. Divorced families will be especially interested in Sarah’s father, who has in no way abandoned his daughter.

Families who enjoy this movie will also enjoy the director’s other movies (very mature material), “Seven” and “Fight Club.”

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Action/Adventure Drama Family Issues Thriller

Rocky

Posted on December 13, 2002 at 5:17 am

Plot: Rocky Balboa (Sylvester Stallone) is a sweet-natured but not very bright boxer and small-time enforcer for a loan-shark. He has a crush on Adrian (Talia Shire), the painfully shy sister of his friend, Pauly (Burt Young). Apollo Creed (Carl Weathers) is the heavyweight champion, whose big upcoming fight is canceled when his opponent is injured. Creed and his promoters decide to give an unknown a shot at the title, and pick Rocky.

Rocky has never really committed to anything before, but this opportunity galvanizes him. He works with Mickey (Burgess Meredith) a demanding trainer. He takes Adrian on a date, and they fall in love. When her brother becomes furious over their relationship, she moves in with Rocky. Rocky knows he cannot beat Creed; his goal is to “go the distance,” to conduct himself with class and dignity in the ring and still be standing at the end of the fight. Apollo, sure of himself and busy marketing the fight, neglects his own training. Apollo wins, but it is a split decision. Rocky goes the distance. Surrounded by fans and the press, he bellows over and over “Adrian!”

Discussion: In Rocky’s first fight, we get a glimpse of his potential. But it is also clear he has failed to make a commitment to anything. Mickey wants to throw him out of the gym because he doesn’t take boxing seriously enough. It is less an insult to boxing than an insult to himself. He takes pride in small things, like his pet turtles, and the fact that his nose has never been broken. When he gets the call from Apollo, he assumes that he is going to be invited to be a sparring partner for the champion, the greatest honor he could imagine for himself.

But Apollo’s impetuous offer gives Rocky a chance to see himself differently. That offer does for him what Paul does for Billie in “Born Yesterday,” what Miss Moffat does for Morgan in “The Corn is Green,” or Obi-Wan does for Luke in “Star Wars.” Rocky has a chance to think of himself as someone who can hold his own with the world champion, and once he has that image of himself, it is just a matter of taking the steps to get there. That image also gives him the courage to risk getting close to Adrian. Rocky also gives Adrian a chance to see herself differently. He was told when he was young that he was not smart, so he should concentrate on his physical ability; she was told she was not pretty, and should concentrate on her mental ability. Each of them sees in the other what no one else did. He sees how pretty she is; she sees how bright he is; each sees the other as loveable, as no one has before. This, as much as anything, is what allows both of them to bloom.

Rocky is realistic about his goal. He does not need to win. He just needs to acquit himself with dignity, to show that he is in the same league as the champion. In order to achieve that goal, he will risk giving everything he has, risk even the small pride of an unbroken nose. He develops enough self-respect to risk public disgrace. This is a big issue for teenagers — adolescence has been characterized as the years in which everything centers around the prayer, “God, don’t let me be embarrassed today.” Rocky begins as someone afraid to give his best in case it is not good enough, and becomes someone who suspects that his best is enough to achieve his goals, and is willing to test himself to find out.

It is worth taking a look at Creed as well. Like the hare in the Aesop fable, he underestimates his opponent. He is so sure of himself, and so busy working on the business side of the fight that he comes to the fight unprepared.

It is especially meaningful that the action behind the scenes paralleled that in the movie. Stallone, a small-time actor, was offered a great deal of money for this script, which he wrote. But he insisted instead on selling it for a negligible sum, provided that he play the lead. The entire movie was made for less than $1 million. Stallone beat even longer odds than Rocky did when the movie went on to win the Oscar as Best Picture. Stallone also became only the third person in history (after Charles Chaplin and Orson Welles) to be nominated for both Best Actor and Best Screenplay.

Questions for Kids:

· Why did Mickey want to throw Rocky out of the gym?

· Why didn’t Rocky have higher aspirations, until after he got the offer from Apollo?

· How is Apollo like the hare in the fable about the tortoise and the hare? Why is it so hard for Rocky and Adrian to get to know one another?

Connections: There are four sequels, all increasingly garish and cartoonish. They are barely more than remakes, and are only for die-hard fans.

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Drama Series/Sequel Sports

The Best Years of Our Lives

Posted on December 13, 2002 at 5:17 am

Three men are returning home from service during WWII. Fred Derry (Dana Andrews), a bombardier, Al Stephenson (Frederic March), a middle- aged footsoldier, and Homer Parrish (Harold Russell), a sailor who has lost both hands, fly back to their home town of Boone City, excited, but a little apprehensive about beginning their post-war lives. Fred is returning to a beautiful wife, Marie (Virginia Mayo), whom he barely knows. Al is coming back to his wife, Milly (Myrna Loy), and their two children, who have grown up while he was gone. And Homer is coming back to face his family and his fiancée, Wilma (Cathy O’Donnell), with hooks replacing his hands.

Each of them has a lot of adjusting to do. Al is awkward with his wife at first, and insists that they go out to a bar owned by Homer’s uncle Butch (Hoagy Carmichael), where they meet Homer and Fred, who has not been able to find his wife. Al and Fred get very drunk, and Al and Milly take Fred home with them. Al’s daughter Peggy (Teresa Wright) comforts Fred when he has a nightmare about the war, and the next morning makes breakfast for him, and drops him off at his apartment. After everyone leaves the apartment, Al and Milly reconnect to their feelings for one another. Fred finally finds Marie, who is delighted to have him home. But Homer barely speaks to Wilma.bestyears.jpg

Al returns to his job at the bank, but when he approves loans to ex-servicemen who don’t meet the bank’s requirements for collateral, his boss is concerned. At a banquet, Al gets drunk and explains movingly that he learned in the war that you have to trust people, and give them a chance, and that the rules must be changed.

Homer is still uncommunicative and withdrawn until Wilma comes to his house late one night to talk to him. He is finally able to show her the extent of his injuries, and is relieved that it makes no difference to her. They set a date for the wedding.

Fred, who was a soda jerk before the war, says that is the one job he will never do again. But he finds himself back serving ice cream, when he can’t find anything else, until he punches a customer who insults Homer and the other ex-servicemen. Marie, who cares about nothing but fun and money, is quickly bored with him, and starts seeing other men.

Fred falls in love with Peggy, but when Al asks him not to see Peggy any more, he decides to leave town. At the airport, he climbs into the cockpit of one of the old bomber planes, destined to be turned into scrap metal. He meets a man who is using the metal for building and asks for a job, explaining that he knows nothing about it, but knows that he knows how to learn. He is hired.

Fred is Homer’s best man. At the wedding, Fred sees Peggy, and the words of the wedding service seem to bring them together.

Though today’s families will have a hard time relating to the specifics of the post-war era, the theme of adaptation to changing circumstances and the need for genuine closeness is a timeless one. The most important scene in the movie is the one in which Fred realizes that he can use the same skills he used in the war — especially his ability to learn — to bring him what he is looking for. Fred and Homer both have a hard time believing that they deserve love, because each feels helpless and inadequate. Homer is afraid to risk rejection by Wilma, so he brusquely ignores her. Fred plans to leave town and never see Peggy again. But both ultimately take the risk and find the love they hoped for.

Al is also brusque and awkward with Milly at first, but by their first morning together he is ready to return to the relationship they had. Milly’s description of marriage to Peggy is particularly important in this context, making it clear that “living happily ever after” requires commitment, courage, and work.

Questions for Kids:

· What were the challenges faced by each of the servicemen in adjusting to life after the war?

· Would it have been easier for Homer if his family and Wilma talked to him about his injuries when he first came home?

· Why was it easier for Homer to talk to Fred and Al about them than it was to talk to his family?

· Why was Al so awkward with Milly at first?

· What did he mean when he talked about collateral at the banquet? Why was it important for Fred to realize that he knew how to learn? How did that change the way he thought about himself?

Connections: Harold Russell, who lost his hands in a grenade accident in training, received both a special Oscar and the Oscar for Best Supporting Actor for his performance as Homer. He did not make another movie until “Inside Moves” in 1980. He also served as the Chairman of President Lyndon Johnson’s Committee on Hiring the Handicapped. The movie also won Oscars for Best Picture, Actor, Director, Musical Score, and Writer. Butch is played by Hoagy Charmichael, composer of “Stardust.” A movie with similar themes is “Til the End of Time” with Robert Mitchum and Guy Madison.

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Classic Drama For Your Netflix Queue Movie Mom’s Top Picks for Families

The Little Mermaid

Posted on December 13, 2002 at 5:17 am

A+
Lowest Recommended Age: Kindergarten - 3rd Grade
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Some scary scenes, characters in peril
Diversity Issues: None
Date Released to Theaters: 1989
Date Released to DVD: September 30, 2013
Amazon.com ASIN: B0036TGT2A

little mermaid diamondAfter some lackluster years, Disney came back into the top rank of animated features with this superbly entertaining musical, based loosely on the fairy tale by Hans Christian Andersen (but with a happier ending).

Ariel was the first in a series of refreshingly plucky Disney heroines. Instead of dreaming about the day her prince will come, or waiting for a fairy godmother or a Prince’s kiss, Ariel is a spirited and curious mermaid who is willing to take action in order to meet Prince Eric, the man of her dreams, though she is gullible and impetuous in agreeing to the terms demanded by the seawitch in exchange for making it possible for her to go on land.

She goes to the seawitch (Pat Carroll, first rate as Ursula the octopus) to ask her to turn her tail into legs. But Ursula has two conditions. Ariel has to give up her voice. And if Eric does not kiss her within three days, Ariel will become Ursula’s slave forever. She agrees, and has to find a way to persuade Eric to fall in love with her without using her voice, despite Ursula’s crafty plans to prevent it.

NOTE: In addition to the “normal” scariness of the sea witch, some children may find the casual bloodthirstiness of the French chef upsetting, especially in the musical number in which he tries to turn Sebastian into crabmeat.

The wonderful voice characterizations in this film include Buddy Hackett (“The Music Man”) as Scuttle the scavanging seagull and Samuel E. Wright as Sebastian, the calypso-singing crab. The first-class musical score by Alan Menken and Howard Ashman (who worked together on the off-Broadway hit, “Little Shop of Horrors”) ranks with the best of Broadway and won Oscars for Best Score and Best Song (“Under the Sea”). Some viewers criticize the movie for providing yet another wasp-waisted Disney heroine whose whole world revolves around a man. But Ariel is adventuresome, rebellious, and brave. It is true that she makes the mistake of giving up her voice to the sea witch (a very strong female character, to say the least), which provides a good opportunity for family discussion.

A straight to video sequel about Ariel’s daughter called The Little Mermaid II: Return to the Sea is exceptionally good, with first-class animation and a lot of heart and humor.

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Animation Based on a book Classic DVD/Blu-Ray Pick of the Week Fantasy For the Whole Family Musical Romance Talking animals
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