The Nut Job

Posted on January 16, 2014 at 6:00 pm

squirrel-dog-the-nut-job-01-1296x730I miss the days when the economics of animation were so daunting that we were assured a certain level of quality. Yes, there were some low points that don’t even qualify for a Disney re-issue (I could find some affection for “Chicken Little” and “Treasure Planet,” but even I can’t find much to like in “The Black Cauldron” or “The Hunchback of Notre Dame”). Unfortunately, now that computer modeling makes animation more affordable, movies are getting made that don’t meet the minimum standards for a feature film.

“The Nut Job” is not an awful movie, nowhere near as bad as last year’s “Free Birds” or “Escape from Planet Earth.” It is just not very good, with sluggish pacing and a weak script that is both over- and under-written. One telling detail is the movie’s reliance on the 2012 Psy hit song “Gangnam Style.”   When a two-year-old song is a movie’s high point, it’s in trouble.  The thanks to the tourism bureau of South Korea in the credits is also an indication that entertainment and story-telling were not the sole purpose of the film.

The voice talent is fine, especially Maya Rudolph as a bulldog, but the visuals are not especially imaginative.  As we see so often in sub-par animation, the focus (literally) seems to be on making every hair distinct rather than in finding a visual way to move the story.  Very simple, basic fundamentals like a sense of place and the relationships of the various locations to each other are poorly handled and the 3D is entirely unnecessary.

If you want to see an entertaining and funny movie about backyard creatures trying to steal nuts, take a look at an old Disney “Chip ‘n’ Dale” cartoon.  This has essentially the same idea, but weighed down with complications that, like the hyper-realism of each hair in the animals’ fur, overtakes the big picture.

A squirrel named Surly (Will Arnett) is a cynical loner with just one friend, a rat.  They live in a city park.  Surly has no interest in cooperating with the rest of the animals, who work together to gather food.  Their leader is Raccoon (Liam Neeson), and when he warns that they do not have enough food, the responsible, loyal, and dedicated Andie (Katherine Heigl) and dim, overconfident Grayson (Brendan Fraser), regarded by all the animals as their hero, go off in search of food and find the same target already identified by Surly, a nut cart. When their competition over the cart results in disaster that destroys the animals’ entire store of food, Surly is banished.  He is lost at first as he explores the city for the first time, but then he finds the nut shop behind the cart, which turns out to be a front for a group of bank robbers.

So there’s conflict between Surly and Andie, the animals and the humans, the squirrels and some scary-looking rats, the squirrels and the bulldog, the squirrels and various perilous spots, the robbers and each other, the robbers and the bank, and the only thing the kids enjoyed at the screening I attended was the bodily function humor and some slapstick.  Then there’s the issue of looking out for oneself only versus being part of a group, which feels like it was thrown in at the last minute.  Most of the movie is about two elaborate robberies but the one I minded was the loss of the time I spent watching it.

Parents should know that there is a good deal of cartoon-style peril and violence, including guns and scary rats, but no one gets badly hurt (stay through the credits to be reassured).  There is some mild language and some crude potty humor.  Human and animal characters spend most of the movie plotting thefts with little recognition that this could be wrong or hurting anyone.

Family discussion:  Why did Surly and Andie have different ideas about being part of the community?  Which characters trusted the wrong people or animals?

If you like this, try: “Over the Hedge”

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Frozen

Posted on November 26, 2013 at 5:00 pm

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action and mild rude humor
Profanity: Brief schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Scary wolves, snow monster, peril, sad death of parents
Diversity Issues: Strong female characters
Date Released to Theaters: November 27, 2013
Date Released to DVD: March 17, 2014
Amazon.com ASIN: B00G5G7K7O

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Smart, exciting, funny, sweet, tuneful, and gorgeously animated, the Oscar-winning “Frozen” adapts Hans Christian Andersen’s classic fairy tale into a story of two sisters kept apart by a scary secret.  Scary wolves, an enormous snow monster, a perilous journey, a warm (yes)-hearted snowman, a loyal reindeer, a sleigh ride, a sensational ice castle, and a little romance keep things moving briskly, but it is the relationship of the sisters that makes this movie something special.  There’s a surprisingly strong emotional connection.

The king and queen of Arendelle love their two daughters, Elsa and Anna, and the girls are best friends.  Anna loves to ask her big sister to “do the magic,” because Ilsa was born with the special power to create snow and ice.  But an accident almost becomes a tragedy, and the trolls who heal Anna remove her memory of her sister’s gift.

Their parents lock the gates around the castle and keep the girls apart.  They tell Elsa to “conceal it, don’t feel it.”  They want to protect her from those who might be afraid of her ability and protect those she might hurt as she grows up and her gift becomes more powerful.  She wears gloves all the time and stays in her room.  Anna wanders the castle alone, singing to the paintings, with no one to talk to.  Although she no longer remembers the details of their former closeness and the time they spent together, she is devastated that her sister will not see her.

Their parents are lost at sea, and three years later Elsa (Broadway star Idina Menzel) is about to be crowned queen.  Anna (Kristen Bell of “Veronica Mars”) is overjoyed to be seeing her sister and excited about meeting the people who will come through the gates that are opened at last.  She is charmingly awkward, having had no opportunity to learn any social skills, but that does not seem to matter to the very handsome Prince Hans (Santino Fontana), who proposes just a few hours after they meet.  Anna is overjoyed.

But Elsa forbids the marriage and when Anna objects, her frustration and  fury explodes, turning the balmy summer into a frozen winter.  Elsa runs away, locking herself into a dazzling palace made of ice in the mountains.  Anna follows, sure that she can make things right if she can just talk to Elsa about what is going on.  And that is where the adventure begins.  She meets a rough-hewn ice harvester named Kristoff (Jonathan Groff of “Glee”) and his reindeer Sven and a sunny-spirited, warm-hearted, and familiar-looking snowman named Olaf (Josh Gad of “Thank You for Sharing”).  And when they get to the ice palace, things do not turn out the way she expects.

Human animated characters tend to be bland-looking, but the voice talents have enormous spirit that gives them a lot of life.  Broadway stars Menzel, Groff (“Spring Awakening”), Bell (“The Adventures of Tom Sawyer”), and Gad (“The Book of Mormon”) make the most of a tuneful score featuring the Oscar-winning “Let It Go.”  The songs are beautifully acted as well as sung.  Highlights include an adorable ode to summer from Olaf, who is not quite clear on the physical properties of snow as temperatures rise, Kristoff’s “duetted” ode to reindeer with Sven (he sings both parts), and Menzel’s powerful “Let it Go.”  Bell’s sweet voice is lovely as she sings to the paintings in the castle about her longing for people and then exalts in her love for Prince Hans.  There is also a charming ensemble with trolls singing about how we’re all in our own way “fixer-uppers.”

The animation is everything we hope for from Disney, one “how did they do that?” after another, with ice and snow so real and so touchable you may find yourself zipping up your parka in the theater.   But the effects and action are all in service of the story, with a contemporary twist that is as welcome as summer’s return.

NOTE: Be sure to get to the theater in time as one of the highlights is the pre-feature short, starring a vintage Mickey Mouse voiced by Walt Disney himself.  It is a masterpiece of wit and technology that must be seen a couple of times to fully appreciate.  And be sure to stay through the end of the credits for an extra scene re-visiting one of the film’s most powerful characters.

Parents should know that this film include characters in peril, some injuries and action-style scares, monster, the sad deaths of a mother and father, some potty humor, and kissing.

Family discussion:  What’s a fixer-upper?  Why did Elsa’s parents tell her not to feel?  Why was she afraid of her power?  Why didn’t her parents want anyone to know the truth, and how did that make Elsa and Anna feel?  Who do you think is a love expert?

If you like this, try: “Tangled,” “Brave,” and “The Princess and the Frog”

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Thor: The Dark World

Posted on November 7, 2013 at 6:00 pm

Thor-The-Dark-World-Movie-2013-Review-Official-Trailer-Release-Date-1I always say that superhero movies are defined by their villains, and “Thor: The Dark World” has a lulu in Tom Hiddleston‘s Loki, who was not as vanquished at the end of “The Avengers” as we thought.  Thank goodness. Loki, the eternal trickster of Norse myth, is imprisoned by his father, Odin (Anthony Hopkins) at the beginning of the story.  But a once-in-5000-years celestial line-up brings on an attack by the Dark Elves, let by ninth Dr. Who Christopher Eccleston and “Oz’s” Adewale Akinnuoye-Agbaje, and soon Loki is freed.  Chris Hemsworth continues to bring all the requisite charisma and some welcome wit to the heroic Thor and Hopkins is nicely magisterial as the one-eyed Odin, but it is Hiddleston who is clearly having a blast as a god who lives for chaos and brings a jolt of pure devilish pleasure to every scene he is in.

That is particularly welcome because all those scenes in Asgard can get rather ponderous.  And the movie begins inauspiciously with some Tolkein-ian mumbo-jumbo about the battle with the Dark Elves and some icky black smokey-stuff that has some important power and a bunch of parallel universes.  Who cares — let’s get to the good stuff already.

Meanwhile, back on earth, the world’s most beautiful astrophysicist, Jane Foster (Natalie Portman), is wondering whether her super-boyfriend is ever going to call.   Her colleague, Dr. Erik Selvig (Stellan Skarsgård) is running around with his pants off, and sometimes with the rest of his clothes off, too, and her intern (Kat Dennings) and her intern’s intern are helping her investigate some very strange gravitational anomalies.  All of this, except for the boyfriend part, relates to this once in a quinti-millennium astrological line-up that opens up portals or melts the boundaries or some crazy thing that lets the parallel universes seep into each other.  Jane gets slimed by the black smokey stuff and Thor whisks her away to Asgard.  I wish I could say it was a side effect of the smoke that has her more concerned about the significance of meeting her boyfriend’s parents than a scientific inquiry into the nature of the home of the Norse gods, or understanding the life-threatening nature of the Dark Elves’ smoke.   But no.

Pantlessness aside, there are some genuinely funny moments, including a surprise appearance by one of the other Avengers and a mid-battle trip on the subway.  The fight scenes are strong, well staged by “Game of Thrones” director Alan Taylor, and there are some predictably cool special effects.  Rene Russo is fine as Frieda and there are not one but two extra scenes in the credits.  But the reason to see the movie is Loki — he should get his own movie next time around.

Parents should know that the movie includes extended comic-book-style action violence with some graphic images, characters injured and killed, a hand chopped off, fatal stabbing, some strong language, and comic nudity (nothing shown).

Family discussion: How does Thor compare to other superheroes? Did you like the touches of comedy or find them distracting?

If you like this, try: “The Avengers” and the first Thor movie.

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