Matte Painting Backgrounds — Before CGI

Posted on July 14, 2012 at 8:00 am

Years ago, my husband and I attended an exhibit at the Museum of Modern Art in New York featuring the spectacular matte paintings of Peter Ellenshaw, who created the enthralling background designs for movies from the futuristic “Things to Come” to Walt Disney Studios’ “Treasure Island” and “20,000 Leagues Under the Sea.”  Before the days of computer-generated images some of the most imaginative and evocative settings on film were created by brilliantly talented draughtsman and artists.  Many thanks to Roger Ebert for directing me to this splendid collection of some of the best movie matte paintings, including Ellenshaw’s wonderful London setting for “Mary Poppins.”

Related Tags:

 

Understanding Media and Pop Culture

2 Replies to “Matte Painting Backgrounds — Before CGI”

  1. Peter Ellenshaw, who created the enthralling background designs for movies from the futuristic “Things to Come” to Walt Disney Studios’she is a good artist.

Comments are closed.

THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik