Funny People

Posted on November 25, 2009 at 6:10 pm

“Funny People” combines two very different movies. The first is a typically crass, shallow Judd Apatow production, saturated with childish sexual antics and slapstick humor. The second is a dark, self-aware examination of a painful and ultimately meaningless life. What starts out as an intriguing dance between these two different themes ends up as a brawl in which crass and shallow wins by a TKO in the 23rd round.
In the first few minutes, we witness the transition of George Simmons (Adam Sandler) from a happy kid clowning around with prank phone calls and practical jokes to a wildly successful comedian and movie star, standing alone like an emperor on the balcony of his huge mansion by the sea. His crude instincts have become the foundation of a vast entertainment empire. The transition from Sandler’s grainy amateur videotapes with friends to his isolation above manicured lawns and swimming pools won’t exactly compete with Citizen Kane, but it is not unmoving. There even appears to be a glimmer of irony at the way society rewards childish behavior.
We witness Sandler through a day in the life: he wades through crowds of adoring fans who gather whenever he walks down the street. He has obviously become experienced at shaking hands and wisecracking while keeping his distance. He wades through stacks of proposed scripts and lucrative offers that have been submitted for his consideration. He wades through piles of possessions that now weigh him down and no longer give him pleasure. It becomes clear to us that his glitzy life is hollow at the core, and Sandler is forced to confront that fact as well when his doctor tells him that he has AML, a form of leukemia, and is likely to die.
Sandler first flails around in response to this news, sometimes in persuasive ways. After a particularly bitter and unsettling performance at a comedy club, Sandler meets Seth Rogen as Ira Wright, a young and aspiring comedian who works in a delicatessen and wants nothing more than to become a comedy star like Sandler. Sandler is reminded of his younger, purer days and takes Rogen under his wing as a joke writer and valet. Their adventures together take up most of the story. We see Sandler’s lavish lifestyle as well as his dark vices through the wide eyes of Rogen and occasionally we even care about which one of them will transform the other first.
At Rogen’s instigation, Sandler revisits his past, talks with his estranged family and friends, and even reaches out to the one true love of his life, the girlfriend who left him years before because he cheated on her. The former girlfriend, Laura (Apatow’s wife Leslie Mann) is now married to an Australian businessman (Eric Bana) and has a family life with two delightful daughters (played by the children of Apatow and Mann).
This movie is more interesting than typical Apatow fare and even has some good moments, but it cries out for an editor. It becomes less satisfying as it progresses (and it progresses for a long, loooonnnnng time).
Apparently, Apatow is only able to go so deep before resorting to his former self. At one point, Rogen yells at Sandler, “you didn’t learn anything from a near death experience! You are worse than you were before!” Words for Apatow to ponder.

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Comedy Drama

Bedtime Stories

Posted on April 10, 2009 at 8:00 am

Once upon a time there was a movie studio that thought it could produce a hit with a performer best known for raunchy slacker comedies and a lot of money for special effects. This story does not turn out very happily ever after.

Adam Sandler plays Skeeter, a hotel handyman who dreams of being the manager. His sister Wendy (Courtney Cox) asks him to stay with her children while she interviews for a new job. He tells them a bedtime story which they embellish and the next day some of its most outlandish details start to come true, even a shower of gumballs. As Skeeter competes with the obsequious Kendall (Guy Pearce) who is the boyfriend of the hotel owner, for the position of manager of a fancy new facility, he tries to direct the bedtime stories to help him succeed. Each night’s story — whether about a knight, a cowboy, an outer space adventurer, or a gladiator — influences the next day’s events.

The children in the audience laughed a lot at some of the silly details and schoolyard humor. And they enjoyed figuring out before Skeeter did that it was not the details he added to the story but the children’s ideas that shaped the real-world events. There are some marvelous special effects in the depiction of the stories, too. But anyone over the age of seven is unlikely to be more than mildly entertained by the film because of Sandler’s pudgy, barely-interested performance and a present-day storyline that is lackluster in contrast with the wild adventures of the bedtime sagas. Wendy’s “funny” restrictions on the children’s food and activities and a subplot intended to be suspenseful about whether her school will be torn down are distracting, especially when near the end there is a big waste of time when the film has to step up the pressure by putting children in senseless peril and dragging out the suspense. Keri Russell is radiant as always as Wendy’s friend and Skeeter’s love interest. Her brief appearance in the fantasy stories are as dazzling as the most elaborate special effects. The other characters are never as interesting as the time allotted to them means them to be. British bad boy Russell Brand is completely out of place as Skeeter’s friend and Guy Pearce is fighting at way below his weight class as Skeeter’s nemesis. We would all have done better if the children wrote the story.

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Comedy Fantasy

50 First Dates

Posted on February 10, 2004 at 7:31 pm

C+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 on appeal for crude sexual humor and drug references
Profanity: Very strong and crude language for a PG-13
Alcohol/ Drugs: Drinking, drug use, drug humor
Violence/ Scariness: A lot of comic violence, many people hit in the head
Diversity Issues: Diverse characters, disabilities used for humor
Date Released to Theaters: 2004
Date Released to DVD: 2004
Amazon.com ASIN: B0001Z3TXE

Lucy (Drew Barrymore) wakes up every morning with no memory of anything that happened since her brain was injured in a car crash 18 months before. For the rest of us, everything that happens in this movie is just too, too familiar.

Yes, it’s another Adam Sandler movie, which means that a sweet but very immature man will fall for a winsome young lady amidst many, many, many attempts to find humor in sexual orientation, the impact of steroid use on sexual function, the relative merits of different sexual partners, getting walloped on the head, getting walloped on the stomach, getting bit by a shark, various physical disabilities and impairments, and more references to penis size and sexual stamina than an e-mailbox full of spam.

Sandler plays Henry Roth, an affable marine veterinarian at a Hawaiian acquarium whose only long-lasting relationships are with the walruses and penguins and with the goofy guy who cleans the tanks (Rob Schneider). Henry has many, many short-term relationships with female tourists, which keep him safe from commitment. Then he meets Lucy, whose short-term memory impairment makes it impossible for her to make any kind of commitment. He can’t break her heart because no matter what happens, she won’t remember him. But he falls in love with her. The girl who can’t remember is the one he can’t forget.

Barrymore is as delicious as ever, and, as in The Wedding Singer, she and Sandler have an easy chemistry that showcases their offbeat appeal. Even with an exceptionally sweet and tender romantic conclusion, some audience members will find there is too little romance and too much gross-out humor (did I mention the part where the walrus barfs all over the sexually frustrated but mannish woman with an accent?). Then there are some who will think the romance is just a distraction while waiting for the next joke about penis size. Some will be sorry about the waste of talented performers like Dan (“Saturday Night Live”) Ackroyd, as Lucy’s doctor, and Sean (Lord of the Rings) Astin as Lucy’s lisping, steroid-using brother. There may also be some who just wish everyone would get out of the way of the beautiful Hawaiian scenery. This movie has something to disappoint just about everyone.

Parents should know that this movie has exceptionally gross and crude humor, with extremely strong language for a PG-13 and comments that could be considered homophobic. Humor is drawn from drug use, disability, and injury, all portrayed as grotesque, including a clouded eyeball and a lisp. There are sexual references and situations. The movie includes a tragic car crash and comic violence, including a gross sharkbite wound and many, many very hard bonks on the head. Those who have not yet seen The Sixth Sense should know that this movie gives away the surprise. One positive note is that diverse characters demonstrate compassion and loyalty.

Families who see this movie should talk about the memories they would put into a book or tape like the one Henry makes for Lucy. How does your family try to help the members who have injuries or disabilities? They might want to talk about the way that Henry tried to protect his feelings with casual affairs and why that became unsatisfying for him. Families might be interested in more serious treatments of brain dysfunction like Lucy’s. In the book that became Awakenings Oliver Sachs also wrote about a patient with short term memory loss, which inspired the legendary Harold Pinter to write “A Kind of Alaska.” A syrupy but touching book by Nicholas Sparks called The Notebook describes a couple like Henry and Lucy.

Families who enjoy this movie will also enjoy seeing Barrymore and Sandler together in The Wedding Singer. They will have fun with another comedy about someone who lives the same day over and over in Groundhog Day and another comedy about men who have many short-term relationships, Dirty Rotten Scoundrels. Families might like to compare Lucy to Dory in Finding Nemo — including the fact that both appear in movies with characters named Marlin!

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Movies -- format

Anger Management

Posted on April 8, 2003 at 12:45 pm

There are two odd couples in this movie. One is the traditional pairing of two opposite characters just for the fun of seeing the sparks (and the inevitable “I learned so much from you!” conclusion). In this case, one character is a deeply repressed executive assistant who designs clothing for overweight cats (Adam Sandler as Dave) and the other is a decidedly un-repressed therapist specializing in anger management (Jack Nicholson as Dr. Buddy Rydell).

But just as mismatched as this odd couple are the two competing scripts. First is the original script credited to first-timer David Dorfman. The second “script” adds in the core elements of any Sandler film, contributed by producer-star Adam Sandler, including many pre-adolescent jokes about body parts and their functions and a lot of references to 80’s pop culture. The result is an uneven blend of pretty low humor and REALLY low humor on the theme of utter humiliation. It is only barely saved by the sheer pleasure of watching Jack Nicholson.

“Anger Management” is a variation on every odd couple movie ever made, but especially “Analyze This,” which also paired an Oscar-winning mega-star best known for drama with an alumnus of Saturday Night Live and sketch/stand-up comedy, making the comedian the straight man and letting the distinguished actor go wild. It would be funnier to hear Nicholson sing “West Side Story’s” “I Feel Pretty” if it wasn’t the same song that we heard De Niro sing in the sequel, “Analyze That.” But it’s still pretty funny.

Adam Sandler plays the same part he has in all of his movies — an engaging if immature man with anger management issues. As he often does, Nicholson plays a guy who just might do anything at any moment. Both play off of the way that we know them. Sandler uses our image of him so he won’t have to do anything new but Nicholson uses his so that he can play with it and even surprise us.

Dave is sentenced to anger management after a misunderstanding on an airplane and ends up in Dr. Rydell’s therapy group. After another misunderstanding, he is sentenced to a full-time program that has Dr. Rydell moving in with him, going to work with him, and taking him on a road trip to Boston. Rydell forces Dave to confront a childhood bully and pick up a pretty girl. He even persuades Dave to break up with his loyal girlfriend, Linda (Marisa Tomei). All of this is intended to get Dave to acknowledge his real feelings.

Parents should know that this movie is extremely raunchy for a PG-13, with constant jokes about penis size, plus jokes about lesbian porn stars who enjoy three-way sex, a drag queen prostitute, a mentally ill girl, masturbation, premature ejaculation, flatulence, and prison rape. It has comic violence. Characters drink and smoke.

Families who see this movie should talk about some of Dr. Rydell’s comments, especially when he says that there are two kinds of anger, explosive and implosive and that sarcasm is anger’s ugly cousin. How do the people in your family handle their anger? It might also be interesting to talk about Sandler’s attraction or compulsion to explore these themes. It’s hard to escape the sense that he is working through some of his own issues with this material. I hope so. It would be nice to see him move on — or grow up.

Families who enjoy this movie will also enjoy “Analyze This,” “What About Bob?” and “Honeymoon in Vegas.”

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