Be sure to check out my gallery about the history of the Lone Ranger (Did you know he’s the Green Hornet’s uncle? Can you name Tonto’s horse? How did he get his name? Why does he use silver bullets?) as the new movie version with Johnny Depp and Armie Hammer opens this week.
We can all learn from the Lone Ranger’s creed.
“I believe that to have a friend, a man must be one. That all men are created equal and that everyone has within himself the power to make this a better world. That God put the firewood there but that every man must gather and light it himself. In being prepared physically, mentally, and morally to fight when necessary for that which is right. That a man should make the most of what equipment he has. That ‘This government, of the people, by the people and for the people’ shall live always. That men should live by the rule of what is best for the greatest number. That sooner or later… somewhere…somehow… we must settle with the world and make payment for what we have taken. That all things change but truth, and that truth alone, lives on forever. In my Creator, my country, my fellow man.”
And don’t forget the annual David Letterman tradition of the Jay Thomas story about the Lone Ranger.
Director Tarsem Singh Dhandwar has found a story worthy of his ravishing visuals and the result is an enchanting update of the classic fairy tale of Snow White.
Julia Roberts is clearly having a blast as the evil queen whose hostile takeover impulse is so strong she tells us from the beginning that we are hearing her version of the story. But we know from the first moment that our heroine will be the “pretentiously named” Snow White. She does commune with a songbird as the movie opens, but this is not the Snow White warbling by the wishing well about waiting for her prince or sleeping until she is rescued with a magical kiss. Sister is doing it for herself — sword fighting, leading a brave, if diminutive, gang of marauders, and doing some rescuing of her own.
Once upon a time there was a happy kingdom filled with music and dance. But after the king remarried, he disappeared, leaving the Queen to impose higher and higher taxes on the burdened populace and lock princess Snow White (Lily Collins of “The Blind Side”) in her room. When she timidly ventures out on her 18th birthday because there is to be a party in the castle, the Queen sneers, “Is there a fire in your bedroom? Because that would be the only reason for you to leave.”
The Queen is broke and desperately need to marry a wealthy royal, and for that she needs to use all of her magical powers to continue to appear young and beautiful. Prince Alcott (“Social Network” Winklevii-portrayer Armie Hammer) looks like the answer, despite his showing up without his clothes, having been robbed in the woods by seven mysterious accordion-legged marauders. But at the costume ball, he sees Snow White in a magnificent swan dress (don’t think Bjork, think faaabulous) and instantly knows that she is the fairest of them all.
But Snow has other issues on her mind, after her first venture outside the castle shows her what a cruel and selfish ruler her stepmother has been. She becomes an outlaw, joining forces with seven men short of stature but big of heart. And the Queen, aided by her sniveling courtier (who better for that role than Nathan Lane) tries to use every bit of magic and old fashioned evil to ensnare the Prince before the magic mirror — with help from a very tight corset, a disgusting beauty ritual, and a love potion — are no longer enough.
As Tarsem and sometimes Tarsem Singh, the director has made ads, music videos (REM’s “Losing My Religion”) and films like “The Fall” and “The Cell,” all filled with richly imagined images of striking beauty. Working with production designer Tom Foden and the late costume designer Eiko Ishioka, he has created a setting that is part Maxfield Parrish, part Richard Avedon, with gorgeous elegance and panache and with insight and meaning. The mirror is wonderfully constructed out of liquid that leads to a room where the Queen consults another version of herself. The costumes are not just splendid; they are witty and character-revealing, with the Queen a peacock and Snow White a swan. Hammer is handsome and unexpectedly funny. And Collins is luminous, genuinely magical as Snow White, sweet and brave, and it is a pleasure to watch her growing understanding of the world and her ability and responsibility to make it better. He keeps the tone irreverent, but never snarky. There are some funny lines (and one unnecessary and un-funny crude joke) and some modern twists, but the heart of the story in every way goes back to the original folk tales, especially a welcome new twist near the end. The Grimm brothers might not recognize some of the details of their classic fairy tale and Disney might be surprised by a princess who does not wait for her prince to come to get things done. But the themes of honor, justice, romance, and the search for a happily ever after ending are every bit as satisfying as the original.
Before he was the best-known clergyman in America and a spiritual adviser to Presidents, Billy Graham was a young man struggling with doubt and searching for a way to be of service. This sensitive and respectful film about Billy Graham’s early years stars Armie Hammer as Graham.
I spoke to Hammer about the challenges of taking on the role of a man people know so well.
How did you come to this project?
One day my agent called and said, “I have your next movie. That’s all you need to know.” I fell madly in love with it, knew i had to do it. The next thing I knew, I was in Billy Graham world.
it was the approach i responded do. i knew who he was the way every one else on the planet knows, but this was the human, how he found his faith, how his faith was shaken, how the love of his life was given and almost taken away. We start at the beginning and end when Billy Graham the preacher eclipse Billy Graham the person.
What are the challenges and pitfalls of portraying a real person who has inspired so much respect and affection?
You want to be so careful and pay respect to the Grahams, make something they like and love, and give them the most honest and real portrayal so they can say, “I remember that, I said that.”
I studied his autobiography, Just As I Am. It was an amazing tool for me to use. I also used the internet where you can see private, personal videos that show how he was when he was not preaching. His preaching was his signature enthusiasm but I wanted to see what he was like when he was just talking, where you see his personality.
What made Graham so special?
It was definitely his blind faith — the fact that he whole-heartedly without question or doubt at all found his beliefs and did not waver. He was so human and could take the gospel and make it accessible. He would not say he was the smartest person in the world but he had the gift of faith. In this story, he and Templeton go through a crisis of faith but react differently.
His approachability and simplicity was what made him so good at communicating with people. He is the most honest and good human being that ever walked this planet. He never had a scandal because he did not have a scandalous bone in his body. He created the Modesto manifesto to make sure that he and his men could withstand temptation. He called them together and said, “Ministers are falling to the left and right. What we have to say is too important. Go to your room for an hour and think about what it is that is the cause of these ministers’ downfall.” They all had the same things on the list — sex, money, pride, lying. He said, “Here is what we will do. We will have an outside firm to do the money, none of us will ever be alone in a room with a woman, we will never lie about our numbers of followers or criticize others.” Those are the kinds of decisions that made him unique.