EVIL: CBS Series About Investigators of the Supernatural

EVIL: CBS Series About Investigators of the Supernatural

Posted on September 19, 2019 at 6:58 am

“177 Minutes” — Kristen, David and Ben are called to investigate a supposed miracle when Naomi Clark (Hannah Hodson), a 17-year-old soccer player, comes back to life after she had been declared dead for almost two hours. Also, Kristen meets with her former boss, Lewis Cormier (Danny Burstein), at the Queens District Attorney’s office where she runs into Leland Townsend, on EVIL, Thursday, Oct. 3 (10:00-11:00 PM, ET/PT) on the CBS Television Network. Pictured (l-r) Aasif Mandvi as Ben Shakir, Katja Herbers as Kristen Bouchard and Mike Colter as David Acosta Photo: Jeff Neumann/CBS ©2019 CBS Broadcasting, Inc. All Rights Reserved
A scientist who does not believe in the supernatural (Kristen Bouchard) teams up with a man investigating the origins of evil along the dividing line between science and religion (Mike Colter) in a compelling new series simply called “Evil.” It will be on CBS Thursday nights at 10 (9 Central). The series is from Michelle and Robert King, the creators of The Good Wife and The Good Figh, which means the dialogue with crackle and the themes will be provocative and timely. Storylines include a possible “miracle” as a young athlete comes back to life after being dead (or “dead”) for two hours, a theatrical producer who goes from demanding to possibly demonic, and a young boy who may be psychopathic, or perhaps possessed.

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Television
New on CBS: Carol’s Second Act Starring Patricia Heaton

New on CBS: Carol’s Second Act Starring Patricia Heaton

Posted on September 19, 2019 at 6:45 am

Carol was a high school science teacher who always wanted to be a doctor. When her husband left her, she decided to make her dream come true at age 50. Patricia Heaton sparkles as Carol, whose unabashed enthusiasm, empathy, and real-life experience overcome the skepticism of her fellow interns. The cast includes Ito Aghayere as Carol’s demanding Chief Resident and Kyle MacLaughlan as the senior doctor on the staff. It will be on CBS Thursdays at 9:30 (8:30 Central).

“You Give Me Fever” — When Carol treats an elderly patient with a fever, Mrs. Zahn (Carol Mansell), and her tests are inconclusive, Carol must find a way to work around Dr. Jacobs and hospital policy to take extra time to observe her. Also, Daniel is embarrassed when his fellow interns find out that he doesn’t know how to do the basic medical skill of drawing blood, on CAROL’S SECOND ACT, Thursday, Oct. 3 (9:30-10:00 PM, ET/PT) on the CBS Television Network. Pictured L to R: Carol Mansell as Mrs. Zahn, Patricia Heaton as Carol Kennedy and Lucas Neff as Caleb. Photo: Sonya Flemming/CBS ©2019 CBS Broadcasting, Inc. All Rights Reserved
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Television

“We are Cognizant of the Issue” — CBS Responds to Questions About Diversity

Posted on August 3, 2017 at 7:06 pm

CBS executives were questioned about the lack of diversity in their fall programs, with one black male lead and the rest all white males. Programming head Thom Sherman said that the network did develop shows with female leads, but none of them turned out as well as the shows starring men. Reporters noted that the CBS casting department is exclusively made up of white men, and he responded, “We are cognizant of the issue” and promised to make some changes. We look forward to developments.

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Race and Diversity Television
More from Comic-Con 2016: CBS Television

More from Comic-Con 2016: CBS Television

Posted on August 3, 2016 at 3:55 pm

At Comic-Con I had a chance to chat with the stars and producers of CBS television series, both fan favorites and new shows.

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James Wolk of “Zoo” Is one of my favorite actors, so it was a special treat to get a chance to talk to him about “Zoo.” Wolk plays Jackson Oz, an American zoologist investigating a mysterious pandemic that has created devastating animal attacks. He says that following the death of Chloe, Jackson’s love interest on the show, last season, “it takes a dark turn. Jackson is under a terrible amount of stress. He has a lot of animosity with Dariela, played Alyssa Diaz, because she is indirectly responsible for Chloe’s death. Meanwhile, Jackson’s brother is falling in love with Dariela, so there’s a lot of turmoil starting to develop with the characters. In a more broad sense, the animal apocalypse is still happening, the mutations are starting to affect people, and we’re going to start to explore what that means.” He said that having been a guest star and recurring character on series (“Happen Endings,” “Mad Men”) before, “I know what it feels like to be welcomed. I know what it feels like to have people go, ‘Oh, that’s the new person so we’ll put him over there. They’re just busy. But I know that when people were so welcoming to me, it freed me up as an actor because I felt comfortable. I opened up as an actor and the colors came out, the different levels. So it’s a selfish thing to embrace them because they’ll do their best work and that’s good for the show. It’s going to gel. So we all go out of the way to make them feel comfortable and welcome.”

Kirsten Vangsness of “Criminal Minds” and Tyler James Williams of “Criminal Minds: Beyond Borders” talked about how being on a crime procedural. Vangsness plays a character who has to rattle off a lot of technical terms. “I have to make that exposition a discovery, to make it different in a neat little labyrinth. Also I talk pretty fast in real life.” Williams said that “the show does not vilify people; it explains people. Hurt people hurt people.” “Fear makes you cruel,” Vangsness said. Williams says the show has made him more empathetic. “If anything it makes me more aware of how we interact with each other. I immediately ask ‘what happened to them?’ Our job as actors is to justify the behavior of the character, so that seems natural.”

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Eddie Kaye Thomas and Jaydn Wong talked about playing super-smart good guys on “Scorpion.”  Thomas said he was on the subway and a little boy said to him, “You’re the one who catches the bad guys.”  He knows that “we’re in people’s living rooms.  We’ve shared time with you.”  And he “likes saving the day.  Wong added. “I like being right.”  Thomas would not want to have the ability to read people’s moods and emotions. “I like the mystery. I would not want to carry the weight.” Fortunately, he says he is “really bad at analyzing people.”  Wong likes the complication of the characters. “We’re geniuses, but we have emotional challenges.  We’re good at some things but bad at something else.”  Thomas agreed. “The show doesn’t work because we’re smart. It works because we have characters the audience can relate to.”

“MacGuyver,” the classic 1980’s television series about the endlessly ingenious adventurer, has been rebooted and will be premiering September 23 2016 with Lucas Till taking over the lead role. Producers Peter Lenkov and James Wan talked about honoring the original series and its fans and updating it for a new generation. “He’s a unique character,” Lenkov said. “He does everything the opposite of most action heroes on TV today. He resorts to violence last. He doesn’t use a gun.” If you look at the original show, there’s no internet or cell phones. So the new MacGuyver will still be a technology guy, but with a new set of tools and options. There will be a shift to more of an ensemble, and it is very much designed to be something the whole family will watch together and “We hope to get people interested in engineering and creating, in looking at what is around them differently.” That means a lot of research. “We’re on a lot of watch lists,” he laughed, because of the Google searches they do on how to blow things up or break into secure locations. Wan, who also directs, says he is bringing a cinematic eye to the framing and editing of the series. And he identifies with his hero who has to use what is around him to solve problems. “Being a filmmaker is like being MacGuyver.”

“This isn’t a bad guy of the week show,” Lenkov said. “It’s more like an adventure story, pure entertainment.”

Producer Corinne Brinkerhoff and actor Megan Ketch (Tessa) spoke about “American Gothic.”

Brinkerhoff talked about communicating Tessa’s character through her wardrobe. “We decided early on that there was some whimsy to Tessa. She is a primary school teacher and her clothes should be warm and inviting and that they should have a sort of intricate pattern. Tessa often wears shirts that have little frogs on them or little ice cream cones. We wanted Tessa to have a brightness and a lightness and those whimsical prints felt like a really specific way to understand her personality in one look, in one shirt, in one garment.” Ketch praised the show’s costume designer, Barbara Sommerville. “Clothing is behavior.”

Brinkerhoff also spoke of the possibilities for taking the story forward, suggesting that she might prefer to use the same cast in an entirely different story, like a repertory company. “Or, we could do it another way and stay within our same family but jump time. I have a pitch on how to do that. The other way is the more traditional, you come back and you pick right back up where you were and you continue their story. So there’s lots of possibilities and it’s all in the air….when you artificially extend a story it’s very frustrating and it’s not really playing fair with the viewers. So we always set out to tell this in 13 episodes and then see what the future holds.” No matter which direction it goes, it will keep the same tone. “We would always have a very complicated family grappling with some sort of mystery or crime that needs to be solved with a big twist in the middle. And what I love to write is the intersection of dark comedy with real high stakes drama and so that is the thing that I would always want to keep consistent.”

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And Wilmer Valderrama spoke about joining the cast of “NCIS” in its 14th season. “I parachuted onto a moving train,” he said about joining the long-running series that is said to be the most globally watched of all current television shows. “But I feel very much at home already. Mark Harmon and I are truly good friends. He pushes me and I push him.” His character has been undercover for years. “Most of the agency doesn’t know he exists. His cover is blown and he is forced to return, to warn them about a possible threat. He’s a lone wolf, allergic to working with a team. He has been living the double life. He is unpredictable, a little unstable, maybe with PTSD. He’s a good guy trapped in the cage of an animal.” Valderrama has seen PTSD in his work with the troops. “I truly respect the type of individual who has what it takes to endure.”

NOTE: all photos copyright 2016 Nell Minow

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Television
Truth

Truth

Posted on October 22, 2015 at 5:03 pm

Copyright 2015 Sony Pictures
Copyright 2015 Sony Pictures

Often a movie “based on a true story” confirms and extends our understanding of what happened. This film, based on the “true story” that led to the departure of one of the most respected newsmen of all time, Dan Rather, from CBS, asserts its ambitions with its title and goes on to explore the very nature of truth and our willingness or ability to uncover and recognize it. I did not have strong views about what happened in 2004, just a recollection of the incident as a turning point, with the most respected broadcast journalist in the country being brought down by bloggers, who were able to determine that documents relied on in a story about President George W. Bush were forgeries. In my mind, the story was about the shift from old to new media, where the Davids of the blogosphere could challenge the powerful Goliaths of CBS News.

But in this movie, based on the book by Rather’s producer, Mary Mapes (Cate Blanchett, blazingly intelligent and forceful), we see another side of the story, written by James Vanderbilt. This is her version (if there is such a thing as versions) of the truth.

No matter which version of the story you believe, lesson number one of this movie is that you are at your most vulnerable when you feel most powerful. Mapes has just come off the greatest triumph of her career, the Peabody award-winning story about the horrific abuse of prisoners by the US military at Abu Ghraib. She is looking for another great scoop, and as the Presidential election approaches, it looks like she has one. Rumors about special treatment for George W. Bush, both in being allowed to serve in the National Guard and during his time there, have circulated for years, and now there seems to be substantiation, including on-the-record statements by the former Lieutenant Governor and some memos from the younger Bush’s commanding officer. Four document experts were called in by Mapes to authenticate the documents and, with the proviso that as photocopies there was no way to test the ink or paper of the originals to verify them completely, the experts signed off. The other steps taken by Mapes and the staff of reporters, including research expert Mike Smith (Topher Grace, who should be in more movies) and former military officer Dennis Quaid (ditto), are impressive. But it is possible that their supervisors did not ask enough questions and it is certain that moving up the broadcast date at the last minute cut off their ability to lock down all of the story.

And then it all fell apart. Bloggers identified problems with the memos’ fonts that indicated they were created on a computer, not a typewriter, and thus could not have been written in the 1970’s. CBS convened a commission led by a former (Republican) Attorney General to review the story. Their focus was not as much on whether the story was true or not (the memos were just one small part of the story) but whether the reporters had a political agenda.

A lot of people got fired. Smith makes a speech on the way out the door that identifies a culprit more insidious than partisan politics — corporate conflicts of interest. There are times when protection of shareholder value is not consistent with getting the story. The most important question this movie asks is what that means for democracy and for, well, truth.

Parents should know that this movie has very strong language and brief nudity in a photograph. Characters drink and take medicine to deal with stress. There are references to torture and child abuse and there are tense confrontations.

Family discussion: What should Mary have done differently? How did her childhood experiences affect her relationship with Rather and her response to her father? Should she have followed her lawyer’s advice?

If you like this, try two other fact-based films about journalists fighting to expose the truth about powerful people: “All the President’s Men” and “Spotlight

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Based on a true story Drama Journalism
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