Fred Claus

Posted on November 25, 2008 at 8:00 am

fredclausposter2.jpg
The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Vince Vaughn has a literally off-beat vibe. His words tumble out in a rapidly syncopated tumble and his delivery vibrates like a plucked high tension wire. The words come out so quickly that it takes a moment to realize that he has just revealed something hilariously honest that even he does not seem to know he said. He is disarmingly frank about being a bit of a liar.
Director David Dobkin has worked well with Vaughn before (in the under-appreciated “Clay Pigeons” and the smash comedy “The Wedding Crashers”) and this movie about Santa’s brother is well-designed to take advantage of Vaughn’s strengths. The theme of sibling rivalry is perfect for showing off Vaughn’s gift for barely-under-the-surface resentment. And it is very funny to see the 6’4″ actor trying to interact with hundreds of elves and their Lilliputian environment.
The set-up is promising: If you think sibling rivalry is tough, imagine being the sibling of the most beloved figure in the world: Santa Claus (Paul Giamatti). And Vaughn is marvelous dancing with the elves and struggling not to be drawn to his irresistibly loveable brother. But plot digressions that take much too long to resolve and mangled special effects are a distraction and a nuisance.
According to this movie, Santa’s older brother Fred (Vince Vaughn) has spent hundreds of years feeling slighted and resentful. It turns out that when Nicholas became a saint, his entire family was granted perpetual life. So, Fred now lives in Chicago, where he is needs money to start his off-track betting operation, and where his meter-maid girlfriend (Rachel Weisz) is losing patience with his evasions and unreliability. Fred asks his brother Nick (Santa) for money. Mrs. Claus wants him to say no, but he tells her, “I’m a saint. Tough love’s a little difficult for me.” The best he can do is insist Fred come up to the North Pole to earn the money. So Willie (the head of John Michael Higgins on a little person’s body), the head elf, swings by in the sleigh to pick him up, and Fred gets whisked to Santa’s workshop by reindeer express.
Fred does not exactly fit in, physically or culturally. He gets into a tussle with the workshop’s DJ (the head of Chris “Ludacris” Bridges on a little person’s body), after one too many spins of sugary seasonal tunes. Fred shoves him aside and plays Elvis singing “Rubberneckin’.” The elves get so excited that the workshop turns into a rave, complete with mosh pit.
The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Parents should know that this movie has some crude humor, including mild sexual references, potty jokes, a non-explicit childbirth scene, mild language, and some skimpy clothing. Some audience members will find it insensitive that Fred and the elves assume that boys will all want one gender-specific toy and girls will want another, though it does show one girl happily receiving the “boy’s” toy. And this is a rare Christmas film to recognize that some people belong to religions that do not celebrate Christmas or expect a visit from Santa. Some may also find it insensitive that the faces of full-size actors are imposed on the bodies of little people.
Families who see this movie should talk about Fred’s feelings about Nick. Why was it hard for him to feel good about his brother? Who was right about the naughty list? How can an efficiency expert be a help?
Families who enjoy this movie will also enjoy Elf (some crude humor) and The Santa Clause.

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The Holiday

Posted on December 3, 2006 at 3:54 pm

Amanda (Cameron Diaz) has a successful business cutting up new Hollywood releases into three-minute trailers that make the films look as enticing as possible. Writer-director Nancy Meyers essentially cuts up classic romantic comedies and reassembles them for modern consumption. The result is glossy fluff entertainment like What Women Want and Something’s Got to Give. They’re pretty to look at but they dissolve like cotton candy.


Amanda and Iris (Kate Winslet) find themselves with broken hearts just before Christmas. On impulse, they both go online and end up swapping homes for the holidays. Iris goes to Amanda’s glamorous house on movie star row in Los Angeles and Amanda ends up sliding around on high heels along the snowy road to Iris’s picturesque little cottage in the English countryside. And who should come to their doors but Jude Law as Graham, Iris’ brother, tipsy and looking for a place to sleep it off, and Jack Black as Miles, a soundtrack composer.


It’s hard to say whether the movie is being meta in its movie references (an old-time Hollywood screenwriter from next door gives Iris a must-watch list of classic romantic comedies and Amanda’s trailer for a Lindsay Lohan action film is one of the highlights), or just unimaginative and derivative. Probably a little bit of both. Too often, it is so formulaic you can see the little index cards — MUST HAVE: adorable guy with an English accent who is misunderstood and turns out to be even dreamier than we first thought; completely unnecessary romantic dash through the snow; character who announces that she can’t cry and so must then cry; cad who broke girl’s heart beg her to come back so she can turn him down, check, check, check. Oh, and just to make sure, let’s pick the safest, most predictable, guaranteed heart-tugger songs on the soundtrack. Even the delectable Diaz can’t make some of the behavior in this film feel anything but tawdry. There are some logistical impossibilities that will jar even the most beguiled of audiences out of the movie. It’s worst failings are its smugness about its own charms, unwarranted banner of female empowerment, and phony sincerity. But the stars and settings are undeniably appealing. If it is as synthetic and insubstantial as a Kinkade Christmas tree ornament, it is as pretty, too.

Families who enjoy this film will also enjoy some of the classics recommended for Iris, including The Lady Eve and His Girl Friday, plus Holiday, a movie in the same genre also set around New Year’s Eve and with a title that might have inspired this one, starring Cary Grant and Katharine Hepburn. They will also enjoy Love Actually (very mature material) and Nancy Meyers’ other films, What Women Want and Something’s Gotta Give.

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Comedy Drama Holidays Romance
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