Eyes on the Prize (Part 1)

Posted on January 17, 2011 at 8:00 am

A+

Lowest Recommended Age:	Middle School
MPAA Rating:	NR
Profanity:	None
Alcohol/ Drugs:	Smoking, drinking
Violence/ Scariness:	Historical violence
Diversity Issues:	The theme of the series

This is the story of the civil rights movement, from 1952-1965. Interviews and archival footage tell the story of the 1954 Supreme Court decision in Brown v. Board of Education that declared school segregation unconstitutional and the Montgomery bus boycott that forced the South to begin to allow equal access in public accommodations. As momentous as those events were, they were even more significant in what came next — decades of social, legal, and cultural upheavals that would lead to the Civil Rights Act, the 1967 Supreme Court decision in Loving v. Virginia abolishing the laws that prohibited inter-marriage, and, a generation later, the country’s first African-American President. The bigotry is shocking to us today, which is all the more reason we need this documentation. And the heroes are here: Rosa Parks, Martin Luther King, Thurgood Marshall, and more.

The PBS series, its sequel, and the companion volumes by Juan Williams are an indispensable reminder of our past and inspiration for our future. The struggle continues.

I’m not where I want to be.
I’m not where I’m going to be.
But thank God, I’m not where I was.

An Unusual Role for a Black Man in 1940

Posted on October 8, 2010 at 3:02 pm

I love catching up with old films on Turner Classic Movies, so when I saw one called “Third Finger Left Hand” starring two of my favorites, Myrna Loy and Melvyn Douglas, released in 1940, I set my DVR. It turned out to be a delightful romantic comedy characteristic of the era. Loy plays a very successful woman executive who made up a fake husband to avoid distracting questions about her romantic life. She tells everyone he is traveling in South America. Douglas finds out what she has done and pretends to be the husband, back from his travels. The expected complications ensue.
But what is not expected is a scene near the end as Loy, Douglas, and the lawyer who hopes to marry Loy are on a train where what at first appear to be typical black porter is waiting on them. And then it turns out that Sam (played by Ernest Whitman) is not a typical porter; he has a law degree, and he knows more about the law than the lawyer he is waiting on. For 1940, in an era where movies often cut out the scenes featuring African-American performers for distribution in the South, this was remarkably progressive. Even though there was never a suggestion that perhaps Sam might want to leave his job as a porter and go to work in the firm of the white lawyer he outsmarted.
Whitman didn’t make many other films. In those he was listed in the final credits as “Nubian Slave” or “Black Man on Train” or not listed at all. In “Gone With the Wind,” he is listed on the Internet Movie Database as “Carpetbagger’s friend (uncredited). In this movie, even with a significant speaking part, he was not listed in the credits at all, which says more about the racial attitudes at the time than the character he played. In the 1930’s and 40’s, black characters were often the ones in the movie who told the truth or otherwise explained what was going on. This was not a political statement; it was a narrative convenience to put the writer’s voice in a marginalized character who could freely be ignored by the white characters. In a sense, Sam is such a narrative convenience; he shows up to help bring the couple together. But still, Sam and the man who portrayed him, Ernest Whitman, deserve some credit for a brief movie moment where a black man got to show a little bit of what he was capable of.

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Great Movie Moments Neglected gem

Tribute: Dr. Dorothy Height

Posted on April 20, 2010 at 10:35 am

“She led the National Council of Negro Women for 40 years, and served as the only woman at the highest level of the Civil Rights Movement — witnessing every march and milestone along the way. And even in the final weeks of her life — a time when anyone else would have enjoyed their well-earned rest — Dr. Height continued her fight to make our nation a more open and inclusive place for people of every race, gender, background and faith.” President Barack Obama

Dr. Dorothy Height died today at age 98. She was a part of almost a century of progress for African-Americans and for women. As a teenager, she protested lynchings. As the leader of the National Council of Negro Women, she stood on the stage with the Reverend Dr. Martin Luther King when he gave his “I Have a Dream” speech in Washington. She is an icon of courage, dignity, vision, and inspiration. In her memoir, Open Wide The Freedom Gates: A Memoir, she wrote about her “ministry of presence,” starting with small, inter-racial meetings of women for Bible study and fellowship.

Dr. Height liked to quote the words of abolitionist leader Frederick Douglass: “Agitate, agitate, agitate.” But she was never shrill or harsh; her personal example of grace was one of her most powerful and compelling weapons. I hope all of us honor her memory by working a little harder for education, equality, and justice.

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Tribute

Do the Right Thing

Posted on June 29, 2009 at 8:00 am

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	R
Profanity:	Very strong language including racial epithets
Alcohol/ Drugs:	Drinking, drug use, smoking
Violence/ Scariness:	Some violence
Diversity Issues:	A theme of the movie
Date Released to Theaters:	1989
Date Released to DVD:	June 30, 2009
Amazon.com ASIN:	0783227949

Twenty years ago, Spike Lee made a tough, smart, and very provocative film that included an electrifying moment when the character played by Lee himself held up a trash can and aimed it at the glass window of a pizzeria owned by an Italian named Sal (Danny Aiello). People are still arguing about what happened next. The Root has a superb collection of resources and reflections on the film’s 20th anniversary, including thoughts on Lee’s sometimes-troubling portrayal of women by the always-insightful Teresa Wiltz, an update on the Bed-Stuy community’s current challenges, and a consideration of one couple who memorably saw the film on their first movie date and are now living in the White House.

It takes place on the hottest day of the year in in the Bedford-Stuyvesant section of Brooklyn, where there is an uneasy alliance between the old-time residents like Sal and the more recent but majority residents who are African-American. In general, they get along because they need each other but there is a lot of frustration on all sides. Tempers get hot as the weather gets hotter.

Watch for Samuel L. Jackson, John Turturro, Rosie Perez, and Martin Lawrence very early in their careers and legends Ossie Davis and Ruby Dee giving, as always, performances of endless subtlety and grace. And watch to see what has and has not changed since the movie was released two decades ago.

The Express

Posted on January 20, 2009 at 6:00 pm

When a real-life story combines athletic excellence and civil rights breakthroughs, it has more than enough heart and drama to be good movie material. Ernie Davis was a combination of heart and pure talent who came along at just the right time to do what his predecessor on the Syracuse football team could not. Jim Brown could break records, but he could not win college football’s highest honor, the Heisman trophy. In that volatile era, a player needed to be more than talented to win that prize. He needed to qualify as “a credit to his race,” determined enough to break through color barriers but not angry enough to scare anyone. Ernie Davis was that player.

He had all the talent anyone could dream of. He could run so fast and dodge so gracefully that enormous angry linebackers seemed to dissolve into air as he ran by. He had one of those talents so rare that he could dissolve ignorance and bigotry as well. One force powerful enough to overcome prejudice is competition. Everyone wanted to have him on their side. Syracuse coach Ben Schwartzwalder (Dennis Quaid) is not eager to bring on a black player, not just because of discomfort with non-whites but because of bad experiences with Jim Brown (Darrin Dewitt Henson), an angry and impatient superstar. But Brown helps persuade Davis to come to Syracuse. And Schwartzwalder shows that when it comes to football, the only colors that matter are those on the uniforms.

Rob Brown of Finding Forrester shows us Davis’ essential decency and dedication. He wants to win for his team, but he also wants to win for his people. If he is a little too glowingly perfect, a little too heroic, it adds to the mythic feeling of the story. And it is balanced by Quaid’s cranky Schwartzwalder and the challenges of an era before the Civil Rights Act, when a member of the team could win the Most Valuable Player award but not be permitted to attend the dinner. It is also a welcome reminder of an era when athletes were role models because of the way they behaved off the field as well as on.