The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Vince Vaughn has a literally off-beat vibe. His words tumble out in a rapidly syncopated tumble and his delivery vibrates like a plucked high tension wire. The words come out so quickly that it takes a moment to realize that he has just revealed something hilariously honest that even he does not seem to know he said. He is disarmingly frank about being a bit of a liar.
Director David Dobkin has worked well with Vaughn before (in the under-appreciated “Clay Pigeons” and the smash comedy “The Wedding Crashers”) and this movie about Santa’s brother is well-designed to take advantage of Vaughn’s strengths. The theme of sibling rivalry is perfect for showing off Vaughn’s gift for barely-under-the-surface resentment. And it is very funny to see the 6’4″ actor trying to interact with hundreds of elves and their Lilliputian environment.
The set-up is promising: If you think sibling rivalry is tough, imagine being the sibling of the most beloved figure in the world: Santa Claus (Paul Giamatti). And Vaughn is marvelous dancing with the elves and struggling not to be drawn to his irresistibly loveable brother. But plot digressions that take much too long to resolve and mangled special effects are a distraction and a nuisance.
According to this movie, Santa’s older brother Fred (Vince Vaughn) has spent hundreds of years feeling slighted and resentful. It turns out that when Nicholas became a saint, his entire family was granted perpetual life. So, Fred now lives in Chicago, where he is needs money to start his off-track betting operation, and where his meter-maid girlfriend (Rachel Weisz) is losing patience with his evasions and unreliability. Fred asks his brother Nick (Santa) for money. Mrs. Claus wants him to say no, but he tells her, “I’m a saint. Tough love’s a little difficult for me.” The best he can do is insist Fred come up to the North Pole to earn the money. So Willie (the head of John Michael Higgins on a little person’s body), the head elf, swings by in the sleigh to pick him up, and Fred gets whisked to Santa’s workshop by reindeer express.
Fred does not exactly fit in, physically or culturally. He gets into a tussle with the workshop’s DJ (the head of Chris “Ludacris” Bridges on a little person’s body), after one too many spins of sugary seasonal tunes. Fred shoves him aside and plays Elvis singing “Rubberneckin’.” The elves get so excited that the workshop turns into a rave, complete with mosh pit.
The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Parents should know that this movie has some crude humor, including mild sexual references, potty jokes, a non-explicit childbirth scene, mild language, and some skimpy clothing. Some audience members will find it insensitive that Fred and the elves assume that boys will all want one gender-specific toy and girls will want another, though it does show one girl happily receiving the “boy’s” toy. And this is a rare Christmas film to recognize that some people belong to religions that do not celebrate Christmas or expect a visit from Santa. Some may also find it insensitive that the faces of full-size actors are imposed on the bodies of little people.
Families who see this movie should talk about Fred’s feelings about Nick. Why was it hard for him to feel good about his brother? Who was right about the naughty list? How can an efficiency expert be a help?
Families who enjoy this movie will also enjoy Elf (some crude humor) and The Santa Clause.
Grammy-award winning singer-storyteller Bill Harley has a great new concert performance DVD for families called Yes to Running: Bill Harley Live. Harley is best known for his funny and clever songs and stories for kids (with some parent-friendly lessons about courage, loyalty, and good manners) like “Zanzibar”, “Monsters In The Bathroom”, “50 Ways To Fool Your Mother”, “You’re In Trouble”, “Dad Threw The TV Out The Window”, “Down in the Backpack” and “The Ballad of Dirty Joe.” You can also hear him on NPR. My favorite of his collections is Dinosaurs Never Say Please, with 50 Ways to Fool Your Mother a close second, and my husband will admit we sometimes play his music even when the kids are not in the car.
PalTalk has a site where you can put in any name — yours or a friend’s — and it will create a remarkably real-looking news broadcast about how the name you type in has become a massive nationwide political phenomenon and could just be elected the next President. Very clever! And very funny.
Rated PG-13 for some language, sexual humor, and partying
Profanity:
Some crude language
Alcohol/ Drugs:
Drinking
Violence/ Scariness:
Tense confrontations, comic peril
Diversity Issues:
Diverse characters, some stereotyping
Date Released to Theaters:
September 21, 2007
This updated fairy tale has some clever riffs on “Snow White” but never makes use of the considerable talents of its star, Amanda Bynes.
Sydney (Bynes) is a college freshman who wants to join Kappa, the most exclusive sorority on campus, though she is more comfortable on a construction site than at a cotillion. “You know how people joke about being raised by wolves? I was raised by construction workers,” she explains and we cut to her devoted father (“The Dukes of Hazzard’s” John Schneider) illustrating the facts of life for her with plumbing supplies. When she knew she was dying, Sydney’s mother wrote her a letter, telling her how much she loved being in the sorority. Now Sydney wants to fulfill her mother’s dream.
But Sydney does not meet the standards of the Kappa president, Rachel Witchburn (Sara Paxton). She is not blonde, she is not a size 2, and, worst of all, Sydney fails to recognize Rachel’s supreme domination over just about everything on campus — especially the handsome Prince Matt Long as Tyler Prince, the campus McDreamy.
Rachel boots Sydney out of the sorority in a humiliating public ceremony. There is only one place left on campus that will take her in, the ramshackle house occupied by the campus outcasts. There are seven of them. One has allergies and sneezes a lot. One is an exchange student with jet lag who sleeps all the time. One is bashful. One is grumpy. All are nerdy. And Rachel has a plot to tear their house down so her family can build a shiny new rec center for sorority and fraternity members only.
Echoes of the Snow White story provide the movie’s brightest moments. Rachel checks constantly to make she is still considered the fairest in the land, not in a magic mirror but in the campus “hot or not” website. The poisoned apple? An Apple laptop with an important homework assignment gets infected with a virus. And of course in the big moment Sydney is awakened by a kiss from the Prince.
It is less cute when a nasty trick has the seven dorks naked at a campus party and when they march past Rachel with a mean-spirited “Hi, Ho!” It makes it harder for us to stay on the side of the good guys when they descend to the terminology of the bad guys. And it goes overboard on the geek factor; drawing less from fairy tales than from “Revenge of the Nerd”-style caricatures. For a movie that is supposed to be all about inclusion and respecting the dork within each of us, it has a lot of fun at their expense.
Bynes is captivating despite a role that does not give her much to do but display tomboyish good spirit behind some really unfortunate hair and make-up. She looks trapped in a 1970 Yardley ad, all fake tan, shag haircut, and pale eye shadow. She can make a retort sound spirited, not snappish, as when she tells Rachel that she doesn’t “speak priss.” Her best moments are with Long, who has a great smile and a rare ability to listen to what other performers are saying without thinking he has to be doing something every second he is on screen. Newcomer Jack Carpenter as Sneezy/Lenny brings warmth and humanity to a thinly written role as the most sociable of the dorks.
But director Joe Nussbaum does not trust his performers, the material, or the audience. He keeps the tempo so synthetically sitcom-y you expect to hear a rim shot and a laugh track. Everything is exaggerated. Every joke is an elbow in the ribs. Like Rachel, he is checking his “hotness” every couple of minutes. And like Rachel, his score could use some improvement.
Parents should know that this movie has some vulgar humor and strong language (references to “hos,” b-word), implied nudity, and a drinking game at a party. A strength of the movie is its emphasis on inclusion and the importance of treating diverse people respectfully, and Sydney reaches out to all groups on campus, from the Hassids to the band geeks, cross-dressers, and Goths.
Families who see this movie should talk about when they most felt like outsiders or dorks and what they can do to make sure that people around them feel included and appreciated for who they are.
Families who enjoy this movie will also enjoy other takes on classic fairy tales like Ella Enchanted and Shrek. Barbara Stanwyk and Gary Cooper co-starred in an earlier update of Snow White, Ball of Fire.