Welcome from The Movie Mom

Posted on December 7, 2007 at 11:00 am

Thanks so much for visiting my blog! I hope you will check in often and I would be very happy to hear your comments, questions, and suggestions — even your corrections. I’ll be reviewing movies and DVDs every week and I’ll also be blogging nearly every day about media, values, family and community, posting interviews with writers, actors, directors, animators, and others, creating best/worst lists of all kinds, and responding to questions from “what’s a good movie for a 8-year-old’s slumber party?” to “why does my preschooler want to watch the same movie every single day?”, to the ever-popular “I only remember one thing about a movie I saw many years ago — do you know the title?” (Sometimes I do!)
My radio listeners are already familiar with the rarely-invoked “Gothika” rule — if a movie has a truly idiotic ending, I will give it away. Watch this space for the latest on my “Gothika” list.
And watch this space too — that’s my new Beliefnet Community group. Please join me there for a conversation about media, culture, and values. Let me know which movies and television shows you and your family love — and which ones you don’t.
More about my plans, my goals, and my point of view:

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Commentary

The Golden Compass

Posted on December 4, 2007 at 11:38 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sequences of fantasy violence.
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Children and adults in peril, shooting, arrows, explosions, battle scenes, badly injured child (not graphic), some disturbing themes
Diversity Issues: Diverse characters
Date Released to Theaters: December 5, 2007

goldencompass.jpg
Lyra Belacqua (Dakota Blue Richards) is disobedient, obstinate, crafty, and skeptical. In other words, she challenges authority, she is is a creative thinker, and she is in the grand tradition of the heroes of classic adventure stories. And this is a grand adventure indeed, sweeping, imaginative, epic, thrilling.
Lyra lives in an alternate world that looks like 19th century Oxford. She is an orphan essentially being raised through the benign neglect of a group of academics, with occasional visits from her uncle, Lord Asriel (Daniel Craig), an explorer-scientist. She runs wild much of the time, playing with the servant’s children rather than sitting in classrooms. In her world, “souls walk beside our bodies” in the form of “daemons,” animal spirits that are invisibly connected to their humans. The daemons of children shift from one species to another as the circumstances inspire — or require. But daemons assume one form at puberty and retain it.
Lord Asriel arrives with news of “dust,” a mystical force he has been studying at the top of the world. There are mysterious rumors of children being snatched up and taken away. An imposing and mysterious woman named Mrs. Coulter invites Lyra to stay with her. And one of the scholars gives Lyra an important gift called an althiometer, a kind of compass with mysterious symbols that when read correctly — or rather, when read by the person who knows how to use it — tells the truth. All of these developments come together as Lyra goes on a journey in search of her captured friend, a journey that requires the assistance of a cowboy (gravel-voiced Sam Elliott), a witch (Eva Green), and an armored bear (voice of Ian McKellan).

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Action/Adventure Based on a book Fantasy Genre , Themes, and Features Movies -- format Reviews

When Movies Collide

Posted on November 30, 2007 at 11:10 am

It often happens that movies seem to overlap or collide with each other. All of a sudden, there are two or three movies at the same time about earthquakes, or farm foreclosures, or asteroids hitting the earth, or CGI films about insects. “Antz” came out just before “A Bug’s Life.” It could be copycats. Or it could be just a reflection of some societal zeitgeist. Maybe both.

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Commentary

Not-so Enchanted

Posted on November 30, 2007 at 10:20 am

One of the best movie critics around is Slate’s Dana Stevens, and this week she has an excellent column about the adorable “Enchanted,” pointing out that there is one very un-enchanting element to the movie. She enjoyed the movie and was a fan of Amy Adam’s performance as Giselle.

But there was something that depressed me about “Enchanted,” a grim reality that occasionally peeped through the whimsy like New York City glimpsed from the animated fields of Andalasia. This sinking feeling had little to do with what could be seen as the movie’s retrograde affirmation of true love and happy endings—after all, if you’re going to start complaining about marriage as a plot resolution device, you have to throw out every comedy from Shakespeare on down. No, that intermittent sense of yuckiness sprang from the movie’s solemn celebration of a ritual even more sacred than holy matrimony: shopping.

I was also disappointed by the shopping montage. Couldn’t they have bonded over reading a book together? Cooking something special? Going to a museum or concert or the theater? Playing dress-up?

Of course, “shopping with your mother,” specifically for femininity-enhancing, wallet-reducing princess clothes, is precisely the activity that propels the global Disney empire forward. The scene between Morgan and Giselle in the spa isn’t played for irony; these two are truly bonding over the manicure counter, and Morgan’s mission to save the day via retail proves successful…I couldn’t suppress that yuck factor: Does these little girls’ happily-ever-after consist only in getting Mommy to buy the right dress?

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Commentary

Lions for Lambs

Posted on November 7, 2007 at 3:21 pm

C
Lowest Recommended Age: High School
MPAA Rating: MPAA Rating: R for some war violence and language
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Brief graphic battle violence
Diversity Issues: A strength of the movie is strong, loyal relationships between diverse characters
Date Released to Theaters: November 9, 2007

It is more op-ed than movie. “Lions for Lambs” is a well-meaning attempt to encapsulate and move forward one segment of our current political debates. But it is mostly speeches, not stories.
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