Due Date

Posted on February 23, 2011 at 8:00 am

Two obnoxious and unlikeable people are stuck together for an excruciating cross-country road trip that is hard on them and harder on the audience.  It is such a thoroughly unpleasant journey that it forced me to reconsider my previously firm conviction that I would happily watch Robert Downey, Jr. in anything.  I stand corrected.

Downey plays Peter, an architect in Atlanta on business who has to get home to Los Angeles for the birth of his first child.  At the airport he has a meet-uncute encounter with man-boy Ethan (Zach Galifianakis, rapidly depleting the goodwill from his fine performance in “It’s Kind of a Funny Story”).  A few sharp words and an inadvertent exchange of some personal effects and no one but the characters is surprised when they end up on the same flight and are immediately booted off and put on the no-fly list. 

Various slapstick catastrophes occur filmed with a surprising lack of energy and interest by director Todd Philips (“The Hangover,” “Old School”), who seems as uncomfortable and distracted. Perhaps that is why he failed to consult with Downey on exactly what his character is supposed to be doing in this film. I don’t mean getting from Atlanta to LA or even having alternate meltdowns and blow-ups. I mean — is he the everyman we are supposed to identify with, a counter-balancing order to Ethan’s chaos?  Is he the guy who seems together on the surface but turns out to be even more of a needy mess than the big delusional baby with the beard and the mincing walk? Is there any way not to wince, given Downey’s real-life history, when his character has to get all trippy?  The ghost of “Planes, Trains, and Automobiles” haunts this joyless mess.

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Comedy

MVPs of the Month: Ty Burrell and Juliette Lewis

Posted on November 8, 2010 at 3:59 pm

Ty Burrell is everywhere these days. He is Phil on the beloved television series “Modern Family,” brilliantly updating the classic “Honey, I’m Home!” sitcom dad as a guy who may be clueless and corny and overly sensitive but who adores his family and whose deep connection to his wife (oh, that re-wedding and those anniversary gifts!) and to technology (the iPad episode!) are always endearing. He’s in two huge studio films this month as well. In “Morning Glory” he plays the host of the country’s worst morning show, superficially wholesome but under the surface kind of twisted. And look for him in an important scene in “Fair Game,” at a dinner party taking on Sean Penn as Joe Wilson. Both are far from his genial Phil Dunphy character and show you that Burrell has a lot more to show us.
Juliette Lewis was a child actress whose assured but vulnerable performance as a teenager in the remake of “Cape Fear” got her nominated for an Oscar. She has raised some eyebrows on-screen (“Kalifornia,” “Natural Born Killers”) and off-screen (high school drop-out who legally emancipated from her parents at age 14, drug rehab). More recently, she has been pursing a singing career, but she is back this fall with two performances as damaged but very different women (another good example is her small role in “Catch and Release”). In “Conviction” we see her in two pivotal scenes separated by 18 years as a witness who changes her story. In “Due Date,” she provides one of the film’s few highlights as a blissful pot dealer. In both she takes small parts and shows such specificity and such understanding of and affection for her characters that we cannot help but be drawn to them. She’s next scheduled for “Hangover 2.” Can’t wait.

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