Eleanor the Great

Eleanor the Great

Posted on September 25, 2025 at 5:24 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for thematic elements, some language and suggestive references
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: References to the Holocaust, sad death
Diversity Issues: A theme of the movie
Date Released to Theaters: September 26, 2025
Copyright 2025 Sony Pictures Classics

Scarlett Johansson’s first film as a director shows the careful attention she has been paying as a performer, starting with the importance of casting. The irreplaceable June Squibb stars as the title character, an outspoken 94-year old who moves from her home in Florida to New York after the death of Bessie (Rita Zohar), her roommate and best friend.

The opening scenes show the ease, comfort, and support of that friendship, as they strap on their velcro-strap shoes, grab Eleanor’s cane, go for a walk and shop for groceries. Bessie collapses in the store, and we see them in the hospital, Eleanor making sure Bessie sees a doctor right away by telling the nurse Bessie is a member of the family who donated the money for a wing at the hospital, despite the fact that it is not true. She also lies to a nosy neighbor, just to annoy her. This comfort with deception appears at first to be harmless but it is an indication of the dangers ahead.

In New York, Eleanor reunites with her recently divorced daughter, Lisa (Jessica Hecht), and college student grandson, Max (Will Price). In contrast to her relationship with Bessie, her connection to her family is prickly, contrary, and sometimes judgmental. Lisa has signed Eleanor up for a singing group at the Jewish Community Center and encourages her to look at assisted living options. Eleanor is not interested. At the JCC, she wanders into a meeting, not realizing it is a support group for Holocaust survivors. When called upon to introduce herself, she uses one of Bessie’s stories. Sitting in on the meeting is a journalism student named Nina (a radiant Erin Kellyman), who is captivated by Eleanor’s story and wants to write about her.

Nina’s mother died six months earlier and her father, a television news reporter (Chiwetel Ejiofor as Roger) has been distant, dealing with his own grief. The dislocation and grief they share leads Nina and Eleanor to become close friends very quickly.

The chemistry between them is palpable, so we want that friendship to continue to be a source of connection and healing for them. But we know, as Eleanor realizes at some level, that the “stolen valor” lie at its foundation must detonate, causing great pain for both of them. What is unexpected is compassion and generosity of the way it is resolved, I suspect the reason Johansson and Squibb were drawn to the story.

Squibb is, as we saw in “Nebraska” and “Thelma,” a treasure and this role gives her a chance to play a character who is fully human, flawed, grieving, and still learning. The British Kellyman has an impeccable American accent and she is a gem, lighting up the screen with her vulnerability and the way she treasures and is reassured by her friendship with Eleanor. Johansson created a space for superb performances by everyone in the cast, including Jessica Hecht as Eleanor’s frustrated daughter and Zohar as Eleanor’s roommate and lifelong friend.

Sqiibb, Kellyman, Johansson, and first-time screenwriter Tory Kamen have made a film about loss, friendship, and compassion. Eleanor may not always be great, but this movie lets us see the parts of her that really are.

Parents should know that this movie includes some strong language, references to the Holocaust, and grief over the deaths of a wife and mother and a friend.

Family discussion: Why did Eleanor lie? Why was it hard for her to be as nice to her daughter as she was to Nina and Bessie? Were you surprised by Lisa’s response?

If you like this, try: “Thelma,” also starring June Squibb

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Thelma

Thelma

Posted on June 20, 2024 at 9:34 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for language
Profanity: Strong language for a PG-13
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Some peril and violence
Diversity Issues: A theme of the movie
Date Released to Theaters: June 21, 2024

It is a joy to watch “Thelma,” inspired by the love writer/director Josh Margolin has for his own Thelma, his now-103-year-old grandmother we get a glimpse of over the closing credits. And it is a joy to watch 95-year-old June Squibb, the best thing in too many movies, in a first-time lead role, and a lead role in an action movie to boot. Squibb gives a performance of endless charm and wit as a loving grandmother who gets scammed and then deliciously, hilariously, and very satisfyingly, gets revenge.

Copyright 2024 Magnolia

Thelma and her grandson Daniel (Fred Hechinger) have a warm, loving relationship. We first see him in the classic grandchild role of guide to computers and the internet, with endless patience and good humor. They are very comfortable together and show tender concern for one another, but they are not always honest. Each wants the other to think they are busier and more secure than they really are. Before he leaves, he insists she put on a life alert, which she removes after he’s gone. And she assures him she has plenty to do, but she does not.

The real Thelma got one of those scam calls from someone pretending to be her grandson, saying he was in jail and needed cash to bail him out and her family stopped her before she sent any money. But the movie Thelma gets so upset she races to the post office with cash in an envelope and mails it. When she finds out she has been tricked, she is determined to get her money back.

This requires her to visit two friends, first a retirement home to visit Ben (a charming Richard Roundtree in his final role), an old friend who has a romantic interest in her that she does not reciprocate. He does have something she wants, though, a scooter, which she will need to get around. He insists on coming with her, even though he is starring as Daddy Warbucks in “Annie” at the retirement home that night. Together they visit Mona (a sweetly dotty Bunny Levine), who has a gun in a box on top of an armoire in her bedroom. Ben has to distract her and Thelma has to figure out a way to reach it.

And then they’re off, on the motorized scooter, for a wild adventure that I will not spoil, except to say that her determination and quick thinking are great fun. This is an action movie where the vehicle’s top speed is 25 mph and does not go very far before it needs to be recharged. When Thelma and Ben do the classic action movie slo-mo walk away from an explosion, it’s not because they are tough and cool; it’s probably because they are hard of hearing and do not know it happened. And yet, it is genuinely exciting. You want to argue with me that it is not realistic? Dude, it is as realistic as a street racer flying a car out of a skyscraper and disarming bombs or a hotel that caters only to assassins.

Squibb, who did some of her own stunts, uses every wrinkle on her face to show us Thelma’s fierce independence, love for her grandson, her refusal to give up on her money, or her justice, and her determination to prove that she can take care of herself. Parker Posey and Clark Gregg as Thelma’s daughter and son-in-law and Daniel’s parents are terrific as the middle of the concern sandwich and Malcolm McDowell is most welcome as another wily senior.

This is everything you’d hope from a festival favorite, smart, fun, funny, and heartwarming. I’d love to see a sequel. There are a lot of scammers out there and not enough Thelmas or Squibbs.

Parents should know that this movie includes strong language for a PG-13, con artists, some peril, references to and depictions of ailments and predicaments of the elderly, a gun, an explosion, and family stress

Family discussion: Why don’t we see more movies about elderly people? Why is Daniel so close to Thelma? Ask the older relatives in your family about their adventures.

If you like this, try: “Lucky Grandma”

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