Short Films from Harvard Law Students Illuminate Issues of Justice — and Injustice

Posted on June 28, 2021 at 6:02 am

The law can be viewed as a menacing force to intimidate and coerce. But what happens when the law is challenged to right a wrong or create constructive change? Led by Harvard Law School Professor Martha Minow and producer Joseph Tovares, twelve Harvard Law students set out to explore that intersection in LEGAL LENS, premiering Monday, June 28 on WORLD Channel’s LOCAL, USA with additional, exclusive shorts on YouTube. Through five short films featuring captivating profiles and passionate characters, the series examines how laws and regulations can either disrupt lives or lead to positive shifts, depending on how they are interpreted or contested.

“I’ve often thought it may seem strange, but that the closest activity to law, and law practice, is documentary filmmaking, because in a similar, maybe surprising way, we have to deal with the actual reality. This is not fiction. And at the same time, no one would deny there’s a shaping, there’s a choice-making, there’s a set of selection decisions,” Minow says.

The similarities between studying law and creating documentary films may not be obvious, like Minow suggests, but consider the larger themes of both: Lawyers craft stories to win their cases; documentarians lead viewers through a focused narrative to bring attention to an issue.

But more than the industries’ parallels, it’s about the reach film has when compared to law, says Kenyan LL.M. student Zamzam Mohammed, who worked to shine a light on pregnancy discrimination in the workplace. She believes the medium can raise a new kind of awareness: “You can have a case in court, and only very few people would actually be able to understand what’s going on. But then when you have a film, anybody can watch a film on the subway, you can watch it when you’re cooking dinner. And so I think it’s something that helps people understand in a way that is clear for them,” she said.

David Benger, one of a team of students who focused on prison reform, found that documentary fit in seamlessly with his mission as a lawyer: to create broader awareness that, in turn, facilitates change. “I think we, as lawyers, try to convince people, not only that we’re right, but that people should care about what we have to say. And I think filmmaking is an extremely useful tool for helping people invest emotionally in real problems that other people have,” he said.

Starting the conversation, even if it seems like no substantial progress is being made, is half the battle, says LL.M. student Adam Posluns.

“Litigation doesn’t always have to be about big victories in court…Sometimes that change can happen just by initiating lawsuits, just by starting the litigation,” he said. “Because even if you don’t win, and sometimes you won’t win for various reasons…it can get other people to see that they can also litigate these issues. They don’t have to wait for their governments to come along.”

Law, these students agree, may seem straightforward on paper, but when film becomes an element, seeing the human stories behind those laws creates an expanded consciousness and adds a new angle to the purpose of law, offering insight that may otherwise be lost.

“Narrative storytelling, especially documentary storytelling, can help lawyers do their job better and remember that this is about people. I think the thing I hate the most is when people say, ‘Oh, let’s not focus on the facts. Let’s just focus on the law,’” said Elisabeth Mabus, J.D student from Jackson, Mississippi. “The facts are the people. And the facts are the people that the law impacts. And we cannot lose sight of that.”

The umbrella of human rights is what led Minow’s class to their underlying theme: home, and how the law can have such an effect on a person’s sense of it.

“Sometimes we forget the stories behind these legal cases, or don’t pay as much attention to stories behind these legal cases we read. We go straight to the legal issue. We go to the legal arguments, principles, but it’s a gentle reminder that behind every case there’s a human story…win or lose, there’s always that human story,” Daren Zhang, California J.D student, said.

Within these five films, the stories ultimately lead back to what makes a home, and how the idea of home, that basic and fundamental right, is challenged when human rights are threatened. According to Posluns, that was the driving force behind these stories. “I think people felt that human rights were being put on the back burner, that they’re being disregarded rather than championed…That human rights had become more bargaining chips in transactions rather than something to be fought for and to be championed around the world,” he said.

By looking at issues like climate change, immigration and gentrification through a legal lens, these future lawyers began to see their profession differently. By embarking on a mission to represent their characters (Lisa Newman, a working mother; Doris Landaverde, an 18-year Temporary Protected Status holder; Damali Vidot, an unassuming but confident community leader) justly and effectively, opinions on what practicing law means began to evolve.

Kevin Patumwat, a J.D student from Bangkok, Thailand, shared how the project underscored the role of ineffective lawyering: “I think this project really drove home the importance of how lawyers need to be able to use the knowledge, use the resources they have, and really more effectively advocate for the people who they’re advocating for.”

“Ultimately when you care about an issue and you want to tell a story about an issue, there’s a great deal of value in having many different tools in your toolbox for how to tell that story and how to make people care and that this may not be a part of their direct lived experience, but it’s something they should care about,” Benger echoed.

By shifting the gaze of litigation onto honest, human stories, LEGAL LENS offers a glimpse into how there is still room for change in the way law is interpreted and enacted.

“In a lot of our national conversations, I think we focus so much on the things that divide us. We forget often how much we have in common. And we forget to see all the things that unite us,” Boston, Massachusetts J.D student Tianhao He said. “Even though the films in this series all touch on different issue areas with different characters in different parts of life, I think we do see these universal themes. These universal themes of yearning for belonging, of the struggle and also the joys of building home in America.”

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Courtroom Documentary
MVP of the Month: Real-Life Heroic Lawyers

MVP of the Month: Real-Life Heroic Lawyers

Posted on December 16, 2019 at 9:21 am

Copyright Warner Brothers 2019
At awards season, we often get uplifting real-life stories and this year we have three that are about heroic lawyers fighting for justice against almost insurmountable odds. Here they are, with a little background on the real stories.

Mark Ruffalo as Rob Bilott in “Dark Waters

Billot was profiled by the New York Times, which dubbed him DuPont’s Biggest Nightmare. “Rob Bilott was a corporate defense attorney for eight years. Then he took on an environmental suit that would upend his entire career — and expose a brazen, decades-long history of chemical pollution.”

Michael B. Jordan as Bryan Stevenson in “Just Mercy”

Stevenson is a Harvard Law graduate who has spent his career in the town where the man who inspired the most beloved lawyer in movie history, Atticus Finch, practiced law. And like Finch, he defends those who have been unfairly accused and not had adequate access to counsel. He is also the Founder of the stunning Legacy Museum and National Memorial to Peace and Justice, sometimes called the Lynching Museum because of its extraordinary challenge to communities to acknowledge their past.

HBO has a documentary about Stevenson and his Equal Justice Initiative.

Sam Rockwell as Watson Bryant in “Richard Jewell

Clint Eastwood’s “Richard Jewell” is based on the true story of the man who was initially hailed as a hero for discovering a bomb at a concert celebrating the Olympics in Atlanta, Georgia, and then accused of planting it to make himself famous. Watson Bryant was the lawyer who represented him, proving that the FBI and the local and national media were irresponsible to the point of negligence and abuse.

The movie was inspired by a Vanity Fair article called “American Nightmare” by Marie Brenner. Here is what she said about the lawyer who happened on to Jewell because they had briefly worked together:

The simple fact was that Bryant had no qualifications for the job. He had no legal staff except for his assistant, Nadya Light, no contacts in the press, and no history in Washington. He was the opposite of media-savvy; he rarely read the papers and never watched the nightly news, preferring the Discovery Channel’s shows on dog psychology. Now that Richard Jewell was his client, he had entered a zone of worldwide media hysteria fraught with potential peril. Jewell suspected that his pickup truck had been flown in a C-130 transport plane to the F.B.I. unit at Quantico in Virginia, and Bryant worried that his friend would be arrested any minute. Worse, Bryant knew that he had nothing going for him, no levers anywhere. His only asset was his personality; he had the bravado and profane hyperbole of a southern rich boy, but he was in way over his head.

You can see the real Bryant here:

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The Real Story

Abraham Lincoln’s Advice to Lawyers

Posted on November 9, 2012 at 8:00 am

Before he was the 16th President, Abraham Lincoln was a lawyer.  In honor of Steven Speilberg’s new “Lincoln” movie starring Daniel Day-Lewis, Miniver Press is proud to publish a Kindle version of Abraham Lincoln’s Law Notes, a little-known essay with advice to lawyers, with commentary by former judge Frank Ceresi and an introduction by Brian Dirck, the foremost scholar on Lincoln’s law career.

Professor Dirck calls this “a rare window into the mind of Lincoln as he contemplates the ethical and social dimensions of practicing law” and “a vital document that we can all learn from today.”  Ceresi says, “my opinion is that the Notes should not only hang proudly in every lawyer’s law office, but they should be required reading during the third year of every law school curriculum across the land . . . it should be the foundation of a course, right alongside of ethics, and studied for the nuggets that it reveals.  For in that document, from Abe’s pen, we not only get a glimpse of how he practiced, from what he learned from his practice, but we can also take from it lessons and advice that we should all heed today.”

“The leading rule for the lawyer, as for the man of every other calling, is diligence,“ Lincoln writes.  He also tells lawyers to do their best to stay out of court, to practice public speaking but warns that “there is not a more fatal error to young lawyers than relying too much on speech-making.”  Most important, he cautions that there is a “vague popular belief that lawyers are necessarily dishonest.” Lincoln makes it clear that more important than being a good lawyer is being a good person. “If in your own judgment you cannot be an honest lawyer, resolve to be honest without being a lawyer.”

If you would like a pdf of Lincoln’s handwritten essay, send an email to moviemom@moviemom.com with Lincoln in the subject line.

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