Green Lantern

Green Lantern

Posted on June 16, 2011 at 9:52 am

Let’s get right down to it with the superhero essentials checklist.  Cool powers?  Check.  Interesting villain?  Check.  Interesting girlfriend?  Half a check.  Aliens?  Check.  Fancy gala party?  I’m not sure why that appears to be a crucial part of every superhero movie, but it’s here.  Working through some angsty parental issues?  Check.  Special effects and action sequences?  Maybe three-quarters of a check.  Does the superhero outfit avoid looking silly?  Half a check.  Is the 3D worth it?  No check.

Another month, another superhero, this time DC (home of Batman and Superman), not Marvel (home of the Fantastic Four, Iron Man, and Thor).  Hal Jordan (a very buff Ryan Reynolds) is an irresponsible but irresistible rogue and a test pilot for a company that makes planes for the military.  He has an on- and off relationship with the test pilot/executive daughter of the head of the company, Carol Ferris (“Gossip Girl’s” Blake Lively).  When four members of the intergalactic force for peace and justice — think outer space Seal Team 6 — are killed by a creature who looks like a spider made of smoke, their special green lantern rings seek out the successors.  For the first time, a human is invited to join the Green Lanterns.  The alien dies, telling Hal only that he has to use the ring and lantern and say the oath.  Hal tries the only oaths he can think of — pledge of allegiance, He-Man — before the ring and lantern lights up and he gets it right: “In brightest day, in blackest night, No evil shall escape my sight. Let those who worship evil’s might, Beware my power… Green Lantern’s light!“

It is fun as long as you don’t think too hard.  There’s so much nattering about Will versus Fear that it could have been written by Ayn Rand and directed by Leni Riefenstahl.  (Carol would be right at home with Dominique and Dagny.)  The Lanterns’ power includes calling into being anything they can imagine, which undercuts any peril and dramatic tension in the big confrontations.  It makes the struggle internal, one of strategic imagination and determination, not the best idea for a big special effects film.  The bad guys include a nerdy scientist whose exposure to the evil smoke-spider turns him into a misshapen, anger- and jealousy-driven madman, and the smoke-spider, whose surprising connection to the Lanterns makes him even more dangerous. But it seems unfocused, overly fussy and most likely re-cut following a poor reaction to an earlier version — characters like Hal’s nephew and best friend are introduced and then disappear and Angela Bassett barely appears as a scientist.  Mark Strong is a skeptical alien with a ridiculous mustache and even more ridiculous dialog, and the elders look like first-draft Yodas.  And everybody has father issues.  What, no one has a father who’s present and supportive? Aren’t there any mothers left?  Reynolds does fine as Hal but Lively never lives up to her name, swanning around in elegant sheaths and high heels but without any of the wit or energy of Gwenyth Paltrow’s Pepper Potts.  The credit sequence ends with a sneak peek at the villain for the next episode.  Let’s hope they have the will to call up something a little more fearless next time.

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3D Action/Adventure Comic book/Comic Strip/Graphic Novel Fantasy Science-Fiction Thriller

This Week on DVD

Posted on June 14, 2011 at 3:19 pm

DVD pick of the week: The Grace Card This unpretentious but sincere film about the power of anger and the greater power of forgiveness has quiet power, and its final scenes are moving and inspirational.

Also on DVD this week:

Battle: Los Angeles Destined to be remembered primarily as yet another step toward closing the gap between games and movies, the essence of “Battle: Lost Angeles” is a lot of boom-boom and a bunch of “ooo-rah.”  But the action scenes in this military vs. alien invaders saga are fun and the one-the-ground and on-the-fly portrayal of operational strategy and honor is stirring.

Hall Pass A vile mess that wastes the talents of everyone involved, this is an un-funny comedy about married men who want to be cool and single again, just for a week.

Red Riding Hood Oh, Grandmother, what a big, bad movie you have.  I invoked my famous “Gothika Rule” on this one.

 

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Not specified

Interview: Don McGlynn of Gospel Documentary ‘Rejoice and Shout’

Posted on June 14, 2011 at 10:54 am

Don McGlynn is the director of a raise-the-roof documentary about gospel music fittingly called “Rejoice and Shout.” It is a thrilling compendium filled with history but more importantly, filled with music. The people are wonderful and McGlynn gives us full performances of the gorgeous music of the past and the present.

How did you find those amazing archival clips?

It was an enormous job finding it. I’ve been working with my producer partner Joe Lauro, who has been gathering this stuff for 20 years. It was daunting to go through all the material but even the middling clips were so inspiring. And the ones we used I’m very thrilled with. There were a number of gospel shows around the country. We got a lot from “TV Gospel Time” and some from “Jubilee,” a show out of Chicago. Joe is so determined and so interested that he wanted to see everything. And that means we got to use clips that had never been exhibited. We think of the beginning of movies with sound as “The Jazz Singer” in 1927. But we found one clip that pre-dates that, from 1922. And after “The Jazz Singer” all these newsreel crews went out to make sound films. About 30 minutes into our movie we have five or six clips of footage almost 90 years old that had never been edited before. There was a lot of archeology going on!

One of my favorite parts of the movie was tracing the way that gospel and pop and rock music influenced and enriched each other, sometimes uneasily.

One of the great things about gospel music was the way they took the whole concept of the barbershop quartet and twisted it and changed it around so much that it became this very elaborate, fascinating kind of music. As much as I love all of the quartets we have in the film, like the Dixie Hummingbirds and the Golden Gate Quartet, I think it’s fair to say they’re kind of unthinkable without the Mills Brothers. There’s this back and forth feeding of gospel into pop and vice versa.

And you show the influence gospel and folk had with each other, with Bob Dylan a big fan of the Staples Singers and performing with them.

It’s conscious music and it was a good time for both of them to sing those songs. That was a great meeting point. I’m a Minnesotan, too, an Irish Catholic boy, up there isolated in the frozen north, so it is heartening to me that Dylan, also from Minnesota, was listening to the Staples. We feel so isolated but that doesn’t mean we can’t find the world somehow.

How would you describe the importance of gospel in the African-American churches?

When you go to a Baptist church, it’s very similar to my experience in a Catholic church, but there’s more going on. You have the sermons, and the collections, and music. In gospel you feel that there’s this commitment for the daily experience. People say, “I go to church at nine and get home about six.” And it’s never boring! It’s a blast. It’s also like the newspaper of the community, to find out what is going on with everyone, what this meant morally and ethically, of course frequently referring back to the Bible.

Does the experience of singing gospel music bring the singer closer to God? Is it a form of prayer?

That’s maybe the point of my movie. In order for these people to sing so beautifully, having this religious and emotional and spiritual connection to the music brings it really to life. It’s inescapable. There were two things that were important to me. One was that this is a music movie so let’s have full performances of the songs. And these people are really religious, so let’s talk about what God and church mean to them. They’re artists who are expressing themselves because of how they feel about these subjects.

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Directors Interview
Judy Moody and the NOT Bummer Summer

Judy Moody and the NOT Bummer Summer

Posted on June 11, 2011 at 9:43 am

C
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some mild rude humor and language
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Mild comic peril, brief footage of zombie movie
Diversity Issues: None
Date Released to Theaters: June 10, 2011

It’s the last day of third grade and redheaded Judy Moody (Jordana Beatty) is looking forward to the greatest summer ever.  She has big plans for herself and her three best friends, a summer of dares and thrills and adventures.  But she is crushed to discover that two of her friends have their own plans.  One is headed for circus camp and the other to Borneo.  Worse than that, her parents have to leave to help her grandparents move, and she will be stuck at home with her pesty, Bigfoot-obsessed brother Stink (Parris Mosteller) and an aunt she does not even know (Heather Graham as the free-spirited Aunt Opal).  Instead of the best most not-boring thrilladelic summer ever, it looks to be a bummer summer all the way, death by “starvation, boredom, and Stink-dom.”

Judy has some setbacks and learns some lessons, as the fans of book series by Megan McDonald know.  Director John Schultz (“Aliens in the Attic”) provides some visual bounce; it looks like a school notebook covered with glitter and stickers.  But the individual episodes play like skits and there is much too much bodily function humor (lessons: don’t eat a lot of junk food and a blue sco-cone before getting on a roller coaster called the Scream Monster — or sit next to someone who did and never make your picnic sandwiches near someone who is storing Bigfoot poop).  Most important, Judy comes across as a unredeemed, self-centered brat, and nothing she learns in the course of the film is about more than having fun and winning a pointless competition with your friends.  These are what we call first-world problems.

Last year’s Ramona and Beezus was charming and delightful and heartwarming.  Like Judy Moody, it is based on a beloved book series about a little girl in the suburbs with a free-spirited but doting aunt, with some silly adventures and lessons learned, but it is a far better film in every category.  The best I can say about this one is that children will enjoy the gross-out moments and comic disasters and everyone else will enjoy looking at the very pretty Heather Graham.  As a movie, though, it’s a bummer.

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