The Last Song

Posted on August 17, 2010 at 8:15 am

Miley Cyrus shows us how her reach exceeds her grasp in “The Last Song,” an attempt to move past Hannah Montana. She has become Disney’s most valuable property through the force of her personality, comic timing, and way with a pop song. But pop princesses grow up, though usually not quite as quickly as they want to. And valuable properties are hard to turn down. So when one of the world’s biggest superstars-turned-brand wants to make a grown-up movie, she gets her way.

That is why “The Last Song” plays like a check-list of everything a 17-year old would like to make as an antidote to the perpetually sunny Hannah Montana rather than a movie that works. After the sugary Disney Channel hijinks, she gets to play something a tiny bit edgy, a sulky teenager with a pierced nose, sent to live with her estranged father for the summer. Nicholas Sparks, for the first time adapting one of his own books, supplies his brand of synthetic syrup — broken hearts must find love amidst devastating losses, preferably through some exchanges of mail, all of this near a body of water with a beach.

Cyrus plays Veronica (Ronnie), a recent high school graduate who is so angry at just about everything and everyone that she is refusing to go to Julliard in the fall even though she is so talented that they accepted despite her refusal to play the piano. They just knew how great she was and accepted her anyway. Her mother (Kelly Preston) drops her off with her little brother Jonah (Bobby Coleman in the film’s most natural performance) at their dad’s beach house. Jonah is thrilled to be there but Ronnie is still angry with their father (Greg Kinnear as Steve) for leaving them and refuses to have anything to do with him as she had refused to read his letters.

Ronnie meets a cute guy named Will (Liam Hemsworth) and they bond over protecting a nest of sea turtle eggs. A falling-in-love montage is quickly followed by a trying-on-clothes-in-the-vintage-shop montage, which at least has the advantage of giving us a break from the dialogue and plot developments. But before long, the screen is littered with complications as Will and Ronnie have to cope with divided loyalties and then with something much more serious.

It’s all pretty enough, and Sparks is an expert at manipulative melodrama. Cyrus has a likable, unforced screen presence but does not have the training or focus to make Ronnie real or show us any change more significant than the switch from black to pastels and the disappearance of the nose stud. The screenplay feels episodic and scattered, like a collection of discount greeting cards. And the movie feels like a very expensive screen test for a star who needs to learn that sitcom skills are not enough to make a movie drama work.

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Based on a book Date movie Drama Romance

Furry Vengeance

Posted on August 17, 2010 at 8:06 am

Some movies are content to settle for the lowest common denominator, combining trashy ethnic stereotypes, bathroom humor and cheesy slapstick jokes in the hope of luring audiences for a cheap laugh.
But some movies aspire to go even lower. “Furry Vengeance” is that movie.
Keep your children far away from this odious film about an unscrupulous developer who is bulldozing a forest to make room for houses and ultimately, “a shopping mall with a forest theme.” Brendan Fraser plays the local manager for the developer. He has moved his
wife Tammy (played by Brooke Shields) and his son Tyler (played by Matt Prokop) from Chicago to the small town of Rocky Springs to supervise the construction of a few homes, not realizing that the master plan is to demolish the entire forest. The woodland creatures
(led by a wily raccoon) have figured out the sinister plot and launch an insurrection against Frazer and his company to protect their forest.
The movie “Idiocracy” imagines a future day when our society will be so dumbed down that we will be entertained by TV shows consisting of nothing but jokes about a man being hit in the crotch. Well, gentle readers, that day is here. Brendan Fraser not only suffers the predictable “I-landed- on the peak of a roof and it went right into my crotch” pratfall, but also the “a raccoon is biting me the crotch and won’t let go” and even some new ones: after he has been submerged in the pond Fraser announces, “I need to remove a leech from my no-no zone.” Then there’s the time his woodland foes adjust his lawn sprinkler to spray him in the crotch and the embarrassed Frazer announces ” look at Mr. Pee-Pee pants.”
It’s hard to think of who might not be offended by this wretched movie. Frazer’s ruthless Asian boss from the home office talks in a screechy sing-song voice, relies on calculators, electronic gadgets and hand sanitizers. The equally unscrupulous money men from India fare no better (“If my Indian investors wanted to be reminded of pollution they would stay home in Calcutta. Stinko!”) And of course, the movie doesn’t miss the opportunity to make fun of the difference between American Indians and citizens of India (“Wigwam? Teepee? Squaw?”) Then there’s the stereotyped Mexican laborer at the construction site, or the elderly teacher who is senile and annoys everybody with her slow pace and long lapses.
The entire movie is speckled with excrement, both literally and figuratively. Brendan Fraser gets trapped in a port-a-potty which rolls over and over and gets turned upside down. Birds with extreme digestive problems dive-bomb their enemies and spatter them with bird poop. When the Indian financier is about to sign the contract, a big wad of excrement spatters on the document and a discussion ensues about who is going to clean it off. And when it seems the prop department might have run out of excrement, skunks spew thick clouds of noxious fumes and animals spray other bodily fluids on their beleaguered foes.
Gender is treated in an equally appalling way. Fraser, with soap in his eyes, reaches out for a towel and ends up drying his face with his wife’s bra, which then unaccountably slips onto his arms so that it looks like he has been wearing it. At this moment, the woodland creatures raise the curtains so that the construction workers outside believe Frazer is a cross-dresser. The animals further cement this idea when they trick Fraser into wearing his wife’s pink exercise outfit (with the words “yum yum” written on the butt) out in public.
Normally, I try to find something good to say about each movie I review. Dear readers, I am speechless.

(more…)

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Comedy Fantasy
Cast Announced for ‘Girl With the Dragon Tattoo’

Cast Announced for ‘Girl With the Dragon Tattoo’

Posted on August 16, 2010 at 6:07 pm

rooney_mara.jpgThe international blockbuster trilogy by the late Steig Larsson has already been brought to the screen in three award-winning Swedish films starring Michael Nyqvist and Noomi Rapace. They’re now set for big-budget American remakes starring Daniel Craig as journalist Mikael Blomkvist and Rooney Mara as the title character, Lisbeth Salander. No word as yet about whether they will move the location of the story to the US.

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Actors
Me and Orson Welles

Me and Orson Welles

Posted on August 16, 2010 at 8:19 am

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sexual references and smoking
Profanity: Some crude sexual references
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Tense confrontations
Diversity Issues: Some reflection of the era's attitudes
Date Released to Theaters: November 25, 2009
Date Released to DVD: August 17, 2010
Amazon.com ASIN: 1419897543

“This is the story of one week in my life. I was seventeen. It was the week I slept in Orson Welles’s pajamas. It was the week I fell in love. And it was the week I changed my middle name – twice.” That is the opening line of a charming novel by Robert Kaplow about Welles’ famous Mercury Theater production of “Julius Ceasar,” which has now become a charming film from Richard Linklater (“School of Rock,” “Before Sunrise”), starring “High School Musical” heartthrob Zac Efron.

Welles is played by British theater actor Christian McKay, who starred as Welles in a play called “Rosebud” and perfectly captures the legend’s cadences and presence without making it an imitation. It is a true performance, and one that astutely conveys Welles’ galvanizing talent — and the infuriating single-mindedness that may be necessary to achieve his brilliant productions but never looks back at its shattering effect.

Efron plays Richard, a high school senior Welles impulsively brings on to play Lucius in the production that is about to open. Claire Danes is Sonja, Welles’ ambitious assistant. And the Mercury repertory company, many of whom would go on to become established theater and movie stars, are there for fans of “Citizen Kane” and the 1930’s to appreciate: Joseph Cotten (James Tupper), George Coulouris (Ben Chaplin), and John Houseman (Eddie Marsan). The tumult and brinksmanship that goes into any theatrical production are deftly presented, and as we see everything through the eyes of Richard, a bright, confident, dedicated, but inexperienced newcomer, we appreciate the brutal demands but also the passionate commitment, and the thrill, of presenting something that everyone knows will be an unforgettable experience for the performers and the audience.

Efron turns out to be a real star, with enormous screen charisma that works well for the character, making us understand why Welles and Sonja are drawn to him. But he turns out to be a real actor, too, very much part of an ensemble, with one of his most impressive achievements how effectively he blends in so seamlessly. Utterly effortless, whether talking to another teenager with artistic ambition (Zoe Kazan as aspiring writer Gretta) or asking an older woman for a date, Efron is always engaging.

We know from the beginning that Richard will be disappointed; that is inevitable in any coming of age story. But we are confident that he will also develop the perspective to make the most from what he has learned. The glimpses of the actual modern-dress production, gorgeously staged, resonate and inspire. We leave looking forward to seeing more from Welles, and from Efron, McKay, and Linklater as well.

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Based on a book Comedy Drama DVD/Blu-Ray Pick of the Week Romance
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