Interview: Aron Gaudet of ‘The Way We Get By’

Posted on October 7, 2009 at 8:00 am

Near the northernmost part of the eastern seaboard of the United States, tens of thousands of American military fly in and out on their way to tours of duty or on their way home. A tiny group of people, many elderly, are there to wish every one of them well and express the gratitude of our nation for their service and our good wishes for their safety. These are the Maine Troop Greeters. At all hours of the day and night, they are there to give a warm welcome and a friendly handshake to more than 900,000 service members (and more than 172 military dogs). An award-winning film called “The Way We Get By” tells the story of the troop greeters. Former U.S. Secretary of Defense (and former U.S. Senator from Maine) William Cohen says, it “is a moving and important film that encourages us to reflect upon the common bonds of mission and service that span generations.” It is one of the most inspiring movies of the year.

The movie is playing in limited release and will be available on DVD next month. It will air on PBS on Veteran’s Day.

I spoke to director Aron Gaudet about making the film over a four-year period.

NM: How did you come to this project?

AG: One of the three subjects is my mom. She is a Maine troop greeter.

NM: What is it like to make a movie about your mother?

AG: It was really interesting because it made me look at her from a completely different perspective. It gave me much more of an appreciation for her, for what she chose to do in her retirement years. At first, she wasn’t really doing much of anything. She didn’t have any hobbies. And then when she started doing this, it completely changed her life. It gave her such a sense of purpose and made me even more proud of her once I followed her around and saw what she was doing. Her and the rest of the troop greeters kind of amazed and inspired me.

NM: Did your mother work outside the home?

AG: Yes, she worked in a nursing home as a registered nurse’s aide.

NM: So at work and at home and now with the troop greeters, she has always been a caretaker.

AG: She really did spend her life taking care of people and now she is still doing the same thing.

It started out a short film about troop greeting and became a movie about life, about the universal things everyone goes through. This is a culture that defines people by your occupation and what you do, when you retire and you are no longer known for what you were doing, we tend to push people aside when we don’t see an immediate purpose in what they are doing. So these are people who all came to being troop greeters because they wanted at the end of their lives to do something that made a contribution.

We started seeing these parallels, too, all of these people going off to war are concerned about mortality and so are the older people who are greeting them. These big life issues took shape very quickly and were very interesting to us. Things they were dealing with whether it was financial heartache or losing a spouse, those are things anyone can relate to.

The Way We Get By – Trailer from The Way We Get By on Vimeo.

I am the youngest of eight, and all the others still live in Maine. But it made me realize that even with a huge support system, everyone checking in with her, she still spends a lot of time alone. Even with a big family, you still need to find something to put yourself into and give your life purpose.

NM: There were greeters during WWII who brought food for the military to the trains that were transporting them.

AG: Yes, we kind of got away from that tradition with Vietnam, they came back to nothing or were treated poorly, and one of the things that inspired the WWII veterans in Maine was wanting to do better for these troops. One of our three subjects says in the film, “We don’t necessarily support why they were sent there but we do support the troops.” They put their politics aside.

NM: How has this affected your mother’s life?

AG: Well the movie has made them into local celebrities. But in between flights, a bunch of them will go out to lunch together or do something else and so they have become friends. And it has affected my life, too. Gita the producer and I had started dating in October of 2004 and I took her home for Christmas to meet my mom for the first time. She got a call at 2 am to meet a flight and we went with her and brought a camera. We met Bill Knight, a WWII veteran, and in the movie he tells us he has prostate cancer. That night we went was the day he was diagnosed. It was a pretty dark day for him but he was still putting other people before him and that really grabbed us. People said that producers and directors don’t always get along too well together. But our relationship grew and when we finished, I said, “We didn’t kill each other,” so I proposed and we are getting married.

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Directors Interview

Anvil: The Story of Anvil

Posted on October 6, 2009 at 3:40 pm

If this story wasn’t true, they’d have to invent it. Indeed, they already did. “This is Spinal Tap,” one of the most outrageous, influential, and utterly hilarious movies ever made, is a “mockumentary,” a fake documentary about a heavy metal rock group on a disastrous tour in support of a disastrous new album. “Anvil: The Story of Anvil” is an actual documentary about an actual heavy metal rock group on a disastrous tour in hopes of making a new album and it is hilarious and touching and completely captivating.

Like all great documentaries, this is the story of a passionate dream. Guitarist Steve ‘Lips’ Kudlow and drummer Robb Reiner (not to be confused with one-b Rob Reiner, who directed “This is Spinal Tap”) met as teens in a small town near Toronto and have been performing together for four decades. They had a brief brush with success in the 1970’s, when they performed at a festival with acts that have since gone one to sell hundreds of millions of CDs, and their Metal on Metal album is considered seminal to the genre. But for some reason, they never made it despite subsequent alliterative albums like Worth the Weight and Hard n Heavy. The eternally optimistic Lips has a day job delivering school lunches. But when a European fan calls to say she has booked them on a tour, they drop everything and go. Everything goes wrong. But, as Lips says, at least they have a tour for things to go wrong on.

There are some nice little bows to “Spinal Tap” — a producer whose amps go to 11, a drive by Stonehenge. And the inspired title lets you know from the beginning that it is cheekily subversive, even of its own pretensions. It never takes itself or the band too seriously. But the passion of its characters for rocking out hard and for the partnership they share is perfectly suited to rock as the ultimate affirmation of life in the face of The Man in all forms, from club managers who don’t pay to recording executives who don’t get it to time that goes by too fast. The support of their families and their unquenchable commitment to the music is ineffably moving. It is funny and surprising but filled with heart.

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Documentary Musical

Year One

Posted on October 6, 2009 at 8:00 am

The two-doofus comedy probably goes back to ancient times, so why not set it there? The always-funny Michael Cera and the frequently-funny Jack Black join forces like Hope and Crosby in an only intermittently-funny movie that is just a series of sketches set in ancient days — prehistoric, Biblical, Roman, and Egyptian. Cera plays Oh, a gatherer, and Black is Zed, a hunter. They are pals who are evicted from their stone-age village and wander off, meeting up with Cain and Abel, Abraham and Isaac, and the residents of Sodom. In yet another “what was the MPAA thinking” moment, the film has been assigned a PG-13 rating, despite jokes about incest, circumcision, orgies, castration, and ingestion of human waste.

The juxtaposition of modern sensibility and prehistory provides some funny contrasts. Oh and Zed are amazed to see their first wheel and when they ride in their first vehicle they raise their arms as though they were in a roller-coaster, even though it cannot keep up with a guy strolling alongside. And then they get their first carsickness. Some things are eternal — like insecurity with the opposite sex, bullies, and the bad guys having English accents. And it is fun to see a modern perspectives combined with ancient situations.

But more doesn’t work than does. Cain does not just kill Abel; he pounds him — and any potential for humor — into the ground. It isn’t enough that a pagan priest be corrupt and gay; he has to be hairy. The movie is too spotty to be comic and too listless to be heretical. There’s no point to it, just a series of gags — in both senses of the word.

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Comedy
Interview: Tiffany Thornton

Interview: Tiffany Thornton

Posted on October 5, 2009 at 8:00 am

Disney star Tiffany Thornton sings the classic “Some Day My Prince Will Come” on the spectacular new release of Disney’s very first animated feature, Snow White and the Seven Dwarfs. It is a two=DVD set with both Blu-Ray and regular DVDs and a lot of extras, including a sneak peek at the upcoming “Princess and the Frog.” I got a chance to talk to Tiffany about what it feels like to take on a song that is so well-known.

How did you get involved with this project?

I did the song “Let it Go” for “Hatching Pete,” but I was more rapping, and then I did a song for DisneyMania called “If I Ever Knew You,” and I hope I impressed them enough that they were willing to give me the opportunity to do this, and they flew out a producer from Nashville named Mark Hammond who was incredible to work with. I’m blessed to have been given the opportunity. I love this song because it’s not like a techno twist which is what you do a lot of times when you want to amp up a song that was originally a ballad. It has the ballad but also a mid-tempo, almost an up-tempo feel when it kicks in, so I hope people will enjoy that.

This is one of the classic Disney songs. How do you make it yours?

Mark did such a great job reconstructing the song. I’m really going to give him all the credit. He knew how to bring my voice out, get it to sound ethereal and princess-like but also to sound also like myself. I’m from Texas so I have that country thing in my voice going on. And I do all the background vocals, the harmonies and all of that stuff.

What is the most fun thing about singing for you?

The honest of it, really. I love acting and singing so much and could never pick one. With acting it’s fun to pretend to be someone else and that’s awesome, it’s like playing dress-up. But with singing, it’s you, being vulnerable, putting this voice out there, knowing people may criticize you and ridicule you. Because people are like that with music. Music is very expressive for a lot of people. I went through a break-up a few months ago and I was listening to Taylor Swift saying “Were you in the room when we were talking about that? How do you know all those things?” Music is really close to my heart and I just want to make sure people can feel that when I sing.

And who besides Taylor Swift is on your iPod?

Demi ‘s album that just came out, Here We Go Again, is incredible. I listen to her song “Got Dynamite” every time I go to the gym. And “World of Chances” which she wrote with John Mayer is a great song. At my photo shoot yesterday I listened to a lot of Carrie Underwood. And I love James Morrison and The Script, Matt Nathanson. I love those gritty guy voices. And Sara Bareilles I think is amazing.

If you could do any Disney song next, what would it be?

“Once Upon a Dream” from “Sleeping Beauty.”

When did you know you wanted to be a performer?

From day one! We put on performances in my front yard. I was always wanting to be in the spotlight. I made up songs, I wanted to be a cheerleader.

I was super-into really powerful singers. My mom and I jammed out to BeBe & CeCe Winans, Celine Dion, Whitney Houston. I’m not a singer because I’m on a Disney show; I’m a singer because God gave me a gift and I want to share it with the world.

And so what’s next?

I’m going to be singing a duet with Kermit the Frog in the Macy’s Thanksgiving Day parade!

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Actors Interview Music

Roller Skating on Film

Posted on October 3, 2009 at 8:00 am

Rotten Tomatoes salutes “Whip It” with a list of the best roller skating scenes in movies. My favorite is this one, with Fred Astaire and Ginger Rogers skating to “Let’s Call the Whole Thing Off.”

And I also love Gene Kelly’s athletic tap dance on roller skates in “It’s Always Fair Weather.”

And also wonderful is Charlie Chaplin’s roller skating in “The Rink,” as graceful as dancing.

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