‘Twilight’ Thoughts from Trevor Butterworth in Forbes

Posted on December 2, 2009 at 12:47 pm

Thanks to Trevor Butterworth for including some of my thoughts in his perceptive essay on the appeal of the “Twilight” series.

As the critic Nell Minow put it to me, there were any number of reasons for sex not to take place in the ’40s, ’50s and even ’60s, but it’s a near-insuperable challenge to delay the deed today. The threat of sex is forestalled by turning Bella’s suitors into a vampire and a werewolf, and the gimmick has a potent and unusual side effect: Rather than play to their supernatural predatory strengths to get what they want, “both men are completely unmanned by their love for her,” says Minow. “She has all the power.” Yearning is back in a culture soaked in immediate gratification and sleaze, and–forget whether it feels good–it feels new.

Butterworth does not overestimate the literary qualities of Stephanie Meyers’ series, even as he compares her to Jane Austen and James Joyce. His insights about the power and impact of her story are nuanced and thoughtful.

It is beyond the reach of serious criticism, the “aristocratic” way of reading advocated by that indisputably homme sérieux, Roland Barthes and the “difficulty” prized by the aristocratic T.S. Eliot as the hallmark of a genuine literary experience. And yet Twilight is being endlessly, critically dissected and discussed by those who read it and watch its cinematic rendition. It may be aimed at young adults, and it may have found a mass market audience, but that gives it a force high art seems to no longer possess. One can only wonder how the Farsi version will be read in Tehran.

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Today Show re Overpaid Wall Street CEOs

Posted on November 24, 2009 at 11:55 am

I was on The Today Show this morning for my other job talking about the hundreds of millions of dollars paid to the CEOs of failed companies Lehman Brothers and Bear Stearns.
You can also see a piece about my speech last week to the International Corporate Governance Network, a quote from me in Al Hunt’s Letter from Washington column for the New York Times, and my (subdued!) comments on Terra Industries, which re-appointed directors who had been voted off the board.

“Marie Antoinette would be embarrassed by these guys,” says Nell Minow,
the irrepressible shareholder advocate and corporate-compensation
watchdog who is co-founder of the Maine-based Corporate Library. “They
have no clue as to how much they’ve devalued the brand of American
capitalism with this sense of entitlement, the arrogance; they
genuinely feel the world will come to an end if they don’t take
everything.”

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My Other Job

Posted on October 23, 2009 at 12:00 pm

I’ve been speaking out a lot on overpaid executives this week and commenting on the pay cuts imposed by the Obama adminstration’s on the top executives of seven of the bailout companies. I appeared on Bloomberg, the Nightly Business Report, and the NBC Nightly News, and in the New York Times. The Oregonian was nice enough to quote me as a leading expert in its editorial. And I am in the midst of a debate with University of Chicago professor Steve Kaplan on whether executives are fairly paid. I’m arguing that they are overpaid. If you agree, you can vote on my side.

Now, back to the movies!

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Four Questions for the Movie Mom

Posted on October 18, 2009 at 8:00 am

Thanks very much to Professor Michael Ebner and Ageless North Shore for inviting me to answer four very intriguing questions for its website.

Nell Minow: The Four Questions


Why is this profile different from all other profiles? Because today’s guest blogger is Professor Michael Ebner.
#1: Readers of your recent profile in The New Yorker learned much about the role of the Corporate Library and not nearly as much about your role as the Moviemom. Ageless North Shore would like to learn about the impulse that prompted you to assume the guise of Moviemom.
NM: I have always been interested in thinking about why things don’t work. And that is what links both of my jobs. Corporations and movies are both large, complex endeavors involving a lot of people and in general everyone inside and outside wants them to work. When they don’t, I like to try to figure out why not. It’s all just systems analysis.
And I have always, as long as I can remember, loved movies and remembered them easily. Everyone’s brain is Teflon for some things and Velcro for others. The things you can’t forget – that’s you speaking to yourself about what you should be doing. I always wanted a job where I could get paid for going to the movies. And I got my start as movie critic for the New Trier News.
2: It isn’t difficult to detect that your double identity — Corporate Library and Moviemom — play to the realities of the twenty-first century revolution in communication technologies. Ageless North Shore would like to inquire about the balance in your personal reading activities between print and online sources of news and information. More and more on-line? Still reading lots of hard copy? Struggling to achieve a balance?
NM: I love to read online and in print, books, magazines, newspapers. And I love audiobooks and podcasts as well. The most difficult challenge in reading books is the way that all of our other technologies bombard us, making it hard for me to read many chapters in one sitting as I used to. But I do it as often as I can. It’s one of the best things about plane and train rides!
#3 : Your father, the much-esteemed Newton N. Minow, during his term as chairman of the Federal Communications Commission, excoriated commercial television programming. He famously invoked the term “the vast wasteland.” Ageless North Shore seeks your own take on contemporary American television from the vantage point of 2009. Better? Worse? Still a “vast wasteland?”
NM: I have a Dickensian “best of times, worst of times” sense about it. I both love and regret the fragmentation. I love the specialization, so that no matter what your interest you can find it on television. But we don’t come to school or work in the morning with the same shared experience any more. The best of television is better than it has ever been before. But the worst is horrifying and I believe destructive. And the mediocre is almost as bad.
Of all the changes since my childhood, I am most upset about the way television has invaded children’s lives. I wish I could eliminate television from all children’s bedrooms, from all meals, and from all but the longest car trips. Parents relinquish so many precious connections by permitting that kind of immersion in media.
#4: You spent your own formative years residing with your family in Glencoe and graduated from New Trier High School. Ageless North Shore seeks your reflections on the experience growing up in the northern suburbs? Was it a shaping influence? Alienating experience?
At New Trier, I had a radio program, I reviewed movies, and I dated David Apatoff. Forty years later, I review movies on the radio and am living happily ever after with David Apatoff. So, I’d call that a shaping influence!
Michael Ebner is the James D. Vail III Professor of History Emeritus at Lake Forest College, where he taught from 1974 to 2007. He is the author of the prizewinning Creating Chicago’s North Shore: A Suburban History (1988).

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More (and Less) on ‘The Invention of Lying’

Posted on October 14, 2009 at 2:05 pm

In Washington DC’s City Paper, Tricia Olszewski cites my fellow-Beliefnet blogger Michele McGinty (who has not seen the film) and me about the surprisingly lukewarm reaction to the anti-religious elements engendered by the Ricky Gervais film “The Invention of Lying.”
I believe the reason that there has been so little objection to the film is that the film is not anti-religion. On the contrary, the alternate universe of the film has no lies but it is also depressingly literal and concrete. There is no fiction, no compassion, no imagination, no faith, no abstraction. No kindness. No love. Marriages are based on genetic compatibility. And as a result, the lives of the characters are empty and without meaning. Even the fictional religion thought up by Gervais’ character to comfort his dying mother has enormous appeal because the citizens of this spiritually impoverished world sense that they need something more to believe in.

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