Zookeeper

Posted on July 7, 2011 at 6:00 pm

D
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for some rude and suggestive humor and language
Profanity: Fake swearing ("frickin'") and some crude potty language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Comic peril and violence, reference to abuse of animals
Diversity Issues: Diverse characters
Date Released to Theaters: July 9, 2011
Date Released to DVD: October 11, 2011

This is a movie about how Kevin James can do so much better, but Kevin James can do so much better than this movie.  In the film, he tries to change his life to be worthy of a woman he thinks he loves.  In the audience, we want him to stop making movies about what a shlub he is.

James and a team including some of his “King of Queens” writers have produced a dull and oddly mean-spirited movie about a zookeeper who takes advice about dating (or, as the animals call it, “mating”) from the talking animals at his zoo.

The woman he likes is a fashion designer named Stephanie (the game and able Leslie Bibb), who dumps him in the first five minutes of the film after a proposal.  Still heartbroken five years later, Griffin (James) sees her again.  At first, he resists her indications of interest but then, just as he begins to respond, another old boyfriend enters the picture (Joe Rogan as Gale).  The animals decide to reveal their secret power of speech so they can give Griffin some guidance on how to get Stephanie back.  As you can imagine (and as perhaps you would rather not), the animals have their own ideas about how to attract the opposite gender.  Since, except for the bickering lions (voices of Sylvester Stallone and Cher!), none of them appear to have significant others of any species, their advice is of questionable value.  Nevertheless, this gives us an opportunity to see James walking like a bear and marking his territory like a wolf.  Thankfully, he does not follow the monkey’s direction about what to throw.

But there isn’t much more to be thankful for.  Adam Sandler (who provides the voice of the monkey) produced, which means it’s yet another slacker no-effort film, with another soundtrack filled with 80’s songs not to make any point or for any particular purpose but just because that’s the last time Sandler listened to the radio.  And despite its superficial endorsement of being yourself and doing what you love, that over-done message is eclipsed by a weird turn in the third act.   Griffin takes advice from the animals that seems to have been stolen from Mystery the Pickup Artist.  They tell him to keep Stephanie off-balance by alternating insults and affection to make her insecure — and it works, not just on her but on others as well.  There is a cliched race-t0-the-airport scene which makes no sense in an era of cell phones, but it does show us what and who is important to Griffin — until a pointless and distracting detour just so he can hit someone along the way that undermines that message as well.  Griffin does some things he is not proud of but makes no attempt to fix his mistakes.  The film seems to suggest that it is all right, even a sign of strength and confidence to hurt someone’s feelings.

The PG rating should not be a signal that this is a kids’ movie.  Children will not be very interested in Griffin’s romantic adventures or the night out on the town he gives to the zoo’s melancholy gorilla (“Send some fried zucchini to that table of secretaries,” he tells the waitress).  It’s downright smarmy, with the use of fake swear words like “frickin'” to keep the MPAA ratings board at bay.  Poor Ken Jeong for the second week in a row is stuck in a humiliatingly shrill, borderline racist caricature as a snake specialist and Donnie Wahlberg is wasted as an animal-abusing zoo staffer.

James is a talented and appealing performer and even this mess can’t hide the radiant beauty and class of Rosario Dawson as a warm-hearted zoo vet. There are a few nice moments when Dawson sails across a dance floor on acrobat’s streamers and a few it-could-have-been-worse moments when it turns out that Griffin is not the usual comedy movie incompetent. He has a nice relationship with his brother and is good at what he does.  But James and Dawson could be so much better doing something else.

(more…)

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Comedy Movies -- format Romance Talking animals

Tropic Thunder

Posted on November 18, 2008 at 6:07 pm

With constant coverage of every baby bump and trip to rehab, we all feel like show business insiders these days. And co-writer/director/star Ben Stiller makes the most of that with this pointed but ultimately sweet take on Hollywood excess.

The characters are brilliantly introduced via a stream of what at first appear to be pre-feature shorts, until we realize that they are hilarious and only slightly exaggerated parodies of a rap star’s soda commercial and trailers for movies featuring a fading action star (“Global Meltdown Part VI: Here we go again. Again.”), a tubby comic who plays all the parts in low comedies — very low (“The Fatties: Fart 2”) and wants to do drama but is battling a substance abuse problem, and a Serious Actor from Australia who throws himself completely into every role (a trailer for “Satan’s Alley” about the forbidden love of a pair of friars) and has had a controversial medical procedure to darken his skin to play an African-American. They are Alpa Chino (say it aloud) (Brandon T. Jackson), Tugg Speedman (Stiller), Jeff Portnoy (Jack Black), and Kirk Lazarus (Robert Downey, Jr.). And they are joined by newcomer Kevin Sandusky (Jay Baruchel) in a huge career-building Viet Nam War epic, based on the true story of “Four Leaf” Tayback (Nick Nolte) and directed by first-timer Damien Cockburn (Steve Coogan).

Everything, of course, goes very, very wrong. When they’re a month behind after five days of shooting and the studio executive (a very funny performance by a major star I won’t reveal) is very colorfully threatening to do many very bad and painful things, Cockburn decides to go commando, so to speak, and take the actors out into the jungle like it was “The Blair Witch Project.” And that is when things really go wrong and the actors get mixed up in some real fighting they think is part of the movie.

Stiller is great at nailing the way that the actors and the people back in Hollywood have such a permeable sense of reality that they buy into whatever is happening at the moment. That may be the way to get an Oscar, but it makes it difficult to deal with actual reality when it occurs. The overlay of these pampered stars (Speedman’s agent is frantic about the failure to provide his client with TIVO) playing tough guys (and they are not the only ones pretending to be tough) is very funny and the inside humor (“I stay in character until the DVD commentary”) is choice. A movie about a fake movie has the truest laughs of the summer.

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