Let Me Down Easy

Posted on January 14, 2012 at 5:17 pm

Anna Devere Smith’s brilliant one-woman play about Let Me Down Easy is being featured on the PBS series, “Great Performances” and can be watched online. Smith, an actress who appeared in “The West Wing” and “Philadelphia,” is an actress with the ability to create real, complex, and indelible characters in an instant and a playwright who interviews hundreds of people to research a theme and then weaves their stories into dramas of enormous depth, humanity, and power. “Great Performances” says:

Smith, through her chameleon-like virtuosity, creates an indelible gallery of portraits, from a rodeo bull rider to a prize fighter to a New Orleans doctor during Hurricane Katrina, as well as boldface names like former Texas Governor Ann Richards, legendary cyclist Lance Armstrong, network film critic Joel Siegel, and supermodel Lauren Hutton. She performs 19 characters in the course of an hour and thirty-five minutes. Their stories are alternately humorous and heart wrenching, and often a blend of both. Building upon each other with hypnotic force, her subjects recount personal encounters with the frailty of the human body, ranging from a mere brush with mortality, coping with an uncertain future in today’s medical establishment, to confronting an end of life transition. The testimony of health care professionals adds further texture to a vivid portrayal of the cultural and societal attitudes to matters of health.

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Television
The TV Preferences of Republicans and Democrats

The TV Preferences of Republicans and Democrats

Posted on December 11, 2011 at 3:43 pm

Entertainment Weekly commissioned a study showing political differences in television-watching and they are so pronounced it provides some explanation of the increasing polarization and partisanship of our political conversations.  In the early days of television, Marshall McLuhan famously called it the “Global Village.”  With so few choices available to watch, we all saw the same programs and that created a common framework and vocabulary, whether it was “The Ed Sullivan Show” or “I Love Lucy.  But the range of choices has led to such disparity in our sources of information and entertainment that television now separates us more than it brings us together.  EW asked people who described themselves as “liberal Democrats” or “conservative Republicans” to list the television programs they liked and didn’t like, so the results are intentionally focused on the extremes, and the survey excluded news, sports, and music.

Are you surprised by any of these?

Liberal Democrats like “The Daily Show” and “Masterpiece” and generally picked comedies,  highly verbal shows like “30 Rock,” “The Office,” “Modern Family” and “Saturday Night Live” more than the conservative Republicans.  They don’t like “Dog the Bounty Hunter” and “Cops.”

Conservative Republicans like “Castle,” Jay Leno, and cable reality shows like “Swamp Loggers” (one of the liberal Democrats’ least favorites).  They don’t like anti-hero shows like “Weeds” and “Dexter” and left-leaning political comedy shows like “The Daily Show” and “The Colbert Report.”

Encouragingly, if a little predictably, both sides like “The Middle.”

Less encouragingly, this data will be used to determine where political advertising dollars are spent, which promotes even less overlap in world view and understanding between the extremes on both sides.

 

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Television Understanding Media and Pop Culture

Woody Allen on PBS

Posted on November 19, 2011 at 7:57 pm

Roger Ebert reviews the new PBS two-part documentary about Woody Allen:

Woody Allen: A Documentary” benefits from both its masterful construction and the willingness of Allen to offer commentary on everything from his oeuvre to his explosive divorce. Allen drives the narrative with wit, honesty and pathos, which Weide supplements with perfectly chosen clips, pictures and talking heads. The deft editing provides a seamless flow of ideas and concepts beholden to the central theme: An artist’s personal demons and compulsions can influence his body of work. Allen’s views on religion and mortality have a kinship with Martin Scorsese’s, even if the views and ultimate outcomes are completely different. Scorsese fears where he’ll go when he dies. Allen fears death, period, so much so that the documentary keeps returning to the topic in ways that are morbidly funny but never tiring.

Watch it tomorrow and Monday at 9 Eastern on PBS.

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Documentary Television
The Return of Mr. Rogers

The Return of Mr. Rogers

Posted on August 3, 2011 at 3:48 pm

Mr. Rogers’ Neighborhood” welcomed children with low-key warmth and delivered its affirmations and lessons with great sweetness.  It ran nationally from 1968-2001 and its reruns are still watched by the children and grandchildren of the original viewers.  PBS has announced an animated spin-off featuring some of the characters from the neighborhood.  It will be called “Daniel Tiger’s Neighborhood” and will premiere next year and it will focus on the next generation in the Neighborhood of Make Believe, including Prince Wednesday, son of King Friday and Queen Sara; Miss Elaina, daughter of Lady Elaine Fairchild; Katerina Kittycat, daughter of Henrietta Pussycat; and O the Owl, nephew of X the Owl.  Trolley and Mr. McFeely will be on hand as well.

Sounds like a very nice neighborhood to visit.

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Early Readers Elementary School Television

Upstairs, Downstairs — Old and New

Posted on April 10, 2011 at 12:58 pm

I loved the old PBS series “Upstairs, Downstairs,” which ran from 1971-75 on the BBC.  It was revolutionary because it gave almost-equal time to the stories of the servants (downstairs) and the wealthy Edwardian-era family they worked for (upstairs).  Jean Marsh, who played a housemaid, was the series co-creator with her friend Eileen Atkins.  A new 40th anniversary DVD set has been released by Acorn Media with more than 25 hours of new bonus material.

Marsh returns for three new episodes, this time with Atkins, as the sequel to “Upstairs, Downstairs” begins tonight on PBS.

When the master of 165 Eaton Place, Sir Hallam Holland, carries his wife across the threshold of their new home, Lady Agnes exclaims with pleasure, “What a ghastly old mausoleum!” Neglect has strewn cobwebs everywhere and furred the surfaces with dust. But with a sumptuous renovation and the help of the indomitable housekeeper Rose Buck (Jean Marsh), the iconic address so beloved in the original series Upstairs Downstairs is soon restored to its former glory.

It’s 1936, a tumultuous time in Britain, and within the walls of 165 Eaton Place, characters from an orphanage, a damp Welsh castle, the heart of the British Raj and elsewhere together will face a changing world, not just upstairs and downstairs, but side by side.

 

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Drama Television
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