Is it All Right for Children to Use Bad Words On Screen?

Posted on March 2, 2010 at 3:59 pm

As I have already discussed, the red-band (mature material) trailer for the upcoming film “Kick-Ass” has an 11-year-old character played by a now-13-year-old girl using extremely crude language. The New York Times article focused on the accessibility of the trailer online, though it is supposed to be limited to adult audiences. But there is another aspect I’d like to look at as well. This movie is the third in recent months to feature a child using very crude or obscene language as a source of humor or as a signifier of coolness. I think it is because we are now numb to the shock value of even the strongest language used by adults, so all that is left is to have those words said by children.
In Cop Out a child who is referred to as the top local car thief uses a string of obscene epithets, kicks another character in the crotch, and then is himself kicked in the crotch. Bobb’e J. Thompson, now 13, has pretty much made a career of being the outrageous kid in movies like the 2008 release Role Models, where his character’s extreme and raunchy language is supposed to be funny.
We have a lot of rules to protect child performers. Their work hours are limited and the production is responsible for making sure they do not miss schoolwork. Their earnings are set aside so they cannot be appropriated by managers or family members. I do not want to impinge on anyone’s freedom of expression or artistic integrity, but I do not think that is what is at stake here. This is just exploitation of children who are not capable of protecting themselves. If an adult approached a child in the playground and used that language, he’d be arrested as a sexual predator. Is it really all right for us to allow children to use that language in a movie?

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Commentary Understanding Media and Pop Culture

Dora’s Makeover, Part 2

Posted on March 19, 2009 at 12:00 pm

dora_new.jpg Thanks to everyone for the thoughtful comments on the new “Dora.” I promised to follow up, so here is the latest picture of what the older version of Dora will look like.
As I have said, I am keeping an open mind, but the emphasis on “cutting-edge fashion doll play” in the press release was very disappointing. The new doll will let girls “customize their doll and watch as she magically transforms right before their eyes. For example, by changing Dora’s hair length, jewelry, and eye color on screen, the Dora doll magically changes as well.” The purpose of the doll seems to be about her appearance instead of learning, accomplishing, or kindness. The release goes on, “The online world will include descriptions and biographies of Dora’s Explorer Girls™ and an immersive online world that will be tied into the complete collection of toys….Adding to the play value of the line will be a wide range of accessories (sold separately) as well as the Dora’s Seaside School playset that will work with Dora Links to expand traditional offline fashion doll play as well as to expand the online experience.” I understand that Mattel and Nickelodeon are in business, but I would feel better if I thought they had given as much consideration to what is best for girls as they did to selling as much stuff as possible.

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Elementary School Marketing to Kids Parenting Preschoolers Understanding Media and Pop Culture

Role Models

Posted on November 6, 2008 at 6:00 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for crude and sexual content, strong language and nudity.
Profanity: Extremely strong and crude language used by adults and child
Alcohol/ Drugs: Drinking, drugs, character is a recovering drug abuser
Violence/ Scariness: Comic violence, fantasy battles, swords
Diversity Issues: None
Date Released to Theaters: November 7, 2008

It takes some brains to make a good dumb comedy. Paul Rudd, who has been the best thing in too many films that ranged from dumb, to awful, to wildly uneven, has co-created a film that manages to insult the intelligence of its characters without insulting the intelligence of its audience too badly.

I could have done with less emphasis on the inherent hilarity of hearing an angry little kid use bad language and make sexually precocious comments. And some of the double entendres were so nudge-nudge obvious they were closer to single and a fraction. But some good lines and sharply observed characters make it above average for its genre.

Rudd and Seann William Scott play Danny and Wheeler, who work for a company that sells a soft drink called Minotaur by visiting schools for a phony “don’t do drugs” talk that is really just a way to push their soda. Wheeler wears a Minotaur suit and Danny half-heartedly tells the kids to drink Minotaur instead of doing drugs and then they drive off in their Minotaur-obile. This is all just fine with Wheeler, a walking id who just wants to get high and have sex. But Danny once wanted more from life and when his increasing bitterness causes his lawyer girlfriend to leave him, seeing the Minotaur-obile towed away is just one indignity too many. He objects, leading to arrests, leading to community service at Sturdy Wings, a Big Brother-style place run by a former drug addict (Jane Lynch). Each is assigned a “Little.” Wheeler gets a precocious kid (Bobb’e J. Thompson) who swears all the time and accuses everyone of racism and child abuse. He is also way too fascinated with feminine anatomy, a trait they manage to bond over. And Danny gets Augie (“Superbad” McLovin’s Christopher Mintz-Plasse), a cape-wearing nerd whose life revolves around a Medieval-ish role-playing game

Director David Wain manages the tricky balance between having some fun with the conventions of the genre without getting mean about it. Yes, everyone learns a few lessons about self-respect and relationships (and sword-fighting) but when they do it in medieval role-playing gear inspired by a rock band, it’s a lot of fun to watch. Note, however, that a child actor’s bad language and sexual obsessions are more disturbing than funny and raise serious questions about whether the laws protecting child performers are adequate and adequately enforced.

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