A United Kingdom

A United Kingdom

Posted on February 9, 2017 at 5:12 pm

B +
Lowest Recommended Age: Preschool
MPAA Rating: Rated PG-13 for some language including racial epithets and a scene of sensuality
Profanity: Some strong language including racist epithets
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Peril, threats, violence including street fight
Diversity Issues: A theme of the movie
Date Released to Theaters: February 10, 2017
Copyright Harbinger Pictures 2016

In Shakespeare’s “A Midsummer Night’s Dream,” Lysander says, “aught that I could ever read/Could ever hear by tale or history/The course of true love never did run smooth.” It may just seem that way because the most enduring loves are those where challenges bring the couples together instead of tearing them apart. To quote Shakespeare again, this is the love that “looks on tempests, and is never shaken.” “A United Kingdom” tells the true story of a love that triumphed over the most intense opposition from both families and at least three countries.

Seretse Khama (David Oyelowo of “Selma” and “Queen of Katwe”) is studying law in post-WWII London when he meets Ruth (Rosamund Pike of “Gone Girl”) and they are instantly drawn to each other. They share a love of jazz music and a passionate commitment to the public good. Before they realize what is happening, they are deeply in love. Seretse explains that he is not just another law student; he is heir to the throne of his country, and his uncle is acting as Regent until he returns. He asks Ruth to take time to think about marrying him but she does not need time to think.

Even though they have already experienced some unpleasant, even threatening responses to their relationship, they believe that their good intentions and mutual devotion can overcome any obstacles. They will see that post-war optimism about a new era of tolerance and mutual commitment to continuing the progress toward freedom tested more intensively than they could have imagined.

Ruth’s sister is sympathetic, but she correctly predicts that their father “will hate him on sight. He is cleverer than him and he is black.” And indeed, he says, “You may deserve a life of insults and shame, but what about us? I can’t see you again.”

And then they go to Botswana, where his uncle and the community see his marrying a foreigner and a commoner as a betrayal, calling into question his loyalty and his ability to understand them. Has his time in London caused him to abandon the ways of his people?

And might his uncle have other reasons for wanting to stay in power?

The British government, in the form of the wonderfully condescending Jack Davenport (“Pirates of the Caribbean”), is even more disturbed. They have important business and political interests in the region, particularly in the adjoining country of South Africa, which is in the middle of adopting the 20th century’s most viciously racist laws, known as Apartheid.

Director Amma Asante (“Belle”), the British-born child of Ghanaian parents, has a sure sense of the worlds she is depicting. The Botswanans and their land are portrayed as respectfully and “normally” as the Londoners, with no sense of quaint or lesser “otherness.” And while the culture is not entirely equal (apparently only men vote), the female characters, including Seretse’s sister, have dignity and agency. This is a true love story, not just between Seretse and Ruth, but between the filmmakers telling this story and the people and the country where it is set.

Parents should know that the theme of the movie concerns an interracial marriage that was objected to by both families and their governments. There are some scenes of peril including racist street thugs, some strong language including racial epithets, and a sexual situation.

Family discussion: How did Ruth prove her sincerity to the Botswanans? Why did the British government intervene?

If you like this, try; “Loving” and the BBC program about Seretse and Ruth Khama.

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Based on a true story Biography Drama Movies -- format Race and Diversity Romance

Exclusive Clip: Rosamund Pike in “What We Did on Our Holiday”

Posted on June 25, 2015 at 7:00 am

Rosamund Pike (“Gone Girl”), David Tennant (“Dr. Who”), and Billy Connolly (“Brave”) star in a family comedy about a vacation with relatives, where a couple discovers that it is very hard to keep a secret when there are children around.

Here’s the trailer.

Look for it in theaters and on iTunes on July 10, 2015

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Trailers, Previews, and Clips

Gone Girl

Posted on October 2, 2014 at 6:00 pm

gone girl

Amy (Rosamund Pike) is watching television, vitally, even viscerally enthralled by what is happening on screen. The look on her face, mingled fascination and calculation, a hint of tooth and claw under her placid, golden girl beauty, is one of the most mesmerizing sights on screen this year.

Pike gives an extraordinary performance in the title role of David Fincher’s film based on the sensationally popular  thriller by Gillian Flynn that was carried by just about everyone riding public transportation last year, many of whom became so engrossed that they missed their stops.

Ben Affleck is perfectly cast as the once-glamorous and smooth, now just slightly seedy Nick Dunne. His face is still handsome but his jawline is softening, his eyes are beginning to get puffy, and his smile, still calibrated for a face a little bit handsomer than the one he has not quite adjusted to seeing in the mirror.

On their fifth anniversary, Nick’s wife Amy (Pike) disappears, leaving behind some disturbing signs of a struggle and the front door open. Nick calls the police and spends the night with his twin sister, closest confidant, and business partner, Go (Carrie Coon). He sleeps in his clothes and does not clean up the next morning. He knows he will be a more compelling vision of a devastated husband if he looks like a mess.

That is the first indication of one of the story’s key themes: the gulf between the way we present ourselves and the way we are. We learn through flashbacks and Amy’s diary about how they met and fell in love, or a reasonable facsimile. They were buoyed by ease and that made marriage feel easy, too.  They had glamorous writing jobs in those last few moments before print publishing collapsed. They had a charming brownstone, bought with Amy’s money, or, rather, the money her parents earned by publishing a successful series of children’s books inspired by their daughter, the Amazing Amy stories. Her parents set aside the profits for the daughter who inspired them. But then there was the recession. Jobs, gone. Money, gone. The economic downturn eroded the golden couple’s notion of each other, of themselves, of success. It is so easy to be in love when you don’t have to blame each other for everything turning out so badly.

When Nick’s mother became ill, they moved back to the small town in Missouri where he and Go grew up, to help take care of her. With the last of their money, they bought a house and a bar for Nick to run with Go. Amy stayed home and wrote in her diary. And now she’s gone.

If there’s one thing television news loves to cover, it’s a missing blonde woman. The Nancy Grace-ish Ellen Abbott (a dead-on Missi Pyle) is all over the story. Is Nick the tragic young husband, longing for his wife to return? Or, as we have seen too often in this high-profile cases, is he a murderer so heartless that he staged the whole thing?  One detective (“Almost Famous'” Patrick Fugit) thinks the simple answer is usually the right one.  His partner (Kim Dickens, nicely wry) believes in complications.  This case has plenty.

No spoilers here. Either you’ve read the book and already know or you haven’t and deserve to be surprised. I’ll just say there are superb performances by everyone, including Tyler Perry as a celebrity criminal defense lawyer and Neil Patrick Harris and Scoot McNairy as Amy’s former boyfriends.  And Fincher keeps the energy taut and the tone deliciously nasty.

Parents should know that this is a crime story with some bloody violence, as well as sexual references and situations, nudity, strong language, and drinking.

Family discussion: What would have happened if Nick and Amy had kept their jobs and money and stayed in New York? What will happen after the ending of the movie?

If you like this, try: “To Die For” and the novels by Gillian Flynn, including Dark Places, soon to be a movie starring Charlize Theron.

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Based on a book Thriller

Gone Girl’s Rosamund Pike

Posted on September 30, 2014 at 8:00 am

Copyright 2014 Famous Faces
Copyright 2014 Famous Faces

Rosamund Pike delivers a stunning breakthrough performance in this week’s “Gone Girl.” She’s been a favorite of mine for a long time, for her elegant voice and precise acting choices. It’s a good excuse to check out some of her other films. The daughter of opera singers, she has a degree in English literature from Oxford. She has appeared opposite Ryan Gosling and Anthony Hopkins (“Fracture”) and Tom Cruise in “Jack Reacher,” played a Jane Austen character (“Pride and Prejudice”), a Bond Girl (“Die Another Day”), and was Queen Andromeda in “Wrath of the Titans.”  She will be in the upcoming “Thunderbirds” television series.

She played Miranda Frost in “Die Another Day.”

She was the oldest Bennett girl (the sweet, pretty one) in “Pride and Prejudice” with Kiera Knightly and Carey Mulligan.

She was married to an auto executive but sympathetic to the women working for equal pay in “Made in Dagenham.”

In “An Education,” she was a kind-hearted but slightly dim party girl, again with Mulligan.

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Actors Breakthrough Perfomers

Hector and the Search for Happiness

Posted on September 25, 2014 at 5:00 pm

hector

Simon Pegg stars as Hector in this gentle fable based on the whimsical French novel by psychiatrist Francois Lelord.  Like Lelord, Hector is a psychiatrist.  He has a “tidy” life with a nice girlfriend named Clara (“Gone Girl’s” Rosamund Pike), nice patients, and a nice apartment.  But he is missing something.  He wonders if he is really helping people.  And he is not sure what he is helping them toward.  If he is not sure what happiness is, how can he guide his patients toward finding it?

Your level of happiness on viewing this film will vary depending on your tolerance for whimsy and your affection for last year’s The Secret Life of Walter Mitty, as it is almost exactly the same movie, though not as good.

Hector decides that what he needs to do is travel around the world to learn about happiness.  Clara is troubled, and wonders what it might mean for their relationship — especially since he won’t say when he is coming back.  She wonders if “researching happiness” is just a euphemism for “finding Agnes,” the mysterious woman whose photo she found in Hector’s sock drawer (labeled “Hector’s Socks” — he is very tidy).  But she is supportive, and gives him a notebook for his discoveries, directing him to “fill these pages.”  “If you’re going to do this, do it totally,” she says. “Make it worthwhile.”

And so he sets off on a series of adventures and encounters that will teach him something about happiness.  He first meets a genial businessman named Edward (Stellan Skarsgård), who introduces him to one notion of happiness: the kind that can be bought.  Hector enjoys wine, women, and club music.  He enjoys is all so much that he conks out before he can accept the advances of a beautiful “student” (Ming Zhao).  He wonders at first whether it is possible that happiness means the freedom to love two women at the same time, and then discovers to his distress that the interest and affections of the “student” were purchased for him by Edward.  Being rich, being important, believing you are captivating to a “student” — that does not seem to be the answer.  “Sometimes happiness is not knowing the whole story.”

This is the point at which you are either going to go with the premise and tone or you’re not.  It’s either a fairy tale, in which the encounters are metaphors, or it is supposed to be grounded in some semblance of reality, in which case it’s solipsistic, kind of seedy and mired in stereotypes.  For me, it was a fairy tale, and so I gave it some leeway.

Hector’s travels take him to visit an old friend who runs a clinic in Africa, where he runs into a cute sick kid and a vicious but also kind of cute drug lord (Jean Reno), both of whom he helps, and also learns that his friend is gay.  He is captured by gangsters and almost killed until providentially, like a character in a fantasy game who just happened to have picked up a golden arrow and some magic beans, he has the token he needs to get out of jail if not free, at least relatively unscathed.  He meets a dying woman who is philosophical and at peace.  He meets up with Agnes (Toni Collette) and has his brain scanned by a scientist (Christopher Plummer) who is studying the biological basis for happiness.  He takes notes.  He has Skype-fights with Clara.  He learns many important lessons, and, like Dorothy Gale of Kansas, learns that the answer was inside him all along and there’s no place like home.

It is a pleasant little trifle as long as you do not take it too seriously.  If you understand that it is all inside Hector’s head, and that his adventures are more akin to The Little Prince’s planetary hops than to anything resembling reality, it has charm and even some reminders that we get more happiness from what we do for others than from what they do for us.

Parents should know that this movie includes very strong language, scenes of criminal activity including beatings, death threats, and imprisonment, drug dealing, scenes of injured and dying characters, prostitutes, sexual situations, and nudity.

Family discussion: Which of the observations Hector wrote in his notebook do you think were most important? Why did he have to get away from home to understand what he had? Why didn’t things work out with Agnes?

If you like this, try: “The Secret Life of Walter Mitty”

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Based on a book Comedy Drama Romance
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