The Hunger Games: Mockingjay

Posted on November 20, 2014 at 5:59 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of violence and action, some disturbing images and thematic material
Profanity: Mild language
Alcohol/ Drugs: None
Violence/ Scariness: Intense peril and violence with hundreds of deaths, grisly scenes, torture
Diversity Issues: None
Date Released to Theaters: November 21, 2014
Date Released to DVD: March 6, 2015
Amazon.com ASIN: B00PYLT0OW
Copyright 2014 Lionsgate
Copyright 2014 Lionsgate

It seems no different at first. While the second in the “Hunger Games” series ended with the surprise last-minute rescue of heroine Katniss Everden (Jennifer Lawrence), and the even bigger surprise that insider Plutarch Heavensbee (Philip Seymour Hoffman) was secretly helping to organize a rebellion against the fascist dictator President Snow (Donald Sutherland), we begin this first half of the final installment with Katniss gripped by anxiety and terror, listening to the voice of someone we cannot see, calling her “Miss Everdeen,” which sounds respectful, even deferential, but still delivering orders. Is this more of the same? Just another version of the world of Panem where the thinnest gloss of rhetoric about ideals and values is used to disguise the vilest abuse, corruption and even genocide.

No, this is District 13, thought to have been exterminated, but in reality literally driven underground, as much as 40 stories down, as they work to find a way to overthrow President Snow’s totalitarian regime. They are led by Alma Coin (a somber Julianne Moore), President of the rebel forces. Coin can be abrupt, but it is a manifestation of urgency and decisiveness, not dictatorship. Snow dresses in spotless white, surrounded by lush white roses, and the capital city of Panem is a riot of garish, decadent colors. District 13 is all in gray, looking a bit like Janet Jackson’s “Revolution” video, evoking its uniformity in dedication to its goal and seriousness of purpose. Coin is not cynical, but she is realistic, constantly establishing priorities, understanding the consequences but willing to pay the price.

Coin and Heavensbee believe Katniss is what they have been waiting for, a symbol who will communicate to the other districts that the time has come for rebellion. She is the Mockingjay, named for the distinctive birds creation through genetic manipulation mating with natural species. Katniss is a figure whose sacrifice and resilience lend her enormous national credibility. She was made into a celebrity by Snow through the original Hunger Games.

Now Coin wants to use that as a weapon against Snow’s regime. They try to make a “propo” (propaganda) video with CGI effects, but realize that Katniss is too honest to be effective unless she is telling the truth. So, they take her to see what has happened to her home community in District 12. It has been reduced to rubble, with an enormous pile of skeletons of those who died there. And so Katniss is able to produce the outrage and resolve Coin’s forces are looking for in the video.

Katniss agrees to serve as symbol, on condition that the rebel forces rescue the Hunger Games competitors who were left behind, and pardon them for whatever they have done. She believes Peeta (Josh Hutcherson) is dead, but then he appears on a televised broadcast hosted by Caesar Flickerman (Stanley Tucci), the game show emcee with the sepulchral smile. Her joy turns to horror as she hears him plead for her to stop any opposition to Snow. Has he been tortured? Does he know something she does not?

That seems more likely as the initial attempts at rebellion result in enormous losses, including the firebombing of a hospital. With support from Haymitch (Woody Harrelson), now reluctantly sober, and Effie (Elizabeth Banks), whose adjustment to live without wigs, make-up, and fashions that would make Lady Gaga say “too much” provides much of the film’s comic relief, Katniss struggles with PTSD and with the painful moral dilemmas of asking others to risk their lives for a cause that may be doomed.

The series is a respectful adaptation of the books, but its real strength is not the writing of Suzanne Collins but the performance of Jennifer Lawrence, who is to the film all that Katniss is to the rebellion and more. Once again, Katniss is the heart of the story and Jennifer Lawrence is the heart of the film.  In a plot that has her devastated and horrified much of the time, she manages to give a performance that is moving but never an atom out of control. Her conviction and presence is what anchors the film and makes the wildest absurdities of the storyline work. While I am not in favor of splitting the book in two just to double the box office, this version skillfully finds a story arc that comes to a satisfying conclusion while making us eager to see what happens next.

Translation: Brutal dictatorship relying on military force, bombing (including bombing unarmed civilians), shooting, executions, hundreds injured and killed, disturbing images including wounded civilians and piles of skeletons, torture (off screen), some teen kisses

Family discussion: What made Katniss the best choice to symbolize the rebellion? Why was it necessary to have a symbol? Why did President Snow refuse to use the word “rebel?”

If you like this, try: the first two “Hunger Games” films and “The Maze Runner”

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The Hunger Games: Catching Fire

Posted on November 20, 2013 at 11:35 am

Capitol-Portraits-The-Hunger-Games-Catching-FireIn the second chapter of the three-book, four-movie series, Katniss Everdeen has gone from being a shy unknown with extraordinary skills to being an acclaimed superstar. The same could be said for the actress who plays the part. When Jennifer Lawrence was selected to play the heroine of the blockbuster novels by Suzanne Collins, she was barely out of her teens. She had scored an Oscar nomination for a small, independent film called Winter’s Bone that was seen by about the number of people listed in the credits of this film. And in between the first and second in the “Hunger Games” series, she won a leading actress Oscar for Silver Linings Playbook.

In this deeper, smarter, politically sharper, and more emotionally resonant follow-up, she returns to the dystopian world of Panem as Katniss prepares for her victory tour, following an unprecedented triumph at the titular competition.  Once a year, two teenagers are selected from each of the twelve districts to compete to the death in televised combat that the totalitarian government imposes in a gruesome simulacrum of an athletic contest that promotes dedication, talent, and integrity.  As the previous film ended, Katniss and Peeta (Josh Hutcherson) defied the authorities to come up with a way that they could both come out alive — by pretending to be in love and be willing to sacrifice themselves to be together.  This has made them very popular, and the dictator, “President” Snow (a nicely corrupt Donald Sutherland) wants to make sure that this popularity is extended on behalf of his regime and will not inspire any rebellious uprisings.  When his own granddaughter begins to braid her hair to be like Katniss, he knows that if he cannot control the young archer, he will have to destroy her.  However, as the new Head Gamemaker, Plutarch Heavensbee (Philip Seymour Hoffman) reminds him, he must be careful to get rid of her in a way that will discredit her, to make sure she does not become a martyr and inspire the rebels even more in memory than she already does.

Snow tells Katniss she has to persuade not just the fans but him that she is truly in love with Peeta or he will destroy her and her family.  She does her best, and cares for Peeta deeply, but her heart is still with Gale (Liam Hemsworth), who is hurt and jealous.

Plutarch decides to mount an all-star game, pitting previous champions of the Hunger Games against each other in a ramped-up competition.  And no skirting the rules with a romance this time.  Katniss and Peeta go back to the Capital for another dress-up extravaganza (costume designer Trish Summerville ramps things up with costumes that are a mash-up between “Project Runway’s” unconventional materials and fashion forward challenges and an acid trip.  Elizabeth Banks carries off the wildest of the attire better than anyone else could (with the exception of Barbie), and manages to give the outrageous Effie Trinket a little bit of compassion under the Kabuki-like makeup. And Katniss, known as the “girl on fire” thanks to the costumes designed by the stylist Cinna (Lenny Kravitz) gets a wedding gown extravaganza with an unexpected political overlay.

And then, the games begin, as before, with the same race to get supplies and weapons while avoiding attack and assessing possible alliances that by definition will be short-term.  Plutarch has some challenges of his own to keep the contestants off-balance and on the run.  With each “tribute” a previous winner, the odds are not in anyone’s favor.

Director Francis Lawrence (“I am Legend,” no relation to his star), taking over from Gary Ross, manages the large cast and complicated action well and screenwriters Simon Beaufoy (“Salmon Fishing in the Yemen”) and Michael Arndt (“Toy Story III,” “Little Miss Sunshine”) adapted the book deftly.  They balance the small, intimate moments, brief humor, and intense emotion with the grand sweep of the games, acknowledging the over-arching themes of honor, freedom, and courage but keeping the focus on the relationships.  It tells us everything that in the short training/assessment/sponsorship-seeking period before the Games begin, Katniss reaches out to the weakest and most vulnerable of the other contestants, helping them with no agenda for her own protection.

The other additions to the series are exceptionally well-chosen, too, especially Hoffman, as a man who knows more about “counter-moves” than we may suspect at first, Sam Claflin as the high-spirited, faun-like Finnick Odair, Jeffrey Wright and Amanda Plummer as the wonkiest participants, and Jena Malone, a fiery delight as the furious  Johanna Mason.  But it is Lawrence who steals the show again as Katniss.  Be sure to keep your eyes on her face in that last scene; it’s a lulu that will have you counting the moments until the next episode (now in production).

Parents should know that the theme of these books concerns a totalitarian dictatorship that forces teenagers to battle to the death in a very intense and disturbing “game.”  Many characters are injured and killed and there are scary surprises, graphic images, and disturbing threats. Many teenage and adult characters are beaten, injured, and killed, with knives, guns, whips, arrows, spears, poison fog, animal attacks, psychological abuse, and more. Characters abuse alcohol, there are drug references, and characters use some strong language. There is kissing and some implied nudity in public — nothing shown.

Family discussion: What did Plutarch mean by “moves and countermoves?” Why did the tributes hold hands? Why wouldn’t Gale leave?

If you like this, try: the first movie and the books by Suzanne Collins

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The Hunger Games

Posted on March 21, 2012 at 8:45 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense violent thematic material and disturbing images -- all involving teens
Profanity: Some mild language
Alcohol/ Drugs: Character abuses alcohol
Violence/ Scariness: Constant and intense peril and violence, some graphic, sad deaths, many characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: March 23, 2012
Date Released to DVD: August 13, 2012
Amazon.com ASIN: B0084IG8TM

Just as brave and loyal Katniss Everdeen is the heart of the wildly popular series of “Hunger Games” novels by Suzanne Collins, Jennifer Lawrence is the heart of this faithful adaptation.  Director Gary Ross clearly understands the book and what makes its story of a dystopian future world where teenagers battle to the death on a grim reality show so compelling.

Lawrence, who was nominated for an Oscar for her role in the small independent film “Winter’s Bone,” plays Katniss, who cares for her widowed mother and tender-hearted young sister Prim (Willow Shields) in District 12, a poor mining community that is a part of Panem, the post-apocalyptic totalitarian state that encompasses what is now North America.

Lawrence gives a thoughtful, nuanced performance, showing us the conflicts Katniss feels as she adapts to her new challenges, some of which require her to be even tougher and more stoic than she was before but some that require her to unlock feelings her survival had previously required her to keep secret even from herself.  She has a small dimple near the lower corner of her mouth that transforms her face when she smiles, and she uses it to show us Katniss’ heart as well as her determination.

Panem has an annual “reaping” where a boy and a girl are selected from each district to compete in the “Hunger Games,” a gruesome spectacle the citizens are forced to pretend to enjoy as entertainment.  When Prim’s name is called, Katniss volunteers to take her place.  The other “tribute” from District 12 is Peeta (Josh Hutcherson), the son of a baker.

They are taken to the Capital City and given luxurious accommodations while they prepare for the Games by trying to win sponsors (who can provide them with supplies) and getting advice from kind-hearted stylist Cinna (Lenny Kravitz) and previous District 12 champion Haymitch (Woody Harrelson), a cynical man who cannot face training another pair of doomed teenagers without getting drunk. “Embrace the probability of your imminent death and know in your heart that there is nothing I can do to save you,” he tells them.  But as he gets to know Katniss, he cannot help but admire her skill as an archer and he begins to care enough to give her some guidance.

The preliminary activities include an Olympic-style opening parade and the appearance on a gruesome simulacrum of a talk show, where the “tributes” pretend that they are excited and proud to be participating in the Games.  Stanley Tucci is a standout as the oily host with a blue pompadour and a laugh as fake as his teeth.

The preparation stage also gives the participants a chance to get a look at the competition, including some who have spent their lives training in hand-to-hand combat and survival skills.  And Katniss gets a chance to talk to Peeta, who tells her that he does not expect to win, but he wants to prove something.  “If I’m going to die, I want to still be me.”

The “tributes” are released into the woods knowing that in two weeks 23 of them will be dead.  There are some wary and by definition temporary alliances between contestants and at first Katniss thinks that Peeta is helping the others track her down and kill her.  She meets the tiny but spirited and clever Rue (a memorable Amandla Stenberg), who saves her life.  The days go by, cannons firing to mark the deaths of the participants, and as there are fewer and fewer left, it is harder to stay alive.

Production designer Philip Messina provides some striking visuals, particularly in the Capital City, but more important is the way the design helps shape the story, from the grimy poverty of District 12 to the heightened artificiality of the Capital City, the ultra high-tech control center, and the sometimes deceptive naturalism of the forest where the Games take place.  The settings frame the story well and the action scenes are exciting, even visceral.  And Lawrence keeps pulling us into the story, making its most outlandish elements feel real and meaningful.

(more…)

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