Bad Faith: Christian Nationalism’s Unholy War on Democracy

Bad Faith: Christian Nationalism’s Unholy War on Democracy

Posted on April 24, 2024 at 5:31 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: News images of violence including January 6, 2021
Diversity Issues: A theme of the movie
Date Released to Theaters: April 26, 2024

This is a very scary movie, and the scariest part is that the people it is about will never see themselves in it. At less than 90 minutes, it can only touch the surface of some of the issues behind the undermining of democracy by a toxic stew of billionaires seeking less regulation and more tax cuts, white evangelicals who have been persuaded that a holy war will put a stop to whatever previously gave them a sense of cultural primacy, and power brokers who recognize that their views are in the minority and the only way they can get the authority they want is a combination of disinformation and voter suppression. But it does a very good job of documenting history that will surprise even the most sophisticated political observers.

For example, most people tend to think that abortion fueled the uprising of white evangelicals groups that had previously had very little interest in politics and did not tie voting to faith. But directors Stephen Ujlaki and Christopher Jacob Jones make it clear that abortion was not the precipitating factor. It was a few years before, the Supreme Court’s ruling that the Internal Revenue Service (IRS) could deny tax-exempt status to schools with racially discriminatory policies. This struck at the heart of the evangelical groups led by people like Jerry Falwell, but they knew advocating for segregation was not a winning argument. They finally figured out that they could get the rank and file excited by using extremist language about reproductive health.

Later, attacks on various “woke” concepts like same-sex marriage, inclusion, and combatting climate change created opportunities for the wealthy to agitate the white evangelical base on their behalf.

This is a very traditional documentary, archival footage and experts. But the experts are exceptionally well chosen, starting with a blonde woman who begins by telling us that faith is the center of her life. We expect her to be one of the Christian nationalists the movie is about. Instead, she is a former official in the Trump-era Department of Homeland Security who, we see later, was aghast when President Trump refused to make the threat of domestic terrorism a priority. A minister whose faith leads him to support policies that help the poor and marginalized, another who was trained by a Christian nationalist group but left, and journalists and scholars with have deep knowledge in this area make some well-documented assessments. Longtime Republican consultant Steve Schmidt says what these people are working toward is Margaret Atwood’s “Handmaid’s Tale.” We learn about the “multi-facted operation of tremendous sophistication” used to spread mistrust and disinformation, funded by the ultra-wealthy and promoted by FOX and Sinclair Broadcasting, based on data mining of church rosters, not just of the names of members but of their most personal information and shared confidences.

But nothing is as chilling as the footage where we hear evangelical leaders and their political consultant counterparts say what they really think. They insist “America was founded as a Christian nation” (not true), that that concept of separation of church and state is not based in the Constitution but in a “stinkin’ letter” (Representative Lauren Boebert) (also not true), and that we need a “war” to impose a particular white Christian Protestant religion on everyone. And they answer a question many outside the white Christian evangelical world ask, why people of faith are so committed to Donald Trump, who promises to support them but whose life violates some of the values they say are essential; there are many in this group who do not want a man who follows Jesus. They want a chaos agent to undermine the most fundamental foundations of democracy, because democracy means majority rule and they know they cannot win that way.

Parents should know that this film includes discussions of bigotry, Christian nationalism, voter suppression, and abortion, with some footage of the insurrection on January 6, 2021.

Family discussion: What surprised you in this movie? Who did you find most trustworthy and why?

If you like this, try: “Slay the Dragon” (about gerrymandering), “All In: The Fight for Democracy,” “Rigged: The Voter Suppression Playbook,” “Answer the Call,” and other documentaries about attacks on democracy

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Ebert on O’Hehir’s ‘Conspiracy Theory’ About the Christian Director of ‘Secretariat’

Posted on October 8, 2010 at 7:36 am

Roger Ebert has a superb rebuttal to Andrew O’Hehir’s review of “Secretariat” in Salon. Ebert is careful to say that he respects O’Hehir but that this review goes far beyond the usual disagreements about taste and aesthetics. O’Hehir read into the film a political and religious agenda that cannot be supported, simply because the director is a Christian.

Andrew O’Hehir of Salon is a critic I admire, but he has nevertheless written a review of “Secretariat” so bizarre I cannot allow it to pass unnoticed. I don’t find anywhere in “Secretariat” the ideology he discovers there. In its reasoning, his review resembles a fevered conspiracy theory.

O’Hehir criticizes the film for omitting other events of the era though an important plot element concerns the main character’s support for her daughter’s protest of the Vietnam War and a theme of the film is her struggle against the sexism of the time. He actually calls the film “a work of creepy, half-hilarious master-race propaganda almost worthy of Leni Riefenstahl” and brings in references not just to Nazis but to the Klu Klux Klan and to the Tea Party and Glenn Beck.
It’s bad enough to criticize a movie for failing to address every single issue of its era (even if that were possible in a two-hour time slot, it would bury the narrative). It is preposterous to criticize the movie for giving an “evil” name to the rival horse when that was the actual horse’s name. It is offensive to attribute malevolent intentions to a film because the director is Christian. And it is even more offensive to claim that values like dedication and the pursuit of excellence are exclusive to any one religion or political party.
Ebert writes:

O’Hehir mentions that Randall Wallace, who directed the film, “is one of mainstream Hollywood’s few prominent Christians, and has spoken openly about his faith and his desire to make movies that appeal to ‘people with middle-American values’.” To which I respond: I am a person with middle-American values, and the film appealed to me. This news just in: There are probably more liberals with middle-American values than conservatives, especially if your idea of middle-American values overlaps with the Beatitudes, as mine does.

NOTE: O’Hehir has responded to Ebert, saying that “my review of the film was willfully hyperbolic, even outrageous, in hopes of getting people to look at a formulaic Disney sports movie through fresh eyes.” Because there is no easy way to link to his response directly and I believe he makes some good points, I am going to include the full text of his post and Ebert’s reply here:

(more…)

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