The Best TV Moms

The Best TV Moms

Posted on May 5, 2010 at 1:59 pm

I’ve written about great movie mothers before (more great movie moms here). The Wall Street Journal’s article on a return to the portrayal of parents as sensible and caring inspired me to celebrate Mother’s Day this year with some of my favorite television moms.

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Marion Cunningham (Marion Ross) on “Happy Days” was always there with a wholesome snack and even more wholesome advice. “Mrs. C” was the only one allowed to call Fonzie by his real first name. Broadcast during a time of great change for women, the show was a reminder that the traditional role was also of great value and worthy of respect.

Clair Huxtable (Phylicia Rashād) on “The Cosby Show” was the elegant and almost always unflappable successful attorney and mother of five, as bemused by her husband (far from unflappable) as by her children.

Carol Brady (Florence Henderson) on “The Brady Bunch” always seemed as sweetly unaware of the show’s cheesiness as she was of the possible problems that arise in blended families. She managed to cope with six children even through such catastrophes as a visit from Davy Jones and Jan’s weird wig.

Margaret Anderson (Jane Wyatt) on “Father Knows Best” was the quintessential 1950’s ideal of a mother and homemaker, always loving and supportive of her family. Often, she was the one who really knew best.

Julia Baker (Diahann Carroll) on “Julia” was a pioneer — a single working mother and the first in more than a decade with a black performer in the lead role. Julia was a

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nurse whose husband had been killed in Vietnam. I still remember her job interview over the phone in the first episode. With some apprehension, she tells the doctor she is black and he jokingly asks if she has always been black or just decided to become black since it was so fashionable. When her son Corey met the white boy who would become his best friend, he said, “Your mom’s colored!” Corey replied, “Yeah, so am I,” and the boy said, “You are?” That set the tone for a series that was if not entirely frank about race at least more upfront about it than audiences were used to in 1968 and yet still comfortably sit-comy.

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Marge Simpson (voice of Julie Kavner) on “The Simpsons” is the ever-good-humored center of the family. Her character is both inspired by and a gentle parody of 1950’s sit-com mothers. While craziness goes on all around her, she is almost always the moral center of the family, eternally devoted to her often-idiotic husband and naughty son.

Patty Chase (Bess Armstrong) in “My So-Called Life” supported the family economically as well as emotionally. In a series that focused on the adolescent struggles of the teen-age daughter (Claire Danes), Patty came across both as a strong, understanding believably conflicted woman. She understood the importance of allowing her daughter to be independent, even make her own mistakes, but when things went too far she did not hesitate to step in.

Lorelei Gilmore (Lauren Graham) on “The Gilmore Girls” was a teenager when her daughter Rory was born. Rory was a teenager when the show began, and part of its appeal was the close and understanding relationship between the two of them. For most of the series, the mother-daughter conflict was kicked up a generation as Lorelei connected with her estranged (and wealthy) parents to help pay for Rory’s tuition. The most adorable mother-daughter dialogue in television history was this show’s quippy, intensely culturally aware repartee.

Olivia Walton (Michael Learned) on “The Waltons” is based on the real-life mother of series creator Earl Hammer, Jr. Olivia combined resolve with patience in raising seven children during the Depression, and part of what made the show so heartwarming was her ability to engage with each person in the family in a way that was always completely present and loving.

Aunt Bee (Frances Bavier) on “The Andy Griffith Show” is one of the best examples of indispensable mother-figures and mother-substitutes we love on television and in real life. When Sheriff Andy Taylor needed someone to help raise his son, Opie, he called in Aunt Bee, who arrives in the first episode and quickly becomes a part of the household. Other than a problem with her pickles, she is known for her excellent home cooking and other domestic skills and for her devotion to Andy and Opie.

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Lists Television

TV Theme Songs (Part 2)

Posted on May 5, 2010 at 8:00 am

More great TV show theme songs! This time, I’m going to focus on shows about cops and detectives and crime.

The “Hawaii Five-O” theme suggests the pounding surf and adrenalin.

The theme of “The Rockford Files” has its hero’s rumpled charm.

No one wrote better theme music than Lalo Schifrin. His most famous is probably the theme for “Mission Impossible.” But I love his theme for “Mannix.”

The cool jazz theme for “The Man from UNCLE” gave it a James Bond feeling.

The trailer for the new “A-Team” movie has a nice reference to the classic theme with its slightly military tone.

Jan Hammer’s techno theme song for “Miami Vice” was electrifying.

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Television

TV Show Theme Songs (Part 1)

Posted on May 2, 2010 at 8:00 am

ScreenRant has a sensational list of the best TV show theme songs of the 2000’s, including . I especially enjoyed it because so many of today’s shows have all but jettisoned the idea of an opening theme. I still love some of the classics.

The theme from “Gilligan’s Island” sets the scene perfectly, giving us the background and introducing us to the characters. (Later season versions mentioned the professor and Mary Ann, too.)

Of course, I have a special attachment to that one!

As I have explained before, “The Dick Van Dyke Show” was the only opening credit sequence to have two variations — you never knew if he was going to trip over the ottoman or not.

The whistled theme music and the father and son walking to the fishin’ hole immediately transport us to Mayberry.

This theme song became a top 40 hit for the Rembrandts.

If a junkyard played music, this is what it would sound like. In an episode of “Will and Grace,” Will and Jack do a funny little dance number to this song.

Some shows were not as memorable as their theme songs. Valerie Bertinelli’s then-husband Eddie Van Halen composed the theme for her short-lived series, “Sydney.” David Clayton-Thomas of Blood, Sweat, and Tears performed the theme song for the Saturday morning series, “Mugsy.” I love Sammy Davis, Jr.’s theme song for “Baretta.”

More coming soon — and I’d love to hear your favorites.

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Television

Lois Wilson, the Woman Behind Al-Anon

Posted on April 24, 2010 at 8:00 am

“When Love is Not Enough,” the Hallmark Hall of Fame movie about Lois Wilson, the wife of the founder of Alcoholics Anonymous, will premiere this weekend starring Winona Ryder and Barry Pepper. Lois Wilson recognized that the friends and families of alcoholics needed a place to share their stories and find support. She had learned that those who love alcoholics could not change them but that they could find their own peace. And so she and helped to found the Al-Anon Family Groups. From the initial 48 who responded to her in 1951, it grew to over 29,000 groups worldwide and a membership of over 387,000, reaching out with a blog, podcasts, publications, and the core of their program, their in-person meetings, held all over the world. “In Al-Anon and Alateen, members share their own experience, strength, and hope with each other. You will meet others who share your feelings and frustrations, if not your exact situation. We come together to learn a better way of life, to find happiness whether the alcoholic is still drinking or not.”

The motto is, “To help them, you have to help yourself first.” They tell their members, “It is estimated that each alcoholic affects the lives of at least four other people… alcoholism is truly a family disease. No matter what relationship you have with an alcoholic, whether they are still drinking or not, all who have been affected by someone else’s drinking can find solutions that lead to serenity in the Al-Anon/Alateen fellowship.”

Here Bill and Lois Wilson tell their story.

“I believe that people are good if you give them half a chance and that good is more powerful than evil.

The world seems to me excruciatingly, almost painfully beautiful at times, and the goodness and kindness of people often exceed that which even I expect.”

– Lois Burnham Wilson

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Television The Real Story

National Screen Free Week

Posted on April 20, 2010 at 3:41 pm

It isn’t TV Turn Off week any more. It’s now National Screen Free Week. As Aria Wallace discovered, turning off all of our devices can be difficult, but it can open us up to truer, deeper, more nuanced and more aware connections with our friends and family.
No_Television.svg.pngScreenfreeWeek.org has some great materials for families who want to try to unplug for the week. I also recommend the Center for Screen Time Awareness.
Give it a try. No television, no DVDs, no computer except for homework, for just one week. And Mom and Dad, no Blackberries or smartphones while with the family. Go to the library and bring home some great books and go into your closet to bring out some board games. You might discover that you like it, and keep no-screen days every week or every month.

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