300: Rise of an Empire — The Real Story

Posted on March 6, 2014 at 8:00 am

300_Rise_of_an_EmpireThis week’s release “300: Rise of an Empire” is a highly fictionalized version of a real-life episode in ancient Greek history that included a massive sea battle.  It is a “side-quel,” depicting events that occurred around the same time as the famous battle covered in the first “300” movie.

In 480-489 BC, King Xerxes of Persia was determined to conquer Greece. In preparation for the next surge, he had his people bridge the Hellespont, the present-day Dardanelles, with two bridges were supported by ships as pontoons, with a the causeway laid across them. When they were destroyed in a storm, Xerxes ordered the designers of those bridges executed and that the Hellespont itself be given 300 lashes as punishment.  Xerxes was making progress when a Greek slave was sent with a message intended to deceive him — he told Xerxes that the Greeks were weak and not able to oppose him.  Historynet.com says:

On the morning of September 20, 480 BC, the main body of the Persian armada, about 400 triremes, moved toward the showdown. Xerxes sat on his golden throne high atop the contested area and watched the battle develop.

The Greek fleet was arranged from the Athenians on the left of the line to the Corinthians to the north, covering the Bay of Eleusis, the Pelopponesians on the right and the ships of Megara and Aegina in nearby Ambelaki Bay. The majority of the Greeks’ 300 triremes were hidden from the approaching Persians’ view by St. George’s Island. To draw the enemy well into the shallow water and narrow confined around Salamis, Themistocles ordered the 50-ship Corinthian contingent to hoist its square sails and feign retreat. Once the Persians were drawn in, the Greeks, in ordered line, would surround them. The Persians’ greater numbers would be no advantage in the narrows. Even worse, they would have no room to maneuver.The Greeks began to sing a hymn to the god Apollo as they struck the Persian vanguard in its exposed left flank. When the commanders of the leading Persian ships realized that they were trapped and began to backwater, the caused a tremendous crush of confusion, because those ships coming behind them had nowhere to go. Aeschylus, remembered as the father of literary tragedy, fought both at Marathon and Salamis. He later described the scene as similar to the mass netting and killing of fish on the shores of the Mediterranean: ‘At first the torrent of the Persians’ fleet bore up: but then the press of shipping hammed there in the narrows, none could help another.’

The Greeks kept outside of the tangled Persian mass and struck virtually at will. The Persian ships seemed more suited for action in the open sea-they were larger, sat higher in the water and were loaded with approximately 30 marine infantry or archers, as opposed to 14 aboard each Greek ship. Therefore, the top-heavy vessels fell easy prey to the bronze rams of the Greek triremes in those confining waters.

The Phoenicians in Xerxes’ fleet broke under the relentless Greek pressure and many of them ran their ships aground. Several of those Phoenicians hurried to the great king and said that the Ionians were the cause of their defeat. Xerxes had watched the Ionians perform well and ordered the Phoenicians beheaded for lying about their allies.

The battle continues to be studied by those who care about military history and strategy and it continues to capture our imagination thousands of years later.

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The Real Story: Pompeii

Posted on February 18, 2014 at 8:00 am

Pompeii
Pompeii

In the year 79 AD, the volcano Mount Vesuvius exploded, wiping out the city of Pompeii so quickly that thousands of years later, it still survives as though everything has been frozen in time.  Two thousand people were killed.

A witness, Pliny the Younger, wrote:

“The carts that we had ordered brought were moving in opposite directions, though the ground was perfectly flat, and they wouldn’t stay in place even with their wheels blocked by stones. In addition, it seemed as though the sea was being sucked backwards, as if it were being pushed back by the shaking of the land. Certainly the shoreline moved outwards, and many sea creatures were left on dry sand. Behind us were frightening dark clouds, rent by lightning twisted and hurled, opening to reveal huge figures of flame. These were like lightning, but bigger……. It wasn’t long thereafter that the cloud stretched down to the ground and covered the sea. It girdled Capri and made it vanish, it hid Misenum’s promontory. Then my mother began to beg and urge and order me to flee however I might, saying that a young man could make it, that she, weighed down in years and body, would die happy if she escaped being the cause of my death. I replied that I wouldn’t save myself without her, and then I took her hand and made her walk a little faster. She obeyed with difficulty, and blamed herself for delaying me.
Now came the dust, though still thinly. I look back: a dense cloud looms behind us, following us like a flood poured across the land. “Let us turn aside while we can still see, lest we be knocked over in the street and crushed by the crowd of our companions.” We had scarcely sat down when a darkness came that was not like a moonless or cloudy night, but more like the black of closed and unlighted rooms. You could hear women lamenting, children crying, men shouting……………. It grew lighter, though that seemed not a return of day, but a sign that the fire was approaching. The fire itself actually stopped some distance away, but darkness and ashes came again, a great weight of them. We stood up and shook the ash off again and again, otherwise we would have been covered with it and crushed by the weight. I might boast that no groan escaped me in such perils, no cowardly word, but that I believed that I was perishing with the world, and the world with me, which was a great consolation for death. At last the cloud thinned out and dwindled to no more than smoke or fog. Soon there was real daylight. The sun was even shining, though with the lurid glow it has after an eclipse. The sight that met our still terrified eyes was a changed world, buried in ash like snow.”

Pompeii with a view of Mt. Vesuvius
Pompeii with a view of Mt. Vesuvius

The city was untouched and almost unknown until the 1500s, and not fully explored for another 150 years after that.  But through all that time, the artifacts of Pompeii were preserved by the lack of air and moisture, and because nothing was built over them.  Now fortified with plaster, it provides an extraordinarily detailed insight into the life of a city.  And the remains of the people who were killed are so vivid and immediate they connect us with the humanity and the loss in a way that no statue or painting or writing can.

Exposure and vandalism have caused the remains to deteriorate, and scholars are working to maintain the site as well as they can.  The 2,000-year-old House of the Gladiators collapsed in 2010, probably due to water damage.

This week’s movie, starring Kit Harington of “Game of Thrones,” puts fictional characters in the real-life setting, re-creating the House of the Gladiators and other structures as they were when the volcano exploded.

For more on the history of Pompeii,  see Ancient Mysteries – Pompeii: Buried Alive and Pompeii: Doomed City or read The Complete Pompeii and Grafitti and other Sources on Pompeii and Herculaneum.

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The Real Story: The Monuments Men

Posted on February 6, 2014 at 4:16 pm

real monuments men George Clooney wrote, directed, and stars in “The Monuments Men,” the story of six men who helped save five million masterpieces of art and architecture and other cultural treasures from the Nazis. In reality, there were about 345 men and women from 13 countries who worked for the MFAA (Monuments, Fine Arts, and Archives section) of the Allied forces during World War II. They were not soldiers, as shown in the film. Many were museum directors, curators, art historians, artists, architects, and educators.

In 1943, a Committee on the Protection of Cultural Treasures in War Areas of The American Council of Learned Societies was established, funded in part by the Rockefeller Foundation and headquartered at the Frick Art Reference Library.  They put together a catalogue of art in occupied countries that was used for tracking the stolen works.

The characters in the movie are fictionalized, but this article tells the real stories of the men and women who inspired them.   One of the most important is the woman who inspired the French character played by Cate Blanchett.  Her real name was Rose Valland, and she did keep a meticulous notebook with information about every piece of art shipped out through the museum where she worked in occupied Paris. There is a book about her called Rose Valland: Resistance at the Museum.  An excerpt from the book available online explains that, unlike Blanchett, she would not have been interested in a liaison with the character played by Matt Damon as she was gay.   She also inspired the movie The Train, with Burt Lancaster and Jeanne Moreau, where Resistance operatives have to stop a train carrying art from France to Germany without harming any of the masterpieces on board.

The history of the Monuments Men is still being assembled.  Anyone with any documents or photographs should get in touch with ehudson@monumentsmen.com.  And anyone who wants to support efforts to recognize the heroism of the Monuments Men can join this group in requesting that they be awarded Congressional Medals of Honor.

The filmmakers have assembled an outstanding collection of teaching materials based on the film, and ministry resources for pastors who want to use the movie’s themes to inspire their congregations as well.  for more information, try the documentary called The Rape of Europa, or the book it is based on, The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War by Lynn H. Nicholas.

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The Real Story: Philomena

Posted on January 27, 2014 at 8:00 am

“Philomena,” star Dame Judi Dench, screenwriters Steve Coogan and Jeff Pope, and composer Alexandre Desplat are all nominated for Oscars this year.  It is the real-life story of Philomena Lee, who joined Coogan at the Golden Globes as a presenter earlier this month and spoke with great dignity about the women, like her, who were mistreated by the Magdalene sisters and forced to give up their babies for adoption.

In the movie, Coogan plays Martin Sixsmith, a journalist who helped Philomena find out what happened to her son, who was adopted by Americans.    The Daily Mail has an interview and some photos of Philomena and Michael.

Philomena’s story is complex and harrowing, and yet the first thing that strikes you about Philomena herself is that she bears no rancour. She’s seen the film twice, she tells me, ‘and the first time was stressful, but the second time I enjoyed it, and I was so glad that they didn’t harp on about the Catholic church because I wouldn’t have wanted that’.

In Politico, writer Todd Purdum provides some additional information about the boy Philomena called Anthony Lee, and who was renamed Michael Anthony Hess when he was adopted at age 3.  As shown in the movie, an American couple intended to adopt a little girl named Mary, to whom Anthony was devoted.  Impulsively, they decided to take him, too.

Half a century later, Sixsmith brought Philomena to Washington, D.C., to find out what happened to him.  He had become a lawyer, served as chief legal counsel to the Republican National Committee, and died of AIDS in 1995.  His close friends knew he was gay, but he was not out in his professional life.  Before he died, he made two trips to Ireland to try to find his mother, and his last request was to be buried at the convent where he was born.

Steve Dahllof, Hess’s partner for the last 15 years of his life, said in a telephone interview that the book was “about a three out of 10, in terms of accuracy,” while the movie, “in accuracy of spirit, is 10 out of 10.”

While the abuses of the Magdalene sisters in the 1950’s are documented, the movie has been criticized for its portrayal of the contemporary nuns and heightening some of the scenes for dramatic effect.

 

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The Original “Please Mr. Kennedy” Song

Posted on January 8, 2014 at 9:53 pm

My favorite movie of 2013 is “Inside Llewyn Davis,” and I love the scene where the very serious folksinger title character (Oscar Isaac) gets hired as a studio musician to perform a silly novelty song. Justin Timberlake plays the musician who wrote the song, “Please Mr. Kennedy.” It’s about a guy who says he does not want to be sent into space. This was, of course, the early days of the space race, with Alan Shepard the first American and second person to go up in a space capsule in 1961, the year this movie takes place.

There was a real “Please Mr. Kennedy” song back in the 60’s, a similar theme, but it was about not wanting to be sent to Vietnam. This was long before the angry protests of the late-60’s anti-war movement, with much more powerful songs like the “Feel-Like-I’m-Fixing-to-Die Rag” sung by Country Joe and the Fish. This was just a light-hearted song from Mickey Woods. Here it is:

http://www.youtube.com/watch?v=DW6lQKLn5B8
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