Tough Teen Girls in the Movies of 2010

Posted on January 5, 2011 at 3:52 pm

The Washington Post’s Ann Hornaday has a terrific year-end round-up about an unusual trend in 2010 movies, tough teen girls. From gritty dramas like “Fish Tank” and “Winter’s Bone” to ultra-violent fantasies like “Kick-Ass” and “Let Me In” (both starring Chloe Grace Moretz, who was a wise and confident middle schooler in “Diary of a Wimpy Kid“), from a fairy tale (“Tangled“) to a western (“True Grit“), to an armor-wearing, dragon-slaying Alice in Wonderland, teen girls were brave, strong, adventuresome, and bent on justice.

Why now? The success of “Twilight” helped show Hollywood that young women wield considerable force at the box office, so studios have understandably started to pay attention. Actresses like Angelina Jolie (“Salt,” “Mr. and Mrs. Smith”) and Milla Jovovich (“Resident Evil”) have proven that action isn’t just the sole purview of Y chromosomes. And we may be seeing a generational shift whereby writers and directors raised with an expectation of gender equality bring that sensibility to their filmmaking.

This is a trend I hope to see more of in 2011.

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Understanding Media and Pop Culture
Is Farmville the New ‘Jaws?’

Is Farmville the New ‘Jaws?’

Posted on August 7, 2010 at 8:00 am

An article in the Washington Post about the popularity of online games like Farmville, Mafia Wars, Sorority Life and updated versions of classic board and word games like Scrabble has a provocative assertion:

“Whereas the 19th century will be remembered for the creation of the modern novel, and the 20th century was dominated by movies and images on screens, I think we can now see that games will be the dominant form of entertainment in this century,” said Jon Radoff, an early Internet entrepreneur, game developer and armchair gaming historian.

fville-farm.jpg

If that sounds like blasphemy, consider that online games just passed e-mail as the second-most popular activity online, behind social networking, according to Nielsen. Last week, Disney paid $563.2 million to buy social game developer Playdom. Google is reportedly in talks with game companies to start a site called Google Games, having noticed that on Facebook, the fastest-growing Web site in the world, 40 percent of the company’s 500 million users regularly play social games.

Radoff predicts that these games, which are free but which charge nominal amounts for accessories and add-ons, will be a more viable business model for social networks than advertising. But what interests me more is his notion that this is the form of creative expression that fits our time better than books and movies. Is it because of the interactivity, with the player affecting the direction of the game and engaging with other players? After sororities, farms, the Mob, and fish, what will be the next venues for these games? Sports? Safari? Outer space?

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Internet, Gaming, Podcasts, and Apps
Want to Know How I Got to Be a Lawyer/Movie Critic?

Want to Know How I Got to Be a Lawyer/Movie Critic?

Posted on August 3, 2010 at 9:00 am

The latest Washington Post On Success query I was asked to respond to really hit home:
Q: At some point in your life, you probably decided to take a leap of faith and go in a direction — professionally or personally — that others did not expect. Like quit Goldman Sachs to be a goat farmer. Or leave a company job for your own venture. Was the move a success? Did the new direction turn out the way you thought it would?
I have had a lot of fun in my careers, but one of the the most exhilarating professional experiences I have had was rebooting myself when I decided after 18 years as a lawyer that I wanted to become a movie critic. Fifteen years later, I’m still doing both.
It’s not that being a movie critic is more fun than being a lawyer. Some days it is and some days it isn’t. But the experience of starting something completely new was completely thrilling. It was almost as much fun when I switched specialties eight years after law school.
Making a big change is a way to sweep out the mental cobwebs. By deconstructing your career, you challenge all of your assumptions about what you are capable of, especially any sense that you are stuck with what you’re doing just because that is what you have been doing. It’s a wonderfully bracing way for you to choose your life with energy, awareness, and purpose.
I had been the critic for my high school and college papers and had studied film history and criticism in college. Then I went to law school and did other things, including getting married and having two children, all of which occupied my full attention for quite a while.
But then the children began to become more independent. And I began to remember how much I missed seeing and writing about movies. I wrote an article for a magazine about sharing classic movies with children. And I became very intrigued with the then-new World Wide Web. I began posting my reviews and comments online. I knew I would need some sort of niche to make me stand out, so I decided the best was to use what I knew and write from the perspective of a mom. And I knew I would need some sort of credential, so I decided to write a book: The Movie Mom’s Guide to Family Movies
.
That led to my being invited to review movies on the radio. By the time Yahoo was looking for a movie critic, I had an archive ready to move to their site and weekly radio spots across the country to promote it. I had not planned to go to work for anyone else writing reviews, but when they had a job available, I was ready because I had done the work to establish myself. I later moved to Beliefnet, which made it possible for me to reach a broader audience and write features, commentary and interviews.
People often tell me they’d like to become a movie critic and I always tell them that if they write reviews, they are a critic. If they want to be a good critic, they will have to spend the time to study film history and they will have to make sure that their reviews are lively, vivid, engaging, and distinctive as well as illuminating and instructive. If they want to make money at it, they may have to find a time machine and go back to the 1970’s. This is the greatest time in history to be a writer, but it may be the worst time in history to try to get paid for it.
So it’s just two steps and one secret to making it happen. Step one is to own it. Don’t say, “if only.” Say, “I am.” And then be whatever it is. Be honest with yourself and take responsibility for making it happen. Step two is to do the work, every day. And the secret is: Define success by what you find fulfilling and meaningful, not what your great-aunt or your piano teacher or your own interior critic think you should be doing.
If it really is your passion and not just a Walter Mitty daydream, if you want to do it because it is something you love doing so much you can’t not do it, and not because you think doing it will make you successful and admired, then you will be the one willing to do the work to make it happen. As “Last Lecture” professor Randy Pausch said, “The brick walls are there to give us a chance to show how badly we want something.” They are there so you can show everyone that you are the one who deserves the opportunity — and show yourself, too.
And I have found that my two careers nourish and inform each other in unexpected ways — really. But that’s a story for another day.

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Media Appearances

What I Read

Posted on May 25, 2010 at 8:29 am

The Atlantic Monthly’s website has a daily feature called “What I Read.” They invite people to tell them about their sources of information and news. If you’d like to read about my “media diet” take a look. And yes, the part about my parents is, if anything, understatement.
Also: I’m a finalist for a journalism award for my commentary on outrageous pay for corporate executives.

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Media Appearances
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