The Boss Baby
Posted on March 30, 2017 at 5:50 pmB +
|Lowest Recommended Age:
|Kindergarten - 3rd Grade
|Rated PG for some mild rude humor
|Some schoolyard language
|"Formula" that keeps babies from growing up
|Cartoon-style action peril and violence, no one hurt
|Date Released to Theaters:
|March 31, 2017
|Date Released to DVD:
|July 25, 2017
Yes, sure, babies are adorable and it is wonderful fun to nibble their toes and kiss the backs of their necks. But let’s be honest. They are also tiny tyrants. Who decides when it is time to eat and sleep? It is not the adults in the household. And who is no longer the top priority in the home anymore? The older child! (Let me state for the record that my two younger sisters are lovely people and I couldn’t be luckier to have them as siblings, but those first few months are tough.)
“The Boss Baby,” inspired by the Marla Frazee book, takes these ideas hilariously to the extreme with a baby who is literally the boss. He arrives complete with suit, tie, Rolex, briefcase, and the ultra-adult voice of Alec Baldwin. This is deeply disturbing for Tim (Miles Bakshi, grandson of animation pioneer Ralph Bakshi), whose previously blissful life of undiluted devotion from his mom (Lisa Kudrow) and dad (Jimmy Kimmel) is destroyed by this demanding creature and it seems that only Tim really understands what a monster he is.
Somehow, Mom and Dad, a sweet couple who both work for a pet food company, can only see the baby’s cute little face and have no idea that the baby is really a spy, even though “if things weren’t to his immediate satisfaction, he had a fit.” They are so numb from sleep deprivation and so captivated by what looks to them like an infant that they never suspect there is anything unusual going on. But Tim overhears the Boss Baby talking to his office — and then the Boss Baby blandly tosses some money his way and asks for some sushi: “I’d kill for a spicy tuna roll.”
Once Tim learns that the baby will return to his office after his mission is complete, he and the baby join forces to take on the real villain of the story — I will not spoil his very funny nefarious plan.
Director Tom McGrath says that this film is a tribute and apology to his older brother, because like all younger siblings, he was for a time the “boss baby.” He gives the story a pleasantly retro look, setting, and soundtrack, evocative of old-school cartoons and an era before everyone was mesmerized by devices. It is surprisingly funny and even more surprisingly sweet. Tim is a great kid, brave, smart, and wonderfully imaginative, and it is nice to see a movie for children that is about something other than following your dreams or learning to be confident. It’s about visceral feelings everyone will recognize — worrying that there is not enough love to go around, jealousy, competitiveness. And it is also about feelings we should recognize but too often overlook: the importance of imagination and the pleasures of being a kid.
NOTE: Stay all the way through the credits for an extra scene!
Parents should know that there is cartoon-style peril and violence along with some potty humor and schoolyard language. The theme of the movie centers on issues of sibling rivalry.
Family discussion: Why wasn’t the Boss Baby sent to earth as a regular baby? What are the best and worst parts of having a sibling?
If you like this, try: the “Madagascar” films, from the same director