The Way Back
Posted on March 5, 2020 at 5:47 pmB
|Lowest Recommended Age:||Mature High Schooler|
|MPAA Rating:||Rated R for language throughout including some sexual references, brief drug use, and violence|
|Profanity:||Constant very strong language used by adults and teens|
|Alcohol/ Drugs:||Alcohol abuse, smoking|
|Violence/ Scariness:||Some peril and violence, references to illness and tragic death of a chlld|
|Date Released to Theaters:||March 6, 2020|
|Date Released to DVD:||May 18, 2020|
Director Gavin O’Connor makes movies with hard outer shells, about sports (“The Warrior”) and assassins (“The Accountant”). But they have sweet, gooey centers, because he has the softest heart in Hollywood. Which is a good thing. A lot of people stayed away from “Warriors” because the main characters are MMA fighters, but it is a tenderhearted story of family and redemption. “The Way Back” (original title, “The Has-Been,” probably considered too down-beat) is not as powerful a story, and is too close to better films like “Hoosiers,” but it is a solid drama with the additional interest factor of the parallels between the actor and the role.
Ben Affleck has been doing interviews about his struggles with substance abuse as he is promoting his new movie about a man who struggles with substance abuse. Even he is not clear whether this particular role was therapeutic or not. But he certainly inhabits the character with feeling.
Affleck plays Jack Cunningham, a one-time high school basketball superstar who is now a construction worker who is alone, miserable, and alcoholic. He takes a swig in the car before going inside his sister’s house for Thanksgiving with her family. He pours booze into his coffee cup at work. In his dingy apartment, the refrigerator is filled with beer. He has a system. He takes a can out of the freezer to drink and brings one up from the lower compartment to freeze it so that it will be perfectly chilled as soon as he finished the first one. He spends every night at the local bar.
And then he gets a call from a priest at his old school. The basketball coach is ill and they want him to come back and take over. Everything Jack does has one goal — numbing him from any kind of feeling or connection or memory of what he lost. He practices over and over how to say no. But he says yes. And soon he is in the gym, looking at a bunch of teenagers who need training, discipline, pride, and, most of all, a role model.
It might be possible for Jack to provide some of those things, but beginning to care brings up all of the feelings he has put so much effort into suppressing.
The focus is on Jack here. This is not one of those movies where the new coach steps in to give each of them important life lessons. We don’t learn much about his fellow barflies or his family. We do learn about his relationship with his ex-wife, the tragic circumstance that drove them apart, and Jack’s history of bad choices, especially the choice to hurt others by hurting himself. It’s okay that Jack is still a work in progress. But some awkwardness hints at possible recuts, with some abruptness and imbalance in the storytelling, which makes the movie feel that way, too.
Parents should know that this film includes constant very strong language used by adults and teenagers, crude references, very sad (offscreen) death of one child and terminal illness of another, alcohol abuse, smoking, and drunk driving.
Family discussion: Why did Jack hurt himself to hurt his father? Why did Angie and Jack respond differently to a tragic loss? Why did he want to coach the team?
If you like this, try: “Warriors,” from the same director, and “Hoosiers”