Great Movie Elephants and Donkeys

Posted on September 27, 2008 at 10:00 am

In honor of the upcoming election, a bi-partisan listing of classic movies featuring those two symbols of the political parties, the elephant and the donkey, with a tip of the hat to cartoonist Thomas Nast, who first assigned those animals to the Republicans and the Democrats.

1. Dumbo You’ll believe an elephant can fly in this charming animated Disney classic about the little elephant with big ears (NOTE: some ethnic humor that is insensitive by today’s standards)

2. The Adventures of Francis the Talking Mule WWII-era favorite Francis was an army mule who starred in seven popular comedies.

3. Billy Rose’s Jumbo Jimmy Durante, Doris Day, and Jumbo the elephant star in this circus story.

4. Shrek Eddie Murphy provides the voice for the talkative but loyal sidekick to the lovable ogre.

5. Fantasia Elephant ballerinas appear in one of the segments of this animated classic.

6. The Many Adventures of Winnie the Pooh The anxious Eeyore the donkey is one of the most beloved characters in this movie based on the classic books by A.A. Milne.

7. Horton Hears a Who Tender-hearted Horton the Elephant (voice of Jim Carrey) saves the tiny speck of dust that is the home of the adorable residents of Whoville.

8. Au Hasard Balthazar This lyrical allegory is the story of a donkey-saint.

9. Hatari! Henry Mancini’s famous “Baby Elephant Walk” is one of the highlights of this genial John Wayne adventure-comedy set in Africa.

10. Pinocchio Pinocchio and Lampwick find themselves turning into donkeys when they neglect their responsibilities and families in this Disney animated classic.

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For Your Netflix Queue Lists

Televised Presidential Debates

Posted on September 26, 2008 at 2:00 pm

There’s an op-ed in today’s Chicago Tribune is about the value of televised debates. It was written by my dad, Newton Minow, and his frequent co-author, Northwestern professor Craig LaMay. This week is the anniversary of the very first Presidential debate, the legendary Kennedy-Nixon broadcast from Chicago in 1960. Both candidates and most historians believe it played a decisive role in the outcome of the election.

Slate has a good video review of the highlights (or rather low points) of the past debates from Ford’s fumble on Eastern Europe to Al Gore’s sighs and George H. W. Bush looking at his watch as though he was bored.

On Monday, Dad and Professor LaMay participated in a panel discussion at the Paley Center for Media (formerly the Museum of Television and Radio) about the history and future of the debates with the producer of the Kennedy-Nixon debate, Don Hewitt (who would go on to produce “60 Minutes”), and Newsweek’s Jonathan Alter. From the audience, Kennedy advisor Ted Sorensen recalled briefing the candidate and former debates co-chair Rita Hauser, who recalled the 27-minute audio breakdown in the Carter-Ford debate and the wry comment by one-time Presidential candidate Eugene McCarthy that he didn’t notice.

My dad is the only person to have helped organize every Presidential debate in U.S. history. He and LaMay have written a book, Inside the Presidential Debates: Their Improbable Past and Promising Future.

In today’s op-ed, they describe the improved format of this year’s debates,

designed to get the candidates to talk directly to each other, rather than to the moderator. The 90-minute forum will be broken into segments, each devoted to a particular subject. This new format is a direct response to voter preferences and can only improve what are already the most genuine events of a campaign that is otherwise a carefully scripted and uninformative run of television news sound bites and (mostly negative) advertisements.

And they respond to criticism that the candidates merely recite canned answers:

The televised debates are the only place in the modern campaign where voters get the opportunity to compare the candidates and their views and see them think on their feet. Yes, the candidates will anticipate questions and prepare answers in advance. Who would expect otherwise? This is the biggest contest on the American electoral stage.

More important than what happens in the debate is what it means for American citizens.

You are smarter than the pundits and political professionals. After you watch tonight’s debate, turn off your television and avoid the spin that follows. Talk about the debate with your family, co-workers, friends, neighbors. Then go see what the pundits have to say, and whether you think they got it right. It is your judgment and your vote that counts, not theirs.

Finally, we confidently predict the winner of tonight’s debate and those still to come: the American voter.

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Commentary Television

B.J. Thomas Live

Posted on September 25, 2008 at 10:51 pm

We saw B.J. Thomas perform at the Birchmere tonight. His voice is marvel, wonderfully clear and supple. He sang all the hits, “Hooked on a Feeling,” “Rock and Roll Lullabye,” “Eyes of a New York Woman,” “Don’t Worry Baby,” “Somebody Done Somebody Wrong Song,” and of course “Raindrops Keep Fallin’ On My Head,” from “Butch Cassidy and the Sundance Kid.”

I loved it when he sang my very favorite, “Mighty Clouds of Joy” — with spirit that filled the room with some mighty clouds of joy of his own. Check out his tour dates to see if you can get a ticket.

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Music

The Duchess

Posted on September 25, 2008 at 6:00 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sexual content, brief nudity, and thematic material
Profanity: Some strong language
Alcohol/ Drugs: Drinking, including getting drunk to deal with stress
Violence/ Scariness: Rape
Diversity Issues: A theme of the movie
Date Released to Theaters: September 26, 2008

Kiera Knightley plays 18th century aristocrat Georgiana, Duchess of Devonshire in this muddled but eye-filling saga of an ancestor of Diana, Princess of Wales, who shared her status as a fashion icon, heartbroken wife of a man in love with someone else, and object of intense public fascination.

Georgiana was still a teenager when she was told that one of the most sought-after catches in England wanted to marry her. Silly girl, she thought it meant he loved her. But the Duke thought of marriage as something between a political alliance and animal husbandry. All he cared about was her ability to produce a male heir. The property law of the time depended on continuing the male line (as readers of Pride and Prejudice well know). And, as an affecting scene near the end shows, the Duke (Ralph Fiennes) is as constricted by the conventions of the era as she is.

This creates the opportunity for a soap opera in period clothes, with mutual adulteries and children born to other partners. Georgiana (known as “G”) also struggles with the betrayal of her closest friend (“Brideshead Revisted’s” Hayley Atwell) and the agonizing choice between her great love, a politician (“Mamma Mia’s” Dominic Cooper), or her children with the Duke.

It never quite comes together because G’s life was too big and varied to fit on screen. She was a fashion icon and an influential figure in politics. She was a devoted mother and an “all for love and the world well lost” libertine. She was strong and weak, intelligent and foolish, loyal and disloyal, practical and a dreamer. Though Knightley is game, the film falters in pomp and loses her under the feathers and jewels.

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