Death at a Funeral

Posted on April 15, 2010 at 6:01 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language, drug content, and some sexual humor
Profanity: Very strong language
Alcohol/ Drugs: Characters inadvertantly take hallucinogenics
Violence/ Scariness: Comic peril, character apparently killed
Diversity Issues: Diverse characters
Date Released to Theaters: April 16, 2010

It feels like the world should come to a stop when someone dies, but unfortunately, it does not. And it feels like the confrontation with the eternal and the shock of grief should somehow make everyone behave, but unfortunately, it does not.death_at_a_funeral_poster_01.jpg
Fortunately, that can be funny, especially when it is happening to someone else. “Death at a Funeral” is a wild, door-slamming, poop-on-the-face, naked-guy-on-the-roof farce set at the funeral of a man whose family did not know him quite as well as they thought. Trying to stay on top of things is the oldest son of the dearly departed, Aaron (Chris Rock), a tax accountant and would-be novelist jealous of his best-selling author brother Ryan (Martin Lawrence). The funeral is at the home that Aaron shares with his wife (Regina Hall) and mother (Loretta Devine). Arriving for the funeral are Aaron’s cousin Elaine (Zoe Saldana of “Avatar”) and her nervous fiance Oscar (James Marsden) and brother Jeff (Columbus Short), family friends Derek (Luke Wilson) and Norman (Tracey Morgan), and cantankerous uncle Russell (Danny Glover). Meanwhile, the wrong body has been delivered by mistake and there is a man at the funeral no one knows, who keeps asking to talk to Aaron about something important.
It all moves along briskly and the juxtaposition of outrageous farce with the most serious of occasions sharpens what would otherwise be pedestrian slapstick. By far the most interesting aspect of the movie is that it is an almost shot-for-shot remake of a British film by the same name, made just three years ago. The two films even share one of the lead actors, Peter Dinklage as the interloper whose relationship with the deceased — and request for payment to keep that relationship quiet — creates a lot of upheaval. Taking a farce that appeared to rely on the understated, restrained British culture in the face of outlandish situations and transplanting it to a black family in Los Angeles demonstrates how much we bring our own expectations to a film.
Director Neil LaBute, best known for searing, disturbing, often-misogynistic plays and movies (“The Shape of Things,” “Your Friends and Neighbors”) lets his able cast run with the material. Marsden is particularly good as the nervous fiance who takes what he thinks is Valium to relax and ends up alternately — and simultaneously — ecstatic, terrified, and utterly dejected. Rock, often uncomfortable on screen, finds some dignity as well as humor in a mostly straight role. Saldana, trim as a greyhound in her LBD, has some great moments as she reassures her frantic fiance and tells off her father, brother, and would-be boyfriend. Hall is delicious as always as a devoted wife who really, really wants a baby — someone needs to give her a starring role. And Dinklage is simply a hoot, one of the most able actors in films today.

(more…)

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Comedy Movies -- format Remake

Vogue — Glee Style

Posted on April 15, 2010 at 3:57 pm

A preview of next week’s all-Madonna episode of “Glee” — with Sue Sylvester starring in “Vogue!”

One thing I especially love about this show is is agnosticism about music — it makes no distinction between classic rock (“Somebody to Love”), Broadway show tunes (“Defying Gravity”), 60’s pop (“Don’t Make Me Over”), or current hits (“My Life Would Suck Without You”). I love the mash-up episodes, combining songs like “Smile” (Lily Allen) with “Smile” (composed some 80 years earlier by Charlie Chaplin). It is a hallmark of adolescence to be exclusionary and to define people by what they like, with absolute and rigid categories for indie, metal, emo, and especially NOW vs. THEN. So I am very happy to see this show not just introduce its audience to music they may have thought of as outside their sphere but to the very idea of openness to great songs, wherever they come from.

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Music Shorts Television
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I Remember Better When I Paint

Posted on April 15, 2010 at 8:00 am

I Remember Better When I Paint: Treating Alzheimer’s through the Creative Arts is a documentary about the way that the arts can reach people struggling with severe dementia and other memory impairments. It is a touching and inspiring film that should remind us all of the power of art — and love — and of the humanity that persists even when the more superficial manifestations of daily communication fail. The film will be shown on some PBS stations (check local listings) and is available on DVD.

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Documentary Television

Interview: Dr. Rick Hodes of ‘Making the Crooked Straight’

Posted on April 13, 2010 at 3:59 pm

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Dr. Rick Hodes is an Orthodox Jew who has devoted his life to “tikkun olam,” “healing the world. His motto is the Talmud’s statement that “He who saves one life, it is considered as if he saved an entire world.” Dr. Hodes has spent most of his professional life working with the poor and sick in Ethiopia, treating hundreds of patients and taking seventeen children into his own home to raise them as his family. His salary is paid by the American Joint Jewish Distribution Committee, and he raises the money for his patients. A new 30-minute documentary about the doctor, his work, and the children will be shown on HBO. The director is Susan Cohen Rockefeller.

I spoke to Dr. Hodes by phone as he was preparing to fly back to the US from Ethiopia.

How did you come to Ethiopia?

I came first in 1984 because of the famine. I came as a relief worker. I was a resident at Johns Hopkins and I took five or six weeks off and worked in the famine camps. For a while I was the only doctor for several thousand starving people.

What surprised you about Ethiopia?

The depth of the culture, the depth of the ancient Christianity, how people in Ethiopia really know who they are. They don’t think of themselves as black. They don’t think of themselves as African. They really think of themselves as Ethiopian. Even their Christianity is very much involved with their Ethiopian identity. If you go to a Christian ceremony, it will be very Ethiopian as well, with the colors and flags. Ethiopians know who they are. They really like their culture. They have their own religion, their own food, their own system. If they’re not in Ethiopia and find someone else from Ethiopia, they feel very close to them, especially if they are from the same region.

I have heard that in Ethiopia everyone carries the children around, that everyone takes care of the children as though they belong to the whole community.

They carry the children on their backs, there’s a lot of physical contact, child abuse is much less here. The rate of psychological problems from lack of care seems to be lower.

As an outsider, was it difficult for you to gain their trust?

Once you start doing good things, they start coming to you. They will ask if I can help them, teach them, do something with them. And learning the language.

What led you to take over responsibility for the children?

Bewoket had run away from home because he was dying. And he ended up in the university hospital. They discharged him to a Catholic mission. I was volunteering there. He was very attached to me. And he was in such difficult shape it was actually easier to have him in my house, where I could care for him. Once I took in one, I met another one, and so on. I try to say that this is finished, but it’s not finished.

Do the kids get along with each other?

Any two people under the same roof will not always agree, but they do well.

What do you do for fun?

They play board games. The healthier ones play soccer. The less healthy ones play Monopoly and card games. It’s funny, three years ago they had not seen a car or a white person and now what gets them most excited is buying a hotel on Boardwalk.

Do they want to become doctors?

A lot of them do. One boy was dying in Gojam and his dad sold two goats to get him $30 to come to the big city. They came to Addis Abeba,, and they spent 20 cents a night to sleep on the floor of the hotel with 20 people. They had no money for the bus so they had to walk six or seven miles to get to me. I reached into my pocket and gave him $10 and I said, “Here, every time you come I will give you more, so spend this. Eat two or three meals a day, sleep in a bed, take the bus, take care of yourself.” And that is when he started getting better.

And now this boy, who had been in a remote school studying to be an Orthodox priest is in eighth grade, speaks fluent English, and wants to be a doctor. When he came to America he told his life story at a fund-raiser and we raised $1 million. There’s another girl who was an orphan, living in a medical college because she had nowhere else to go. I ended up bringing her to Addis Abeba, treating her TB, sending her for surgery, and now she is in 6th grade and wants to be a doctor. When I first met her she said she wanted to be a housemaid because then she would have a place to live and cook. Now she’s living in my house, she speaks English. For $10-12 thousand we’ve completely transformed her life.

What do Americans need to know about Ethiopia?

The depth of the culture and the niceness of the people. It is a poor country, but it is a proud country with a deep culture, a history, definitely not uncivilized.

How does your Jewish faith inspire and sustain you?

I really enjoy being Jewish. I pray three times a day and keep the Sabbath to the extent that a doctor with patients can do that. We just had a big Passover seder. It is an important part of my life, the daily schedule, the weekly schedule, the monthly schedule. It becomes all-encompassing. But one of the nice things about being in Ethiopia is that I feel very welcome here. I respect other religions. Most of the kids are Orthodox Catholic, Protestant, or Muslim.

What I’m personally trying to do is making the world a better place for a few people, helping as many people as I can in that sense. I’m sending 16 kids in May to Ghana for surgery. That’s the greatest thing in the world for me.

Photo credit: Photograph by J. Kyle Keener/HBO

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Documentary Interview Television
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Happy Birthday, Beverly Cleary

Posted on April 13, 2010 at 11:27 am

I loved Beverly Cleary’s books even more when we read them to our children than I did when I read them as a child. It’s because she has a unique ability to capture the way a child sees the world, filtered through the sympathetic understanding of an insightful adult who also happens to be an exceptional writer. I am especially fond of The Ramona Collection but love all of her books, even her autobiography, A Girl from Yamhill. The television series with Sarah Polley was quite good and I am hoping the upcoming movie will be, too.

Happy 94th birthday, Ms. Cleary!

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