Becoming Santa: Tonight on OWN

Posted on December 8, 2011 at 6:24 pm

Hank Stuever has an excellent piece in today’s Washington Post that addresses an issue that has really been bugging me.  But first, he recommends a documentary premiering tonight on Oprah’s OWN station called “Becoming Santa.”  It is the story of Jack Sanderson.

Sanderson, a single Los Angeles man in his mid-40s, decides to learn everything he can about the men who dress as Santa Claus every November and December to work in malls or at other paying gigs or who volunteer for charity appearances. While going through old family photos, Sanderson discovers a picture of his recently deceased father dressed as Santa Claus, taken not long after the death of Sanderson’s mother. Was his father finding some mysterious comfort in donning the red suit and white beard? Would doing so help Sanderson cope with his own feelings of loss and mortality?

Santas and historians provide background as Sanderson attends Santa school, rings a bell on a street corner, listens to children’s wishes, and leads a parade.  Stuever likes the show a lot.

“Becoming Santa” would have quickly become hokey and glib in someone else’s hands, but Myers and Sanderson approach the project with an earnest and searching tone. The result is both happy and melancholy, and admirably real, as we learn more about the icon’s complicated history — a mashup of religion, superstition and marketing. The act of being Santa is far from perfect, Sanderson discovers, but something about it remains magical. “Becoming Santa” is filled with a fresh take on hope.

What I especially like about Stuever’s piece is the way he contrasts the sincerity of this film with the ugliness of some of the Christmas shopping ads on television this season.  Ever since those awful Black Friday ads with the woman in training for shopping at Target it has seemed to me that commercials have been harsher than usual and off-key with current economic conditions and sensibilities.

Best Buy, in particular, is running a terribly callous series of commercials called “Game On, Santa,” in which obsessed female shoppers purchase the gifts that their loved ones really want at Best Buy and then wait up on Christmas Eve to accost Santa Claus in their living rooms and gloat that they’ve already beat him to the punch. In your face, you outdated fat man with your outdated presents!

“Awk-ward,” a woman mock-hisses at a baffled, sweet Santa caught standing at her tree, ready to lay out his gifts to her family. She points out that she’s already filled her children’s stockings with Best Buy junk, offering him a chance to fill her dog’s stocking instead. No one can watch this ad and feel at all good about its message, or about a society that would become so fixated on transactions that it viciously turns on Santa.

His description of these and other commercials in the context of this program’s sweet reminder that playing Santa can keep alive the spirit of giving is well worth reading.

 

 

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The Sitter

Posted on December 8, 2011 at 6:22 pm

C
Lowest Recommended Age: Adult
MPAA Rating: Rated R for crude and sexual content, pervasive language, drug material, and some violence
Profanity: Constant crude and strong language, sometimes in front of children
Alcohol/ Drugs: Drinking, drug use, drug dealing
Violence/ Scariness: Comic peril and violence, some involving children, guns, explosions, chases, characters injured and killed
Diversity Issues: Diverse characters, some racial and gender stereotyping but supportive discussion of sexual orientation
Date Released to Theaters: December 9, 2011
Amazon.com ASIN: B004LWZW5G

Basically “Bad Santa” crossed with “Adventures in Babysitting,” “The Sitter” stars Jonah Hill as Noah, an ambitionless doof living with his mother who cannot be bothered to answer the phone, much less find a job.

Overlong at 80 minutes, it is the intermittently comic story of a wild night when, pushed into agreeing to babysit three children, he decides to take them out so that he can pick up some cocaine to bring to a girl who has promised to have sex with him.  Noah’s charges are Blithe (Landry Bender), a little girl obsessed with celebrity who disturbingly calls things “hot” and wants to go clubbing, Slater (Max Records of “Where the Wild Things Are”), a 13-year-old with anxiety medications in his fanny pack, and Rodrigo (Kevin Hernandez), a recently adopted firebug who enjoys throwing M-80’s down toilets.  Ignoring every direction from the children’s mother and every basic tenet of good sense and responsibility, he puts them in the family car and takes off for the big, bad city.

Noah picks up $150 worth of cocaine from a drug dealer named Karl (Sam Rockwell) who surrounds himself with body builders and stores his drugs in irreplaceable and very fragile dinosaur eggs.  When Rodrigo takes one of the eggs and spills $10,000 of cocaine all over the car, Karl gives him an hour to get the money.  Noah and the kids have encounters with a store clerk who wonders why Noah is hanging around the little girls’ underwear department (you don’t want to know the answer), the gala Noah’s mother and the kids’ parents are attending, a fancy restaurant, a bat mitzvah party, Noah’s estranged father and his jewelry store, and a skeevy bar.  Noah runs into a former classmate and the ex of the girl he is trying to, let’s use the polite word here — woo.

Even for a silly comedy, the carelessness of the racial and gender stereotyping is distracting.  A sweet inter-racial romance and a heartening pep talk to a kid struggling with being honest with himself about being gay is not enough to make up for not one but two sassy/angry black women, a pool-hall full of black gangstas who are way too easily impressed with Noah, and Rodrigo, a pint-sized Scarface-in-training.  The script is just a lazy series of set-ups and its two premises collide uncomfortably.  The comedy, slight as it is, of the first half of the movie is based on Noah’s disregard for the most basic notions of decency and responsibility.  He then somehow turns into SuperNanny, resolving all of the kids’ issues with cheery little pep talks, as though he is about to start singing about a spoonful of sugar.  But this is no jolly holiday.

(more…)

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Tribute: Harry Morgan

Tribute: Harry Morgan

Posted on December 7, 2011 at 5:48 pm

Harry Morgan, who died today at age 96, is best remembered as the crusty but fair Colonel Potter in the later years of the television series M*A*S*H. But I remember watching him as the next-door neighbor on reruns of the 1950’s sitcom December Bride and as St. Joe Friday’s sidekick Bill Gannon on Dragnet.  He had a remarkable career over more than half a century going back to The Shores of Tripoli. He appeared in musicals — he was a carny outsmarted by a farm boy in “State Fair” and co-starred with Elvis Presley on the riverboat saga, “Frankie and Johnny.” He was in westerns, including the classics High Noon and The Ox-Bow Incident. He was the judge in the Scopes trial story Inherit the Wind. He appeared in war stories, comedies, and costume dramas, opposite stars like James Garner, Henry Fonda, Gary Cooper, James Stewart, Spencer Tracy, Marlon Brando, Debbie Reynolds, and Janet Leigh.

In the M*A*S*H series, Colonel Potter had a picture of his wife on his desk.  That photo was of Morgan’s wife of 45 years.  The drawing of a horse that hung on the wall behind his desk was drawn by Morgan’s son.  May his memory be a blessing.

 

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