Interview: Jay Sullivan of Raising Gentle Men

Posted on March 15, 2013 at 8:00 am

Jay Sullivan‘s new book, Raising Gentle Men: Lives at the Orphanage Edge, is the story of his experience as the only man living in a Kingston, Jamaica convent, helping to care for 250 orphan boys. It is a beautifully written and inspiring story. Sullivan generously took time to answer my questions about his experiences.

How did you first come to the orphanage in Jamaica?

I got there one step at a time.  My first year in Kingston, I walked by the orphanage grounds each day on my way to St. George’s College, the Jesuit high school where I taught English.  When I was asked to help run the school’s ministry program, I needed a place to take my students where they could work with less-privileged people.  What better than the orphanage around the corner?  From that initial interaction, my involvement with the place grew, and I eventually moved in.

What kind of training did you have in religion or education before your arrival?

I majored in English at Boston College, but hadn’t had any formal training as a teacher.  In fact, only one of the dozen BC teachers sent to Kingston in 1984 came from the School of Education.  The week before we landed in Kingston we went on a retreat to talk about our faith and our role at our schools.  Two nuns, veteran teachers themselves, spent a day giving us pointers on lesson plans and maintaining discipline.  The only line that stuck with me was, “Don’t smile until Christmas.”  It’s a classic line for teachers.  It means if you are strict for the first few months, you can loosen up after that.  But if the kids think you are a pushover at the start, they will walk all over you.  I wish I had heeded the nuns’ advice.  My first year I was a disaster when it came to discipline.  But I learned my lesson by the second year.

What was the biggest surprise of your time there?

Like everyone my age, I had just finished 16 years in a classroom, but had experienced that room from only one perspective.  Becoming a teacher, looking at the class from the front instead of the back of the room, changed my perspective on what had been going on for the last 16 years.  That alone was a huge learning curve.

How were the nuns different from what outsiders might expect?

I think most people assume nuns are serious and austere.  My Aunt Dolores was a Sister of Charity.  I grew up knowing her and some of her nun friends, who were the friendliest, happiest, most jovial people, always laughing and teasing each other.  The nuns at Alpha were of the same ilk.  There were certainly one or two that wore a dour face, and clearly, they all knew how to keep order, but their cheerfulness might have surprised people.

What did the boys want to know about you?

The boys were used to people coming and going at the orphanage, so their questions were simple.  My freckles and red hair piqued their interest more than anything else.

Were the boys supportive of each other?

I was always amazed at their generosity with each other.  If one of them got a special treat of some sort, he always wound up sharing it among whatever boy put out a hand.  I don’t know if that’s because they each knew hunger all too well, or because they were relatively well fed at Alpha and didn’t need to worry about their next meal.  They also supported each other emotionally.  When one scored a goal on the field, won at a game of cards, or was praised by a staff member for a good deed, the others would cheer him on.  Of course, they also teased each other, just like any other group of boys.

Do you have a favorite Bible passage or prayer?

I love the Prayer of St. Francis.  Its call to action is a theme throughout the book.

What was the best advice you got while you were in Jamaica?

Sister Magdalen talked a lot, but she wasn’t into dispensing advice.  Everything I learned from her and the other sisters was from watching their actions.  The way Magdalen took each day as it came, controlled only what she could, and let God handle the rest was the biggest lesson I learned.

What made you decide it was time to write the book?

I thought that 20 years was enough time to “think about” writing a book.  My wife and kids also let me know it was time to either write it or stop talking about it.  I’m sure many men accomplish their goals in life simply because their wives tell them, “Enough talk already.  Get it done.”

How does the understanding you gained in Jamaica influence your life today?

In Jamaica, I talked with the boys each evening about their lives.  I gained an appreciation for how diverse the human experience can be, and yet how similar we all are in seeking the essential human needs of camaraderie, companionship and knowing that we are part of something larger than ourselves.  That experience has helped me challenge my assumptions about others, and stay focused on the basics about human nature when I deal with people.  Both have helped me a great deal in my role as a communication skills coach.  I still have a lot more to learn in this area.

What advice would you give someone who is about to begin the kind of work you describe in the book?

Stay open to the ideas you see and hear in others with more experience.  Approach the work knowing you can accomplish a great deal, but step carefully, and with great humility.

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Books Live Theater Writers

Upside Down

Posted on March 14, 2013 at 10:48 pm

 Argentinean writer-director Juan Solanas has created a work of bracingly singular imagination that is sheer visual pleasure, with some mind-bending ideas and a deeply romantic sensibility.

We are told by Adam (Jim Sturgess) that throughout the universe, there is only one solar system with “dual gravity.”  He lives in the “down” side of mirror-image parallel worlds.  Interaction between the two worlds is strictly forbidden, with the exception of a tightly controlled transfer of energy by a vast, soulless, and predatory corporation.  The laws of physics in this world also impose a barrier.  Matter from one side quickly heats up and burns when it is placed in the other.  People carry their gravitational pull with them, so that anyone who visits the other side will give themselves away by floating back toward their home turf.

Adam was orphaned following an industrial accident.  His only family is his Aunt Becky, who sends him into the mountains to gather a very rare pink bee pollen that stands out in the wintry gray and blue of the bleached-out color scheme.  On the highest peak, he glimpses a girl named Eden Moore (Kirsten Dunst) in the mountains of the up world.  They are close enough to talk to each other.  Within a few years, they are in love.  He pulls her down on a rope and with her back up against a protruding crag to keep her from floating back up, they kiss.

But they are tracked down and she is badly hurt trying to escape.  Ten years later, Adam learns that Eden has survived the accident and works for the corporation.  He has to find her again.  But it turns out the totalitarian regime and gravitational barriers are not their biggest obstacles.

Solanas has created two worlds of vast and stunningly intricate detail.  Identical desks extend endlessly across both floor and ceiling in cavernous offices.  Eden likes to drink upside-down cocktails, blue liquid served in a stem-up glass and slurped from below.  And the consequences of reverse gravity are imaginatively (if not always consistently) explored.  Adam remembers to use hairspray to help him pass as a top world resident, to make sure that his hair won’t hang the wrong way (up instead of down) when he goes to see Eden.  But when he hides out in the men’s room, he does not think about the fact that his pee will hit the ceiling, not the urinal.  His early experiments to help him pass for an “up” have a limited time span that adds a Cinderella quality to the story.

Timothy Spall provides zesty comic relief as Adam’s “up” world colleague and Dunst and Sturgess have a swoon-worthy chemistry that makes the story feel, well, grounded.  The daring originality of Solanas’ vision more than makes up for some narrative lags and makes this one of the most promising debuts in recent memory.

Parents should know that this film includes peril, chases, and some violence, including shooting, with some characters injured.  There is a fire and there are references to sad deaths and a brief image of hanging.  A character smokes cigars and some drink cocktails and there is brief potty humor.

Family discussion: What kind of government is in place in this movie?  Why is there income disparity between the two worlds?

If you like this, try: “Looper” and “Solaris”

 

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Date movie Fantasy Romance Science-Fiction

The Incredible Burt Wonderstone

Posted on March 14, 2013 at 6:00 pm

Everyone on screen seems to be having a blast, but this story of rival magicians in Las Vegas is not as much fun for the audience.  It wants to pull a rabbit out of a hat, but there’s really nothing there.

Steve Carell plays Burt Wonderstone, who fell in love with doing magic tricks when he was a bullied kid.  His only friend was Anton (Steve Buscemi) who also loved magic, and they developed an act together that led to a very successful run at a Las Vegas hotel owned by Doug Munny (James Gandolfini, nicely showing the thuggishness under the veneer of geniality).   They were headliners.  They had their own theater.  And they had a series of beautiful assistants.  All were given the same blonde wig and all were called Nicole.  The most recent Nicole is Jane (Olivia Wilde).

But the act has gotten stale.  Burt has 70’s hair and is so slick with spray tan it may require slight of hand to keep from sliding out of his clothes.  As for the act, Burt is just phoning it in, waiting for his next empty sexual encounter.  He seems more excited by having the biggest bed in Vegas than by what goes on in it.  And audiences are excited by a new street performer named Steve Gray (Jim Carrey) known as “The Brain Rapist.”  What he does is not magic.  He does a series of dangerous stunts, most of which involves some form of mortification of the flesh.  That card an audience member selected from the deck?  He will slice his cheek open to pull it out, covered in blood but still bearing the name scrawled on it with a Sharpie.  He doesn’t just walk across hot coals; he spends the night on them, barbecuing himself.  “They’re calling him the future of magic,” Munny says.

Burt ends up alone and broke, with no place to live and “in need of rabbit food and birdseed.”  Finding the magic again will require him to break through the years of numbness and self-involvement.

There are a skit’s worth of good moments, mostly about Burt’s arrogance and cluelessness.  When Jane makes dinner for him in her apartment, he offers to clean up, but thinks that means putting the dishes outside her front door.  And Carell has a funny cry.  Carrey captures the faux mysticism of “endurance artists” like David Blaine, but there’s no pay-off in seeing him suffer.  Wilde is underused in the usual endlessly-patient-until-the-time-to-grow-up speech, especially frustrating given the film’s superficial claim to countering the marginalization of female characters.  Even Alan Arkin cannot make interesting the old-time magician who first inspired the young Burt to learn to make things disappear.  What this movie is missing is — magic.

Parents should know that this film includes sexual references and non-explicit situations, crude humor, drinking and drunkenness, scenes in a bar, a bully, comic drug use including drugs surreptitiously given to adults and children, strong language (many s-words, one f-word), and comic but dangerous stunts with graphic injuries.

Family discussion: What went wrong with the act and how did that relate to what went wrong with their friendship? What made Burt change his mind? To audiences really enjoy acts involving physical danger and mutilation? Which trick did you like the best and why?

If you like this, try: a terrific documentary about young magicians called “Make Believe”

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Not specified

Veronica Mars Movie Funded by Kickstarter

Posted on March 14, 2013 at 3:39 pm

It’s the ultimate fan dream come true!  The fans of the Kristen Bell television series Veronica Mars have come together on Kickstarter to raise more than $2 million to make a feature film.

I love the thank you note from Kristen Bell:

dearest marshmallows…

I am currently the happiest blonde in a hamster ball the world has ever seen. We have been waiting so long to make this movie dream a movie reality, and it’s because of YOUR commitment, YOUR persistence, that we finally have a chance. We just have one more step to go.

You have banded together like the sassy little honey badgers you are and made this possibility happen. i promise if we hit our goal, we will make the sleuthiest, snarkiest, it’s-all-fun-and-games-‘til-one-of-you-gets-my-foot-up-your-ass movie we possibly can.

I promise to give it my all. i promise to work my hardest to give everyone a little bit more Veronica, and i will be oh so honored to do so.

I only ask for one thing in return.

If I ever die, do me a favor. Go on Oprah and tell the world that I loved kittens.

LoVe to you ALL,

kristen bell

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Based on a television show

Movies to Celebrate Ireland for St. Patrick’s Day

Posted on March 12, 2013 at 3:59 pm

St. Patrick’s Day is this weekend and one way to celebrate is to watch one of these great movies from or set in Ireland:

1. The Quiet Man John Wayne plays American Sean Thornton (John Wayne), who returns to in Innisfree, the small, beautiful Irish village where he was born, to buy his family’s old home. He meets fiery Mary Kate Danaher (Maureen O’Hara), courts her, marries, her, and then really has to win her as both must learn some lessons about intimacy, pride, and trust. Yes, there are some moments that seem sexist but the underlying story is as glorious as the spectacular landscape and as touching as the endearing characters.

http://www.youtube.com/watch?v=jreYChl7k10

2. The Secret of Roan Inish A little Irish girl named Fiona goes to stay with her grandparents and becomes convinced that her baby brother, whose cradle was carried off to sea years before, is alive and being cared for by Selkies, seals who can transform themselves into humans. This is a quiet film, filled with lovely images that convey the magic surrounding anyone who believes in it. It explores themes of loyalty and commitment to family and following your heart.

http://www.youtube.com/watch?v=-dT-BCVjKkA

3. The Commitments A group of hardscrabble Irish musicians come together to firm an American-style soul band and perform songs like “Mustang Sally” and “Try a Little Tenderness.” Look for future Frames and Once performer Glen Hansard in the group. (Mature material)

4. Once The best song Oscar went to this bittersweet film about an Irish musician (Glen Hansard) who meets a pianist and singer (Markéta Irglová) from the Czech Republic.

5. Millions The Oscar-winning director of “Slumdog Millionaire,” Danny Boyle, also shows his gift for working with children in “Millions,” the story of a young boy who finds a bag of money.

6. My Left Foot Daniel Day-Lewis won an Oscar for his portrayal of Christy Brown in this true story of a writer and painter who was paralyzed and could only use his left foot — and of his indomitable mother (Oscar-winner Brenda Fricker).

7. The Secret of Kells This quietly exquisite animated film was a surprise Oscar nominee. It is about an 11th century boy who lives in a monastery run by his stern uncle and the gorgeous illuminated manuscript that changes his life.

8. Circle of Friends Minnie Driver and Chris O’Donnell star in Maeve Binchy’s story of love and friendship in 1950’s Ireland.

http://www.youtube.com/watch?v=gV9sHAHGE5A

9. “Hear My Song” A fast-talking small-time promoter has to persuade a retired performer to sing again.

10. In the Name of the Father Day-Lewis again, in another true story, this time the story of a father and son who were imprisoned for an IRA bombing. Emma Thompson plays his dedicated lawyer and Pete Postlethwaite was nominated for an Oscar as the father who ends up in prison as well.

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