Interview: Nathan Gamble and Cozi Zuehlsdorff of “Dolphin Tale 2”

Posted on September 12, 2014 at 8:00 am

dolphin tale 2 interviewThe young human stars of Dolphin Tale, Nathan Gamble and Cozi Zuehlsdorff, are back for the delightful sequel. They conducted a charming Q&A session after a screening in Washington, D.C., always remembering to say “Good question!” to the children who raised their hands, and warming the hearts of the locals by praising their visits to the local monuments. I very much enjoyed talking to them, two of the nicest, brightest kids I have ever met, and with the same chemistry off-screen that makes them so good together in the film. They were just 12 when they made “Dolphin Tale,” and are now both 16, so they have been working together for a quarter of their lives, and they stay in touch by text when they are home with their families, Cozi in California and Nathan in Seattle.

One addition to the cast in the sequel is Hope, the young dolphin whose rescue and “pairing” with Winter are the a key part of the plot. I asked Nathan and Cozi to tell me about the personalities of the two dolphins. “They are similar in the way that you can connect with them because they are very personable creatures,” Nathan said. “But they are different because Hope is a very energetic, fun-loving bundle of energy and Winter is more gentle. She is really there just to hang out not really to do all the funny crazy stuff.” Cozi said that if she could ask them a question, she’d ask, “What do you think we are doing when there are cameras in the water? What do you think is happening?” Nathan was surprised by “how easy it is to interact with them. When I first met Winter before I heard the trainer going through all the do’s and don’ts and I was pretty nervous.” He was worried he would hurt her because there was so much to remember. “But really with Winter and Hope it’s very easy to swim with them and connect with them. I’m not nervous around them at all.” “What surprised me is how distinct their personalities are,” Cozi said. “You see dolphins in the wild and you kind of go, ‘Oh look how cute!’ And they all look kind of the same. But when you’re with them you totally feel their personalities. In that way they’re very human-like.” They both understood why dolphins cannot survive alone. “They are social,” Nathan said. “They’re just awesome that way.”

They both felt they’d brought what they had learned from the first film and just from being more grown up to their characters and to the other actors. “I don’t think I’m as nervous that much I think especially on the first one with my first leading role where I was the main protagonist in it and it was all very new to me. And now that I’ve done that I’m not as nervous and I think I am very confident in that way,” Nathan said. Cozi added, “I think for me it is easier to grasp how important it is to stay focussed. That’s another thing like being respectful to the other actors; you really understand that it’s important to give as much as you can even when you’re completely off camera to aid them. It’s so disrespectful, like making funny faces.”

Charles Martin Smith directed the first one, but with the sequel he directed, wrote the screenplay, and appeared on screen as well, as a stern but not unsympathetic government official. Both Nathan and Cozi loved working with him, and enjoyed watching him in his early films like “Never Cry Wolf” and “Starman.”

Cozi wrote and performed a song called “Brave Souls” that is played over the closing credits. She talked about how much she appreciated being around Kris Kristofferson and Harry Connick, Jr., who play her grandfather and father. Surprisingly, she said Morgan Freeman also loves music and did more singing around the set than the two musicians. “He sang ‘Night and Day’ and it was lovely.” She said her notebook is filled with “scribbles” from her conversations with Connick about music. “He doesn’t treat me like a kid in that musical sense. He talks to me until I go ‘I have no idea what you’re saying,’ then he’ll clarify. I would play a really tough piece and he’ll say what chord is that?”

There’s a great story behind the shoes that Cozi wears in the film. “Hope Hanafin who is our costume designer, she’s like one of my favourite people. Hope was so knowledgeable and so intelligent about never buying something in a store that my character couldn’t afford. But she said, ‘I want Hazel to have some really cool shoes. Do you like to draw and would you like to draw on your shoes? Because a lot of people do that. You know like they’ll take blank white shoes and they’ll draw on it. So she gave me some yellow shoes because yellow is my favourite colour and she gave them to my sister and my sister took all my favourite quotes from shows like ‘Doctor Who’ and Bible verses and just like anything that I loved and put them around the base of the shoes. And then she drew dolphins all over them and a sunrise and waves with the dolphins breaching and jumping over and birds in the air. And every dolphin has a little name. And it was all my best friends’ names so now I can say to all my best friends that they were there in the movie. You really see the shoes in the scene where we’re lowering the stretcher and Winter got scared. There’s a whole shot where you can totally see the shoes.”

Nathan talked about playing a character who is very interior, “which is totally opposite of me. I’m a very outgoing person and I talk a lot. So, you’ve got to find little things you can relate to and just build on that. Sawyer is shy but also he is just passionate about things. Not a ton of things but when he finds that thing that he really loves, he really is passionate about it and he is going to devote his life to it.  That’s how I am so I just sort of build off that and see how I can morph that into a real life character.”

They enjoy the questions they get from children when they show the movie or appear on behalf of the aquarium.  Some kids offered to share their popcorn.  Some just say, “I have a question!  …..You are cool!”  But some ask thought-provoking questions about what is real in the movie (yes, Cozi really cries, but if what they are doing would be even a little bit dangerous for the animals, they use robots).  And in some scenes, where they appear to be interacting with the animals, they were just looking at a tennis ball to show them where their eyes should go. Nathan said he prepares for those shots by closing his eyes and picturing what his character would really be seeing “and kind of match it together.”  And Cozi said, “I kind of think of it as a game for myself like how emotional can I get when I look at the tennis ball? Ii is kind of like a fun challenge, like how much realness can you put into staring at a tennis ball.  Sometimes there is this full second where you go, ‘This is so weird!’ And you just kind of go, ‘Okay, forget it. Now I’m just going to do it.’”  One surprise was that the water, which looks very warm and comfortable in the film, was very cold and salty.

They would both love to make a “Dolphin Tale 3.”  Nathan said that he would like to return from the adventure we see him begin at the end of the movie “almost like a totally new person.”  Cozi said she would like to have her character meet a new volunteer who might make Sawyer feel a bit displaced.  “I hope that she would be happy and strong and really, really starting to own up to the fact that one day she will probably run the aquarium.”  But she thinks before she can do that, Hazel would have to “travel around the world in the same boat that her dad and her grandfather travelled the world in, and then she can find out where she belongs.”

They are both grateful for what they have learned from the movie and from the dolphins.  “I learned so much just from the countless stories of families and people who have been inspired by Winter.  It’s really cool to just see in person what Winter has done for so many people.”

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Actors Interview

The Drop

Posted on September 11, 2014 at 6:00 pm

Author Dennis Lehane writes about a world of desperation, fear, and damaged people inflicting further damage. His novels have been filmed as “Mystic River” and “Gone Baby Gone.” And now his short story, “Animal Rescue,” has been turned into “The Drop,” about a “drop bar,” a dingy place with dingy regulars, a bitter former owner still resentful of the thugs who took it over, a soft-hearted bartender and the dog he rescues from a garbage can, and lots of cash, dropped at the bar by racketeers to be picked up by bigger, tougher, racketeers. You know what that means: colorful, highly euphemistic dialog said by top-notch actors doing their best to play hard, hard men. Very little is said in this world but a lot is understood.

Fortunately, here that means we get James Gandolfini in a beautifully nuanced performance that makes us miss him even more sharply. He plays “Cousin Marv,” whose name is still on the bar, but no longer on the deed. Now he’s just the manager, and he quietly but meaningfully tells Bob (Tom Hardy), the bartender, to take down the Christmas decorations (“It’s December 27th!”) and stop running a tab for the flowsy barfly at the end of the counter. Oh, and no more rounds for the boys at the bar, even though they are observing the 10th anniversary of a friend’s death. We will learn later that there is more significance to the last two items than losing the revenue on a few drinks.

Copyright 2014 Fox Searchlight
Copyright 2014 Fox Searchlight

On his way home, Bob hears a noise in a neighbor’s garbage can. It is a badly injured puppy. The wary neighbor is Nadia (Noomi Rapace), who insists on taking a picture of Bob’s driver’s license on her cell phone and sending it to four friends before she will even talk to him about the puppy. She helps him clean it up and reluctantly agrees to care for it for a couple of days so he can decide what to do. He adopts the puppy and names it Rocco. And she offers to care for the puppy while he is at work to make some extra money.

For a moment, things are looking up for the lonely Bob. But not for Cousin Marv’s or for Cousin Marv. Marv and Bob are held up at gunpoint by two guys in masks who may not be entirely unknown to them. The owners are tough Chechen gangsters who expect them to get the money back and who give them a glimpse of some guys they are in the middle of torturing just to make sure the message is received. And Cousin Marv’s is set to be the drop bar for the biggest betting night of the year, the Super Bowl. A cop (John Ortiz of “Silver Linings Playbook”) is nosing around. And there is pressure on Bob as well. A very unstable guy in the neighborhood, reputed to have killed a guy, says he is Rocco’s owner and he may have some feelings of ownership toward Nadia as well. Also, there is a body part formerly belonging to someone who was formerly alive, and it will need to be disposed of.

The storyline is all right, but what matters here is the mood, and that is excellent, with Gandolfini, as always, a master class in acting. There are so many layers to his performance, whether he is answering his sister’s question about dinner or refusing to look inside a bag that clearly cannot contain any good news. His expression in his very last scene of the film is particularly compelling.

Hardy’s quiet power is beautifully restrained. Ann Dowd as Marv’s wistful sister and Matthias Schoenaerts as Eric, Rocco’s volatile former owner are also very good. In some ways, Eric is the most revealing character in the story. Asked what he wants, he isn’t sure, except that he doesn’t want Bob to think he has anything over on him. People want money, of course, and power, and to be left alone. But what drives them really nuts is the fear that someone has more than they do and there’s nothing they can do about it.

Parents should know that this plot concerns various crimes and attempted crimes including extortion, robbery, torture, and murder, with many characters injured and killed, as well as some graphic and disturbing images, drinking, smoking, and constant strong language.

Family discussion: The original title of the story this film was based on is “Animal Rescue.” Would that have been more appropriate for the film? Why did Bob stay at the bar?

If you like this, try: “Killing Them Softly” and “Get Shorty,” both featuring James Gandolfini

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Based on a book Crime Drama Thriller

Dolphin Tale 2

Posted on September 11, 2014 at 5:59 pm

Copyright Warner Brothers 2014
Copyright Warner Brothers 2014

The warmest, wisest, most pleasurable live-action family film of the year is “Dolphin Tale 2,” even better than the 2011 original. This really is that rare movie for the whole family.

The first film was inspired by the true story of Winter, a rescued dolphin who was able to thrive in Florida’s Clearwater Marine Aquarium after an innovative new prosthetic tail helped to protect her spine and allow her to swim. She has been an inspiration to millions of visitors in person and via webcam, especially to wounded veterans and other adults and children with disabilities. In the original, directed by Charles Martin Smith (Terry the Toad in “American Graffiti” and Farley Mowat in Never Cry Wolf, a sensitive loner named Sawyer (Nathan Gamble) bonds first with the wounded dolphin and then with the staff who care for the marine animals, especially aquarium head Clay (Harry Connick, Jr.) and his pretty daughter Hazel (Cozi Zuehlsdorff). Ashley Judd played Sawyer’s mother, Kris Kristofferson played Clay’s houseboat-dwelling dad, and Morgan Freeman played crusty Dr. McCarthy, who figures out how to make the prosthetic comfortable and stable.

Everyone returns for this follow-up, and this time Charles Martin Smith does triple duty as writer, director, and actor, appearing as a strict but not unsympathetic USDA official responsible for making sure the facility meets federal standards in caring for the animals.   He may refer to Winter at CMA1108, but he is trying to do what is best for her.

The kids have gone from middle school to high school. They are now experienced marine animal specialists, and spend most of their time at the aquarium, much of that in the water. We see how capable and knowledgeable they are when they assist in the rescue of an injured dolphin they name Mandy and a sea turtle ensnared in fishing line they dub Mavis. And we see how deeply they care for the animals when the veteran of their dolphin population, a 40-year-old deaf dolphin who is “paired” with Winter, dies suddenly. This is more than a sad loss. Dolphins are deeply social creatures. If Winter cannot or is not willing to be be paired with another dolphin, she will die.  The USDA inspector says that if they cannot find a friend for Winter in 30 days, she will have to be moved.

Mandy’s arrival seems providential. But then the best thing happens, which is also the worst thing. They are able to restore Mandy to health.  But that means that she can no longer remain in captivity, which is just for animals who can no longer take care of themselves.  The motto of the facility is three words: rescue, rehabilitate, release.  “You didn’t build this place to keep animals,” Clay’s father reminds him.  “You built it to heal them and let them go.”  The wrenching task of weighing those competing considerations is sensitively presented as a moral issue, an economic issue, and as a part of growing up that Hazel and Sawyer must understand.  It is an issue of more complexity than we normally get to see in family films, and it is presented with exceptional insight.  A scene where Hazel follows Sawyer’s mother’s advice to speak to Clay the way she would like to be spoken to is a small gem that got some appreciative laughs of recognition from the audience. Smith knows his audience, though, and expertly seasons the storyline with cute animals, especially Rufus the pelican, who is back for more comic relief. Even with Rufus, though, the slapstick moments are just part of the story.  His protective concern for Mavis is genuinely touching.

A storyline about whether Sawyer will accept an opportunity to take a special semester at sea is less intriguing.  But Gamble’s quietly sincere and thoughtful performance grounds the film, with Zuehlsdorff (who provides a sweet song over the closing credits) more ebullient, but never less than completely real and in the moment. The completely natural performances of the two leads perfectly matches the sun-drenched naturalism of the setting, utterly at home in the water, interacting with the dolphins, or struggling to grow up. When Dr. McCarthy sits down next to the conflicted Sawyer to hand him a family heirloom, Sawyer says knowingly, “I’m about to get a lesson here, aren’t I?” He is, and we are, too, but it is a good lesson and it goes down easy. So does the film, ambitious in scope but light in presentation. And it is no disrespect to the movie to say that the best part is the closing credits, where we see Wounded Warriors and other people with disabilities coming to visit Winter and Hope for inspiration and, somehow, a sense that they are being understood and cared for.

Parents should know that this film includes mild peril, some scenes of animal and human injuries and a sad animal death.

Family discussion: What was the lesson of the watch? What were the best reasons for releasing Mandy? For keeping her? Did they make the right decision?

If you like this, try: The original film — and watch Hope and Winter online

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Animals and Nature Environment/Green For the Whole Family Inspired by a true story Scene After the Credits Series/Sequel Stories About Kids

Limited Time Offer from Amazon: Warners Best, 100 Films for About $2 Each

Posted on September 11, 2014 at 3:26 pm

This is an amazing deal. For a limited time, Amazon is offering a collection of 100 Warner Brothers classics at 75 percent off. Best of Warner Bros 100 Film Collection, including 22 Best Picture winners, a limited edition 27 x 40 poster, two Warner Bros. documentaries, and more, just $!49.99 until September 13, 2014. You’d pay more than this for just ten films. If there’s a movie-lover in your life, now’s a good time to do your holiday shopping.

The films are:

1. The Jazz Singer (1927)
2. Broadway Melody of 1929 (1929)
3. The Public Enemy (1931)
4. Cimarron (1931)
5. Grand Hotel (1932)
6. 42nd Street (1933)
7. Mutiny on the Bounty (1935)
8. A Night at the Opera (1935)
9. The Great Ziegfeld (1936)
10. The Life of Emile Zola (1937)
11. The Adventures of Robin Hood (1938)
12. Dark Victory (1939)
13. Gone with The Wind (1939)
14. Wizard of Oz (1939)
15. The Philadelphia Story (1940)
16. The Maltese Falcon (1941)
17. Citizen Kane (1941)
18. Mrs. Miniver (1942)
19. Casablanca (1943)
20. Yankee Doodle Dandy (1942)
21. Gaslight (1944)
22. Anchors Aweigh (1944)
23. Mildred Pierce (1945)
24. Best Years of Our Lives (1946)
25. The Big Sleep (1946)
26. The Treasure of the Sierra Madre (1948)
27. An American in Paris (1951)
28. A Streetcar Named Desire (1951)
29. Singin’ in the Rain (1952)
30. Seven Brides for Seven Brothers (1954)
31. A Star Is Born (1954)
32. East of Eden (1955)
33. Rebel Without A Cause (1955)
34. Around the World in 80 Days (1956)
35. Giant (1956)
36. The Searchers (1956)
37. A Face in the Crowd (1957)
38. Cat on a Hot Tin Roof (1958)
39. Gigi (1958)
40. Ben-Hur (1959)
41. North By Northwest (1959)
42. How the West Was Won (1962)
43. What Ever Happened To Baby Jane? (1962)
44. Viva Las Vegas (1964)
45. Doctor Zhivago (1965)
46. Who’s Afraid Of Virginia Woolf? (1966)
47. Cool Hand Luke (1967)
48. The Dirty Dozen (1967)
49. 2001: A Space Odyssey (1968)
50. Bullitt (1968)
51. The Wild Bunch (1969)
52. Dirty Harry (1971)
53. Willy Wonka & The Chocolate Factory (1971)
54. Cabaret (1972)
55. A Clockwork Orange (1972)
56. Enter the Dragon (1973)
57. The Exorcist (1973)
58. Blazing Saddles (1974)
59. Dog Day Afternoon (1975)
60. One Flew Over The Cuckoo’s Nest (1975)
61. All The President’s Men (1976)
62. Superman, The Movie (1977)
63. Caddyshack (1980)
64. The Shining (1980)
65. Clash of the Titans (1981)
66. Chariots of Fire (1981)
67. National Lampoon’s Vacation (1983)
68. The Outsiders (1983)
69. The Right Stuff (1983)
70. Risky Business (1983)
71. Amadeus (1984)
72. The Color Purple (1985)
73. The Goonies (1985)
74. Full Metal Jacket (1987)
75. Lethal Weapon (1987)
76. Batman (1989)
77. Driving Miss Daisy (1989)
78. Goodfellas (1990)
79. The Bodyguard (1992)
80. Unforgiven (1992)
81. The Fugitive (1993)
82. Interview with the Vampire (1994)
83. Natural Born Killers (Director’s Cut) (1994)
84. Shawshank Redemption (1994)
85. Seven (1995)
86. L.A. Confidential (1997)
87. The Matrix (1999)
88. Harry Potter and the Sorcerer’s Stone (2001)
89. Lord of the Rings: The Fellowship of the Ring (2001)
90. Lord of the Rings: The Two Towers (2002)
91. Lord of the Rings: The Return of the King (2003)
92. The Notebook (2004)
93. Million Dollar Baby (2005)
94. The Departed (2006)
95. 300 (2007)
96. The Dark Knight (2008)
97. The Blind Side (2009)
98. The Hangover (2009)
99. Sherlock Holmes (2009)
100. Inception (2010)

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Classic Movie History Movie Mom’s Top Picks for Families Neglected gem

No Good Deed — A Twist on the Gothika Rule

Posted on September 11, 2014 at 10:10 am

The critics screening of this week’s release, “No Good Deed,” was cancelled just hours before we were supposed to see it.  The reason: “There is a plot twist in the film that they do not want to reveal as it will affect the audiences’ experience when they see the film in theaters.”

Translation: The movie is so awful we can’t risk having it come out without a single good review.  It’s hard to believe they would have been harsher than the reactions of the critics to being excluded from seeing it. Here’s my favorite:

A couple of times a year I invoke my legendary Gothika rule — if an ending is truly terrible, I will give it away to anyone who sends me an email to ask for it. Since I haven’t seen this one, I’m going to let you guess the twist and send it to me. Give me your best ideas at moviemom@moviemom.com — if I hear from you by September 14th, I’ll send you a free e-copy of my book 101 Must-See Movie Moments.

Here’s my guess: I’m going with the full Bobby Ewing. It was all a dream.

It may be that the good deed here was allowing us to skip the film. GOTHIKA RULE ALERT: I will be happy to spoil the twist for anyone who wants to send me an email at moviemom@moviemom.com.

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“Gothika Rule”
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