Paddington

Paddington

Posted on April 15, 2015 at 5:55 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for mild action and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Peril and mostly comic violence, offscreen death
Diversity Issues: A metaphoric theme of the movie
Date Released to Theaters: January 16, 2015
Copyright 2014 StudioCanal
Copyright 2014 StudioCanal

Michael Bond’s gentle, charming stories about the Peruvian bear named for a London train station has been brought to the screen with almost as much gentle charm as the stories, and certainly far more than the slapsticky trailer suggested.

A generation ago, a British explorer named Montgomery Clyde (Tim Downie) was rescued by a rare breed of bears in Peru. He lived with two of them, Pastuzo (Michael Gambon) and Lucy (Imelda Staunton), teaching them some English, including the 107 ways to describe rain that Londoners like to use, and introducing them to the pleasures of orange marmalade. When he said goodbye, he assured them of a warm welcome if they ever came to London bestowed his red hat on Pastuzo.

Pastuzo and Lucy raised their nephew (Ben Wishaw), teaching him all they had learned from Clyde, developing their own artisanal marmalade recipe, and enchanting him with tales about the far-off land called London where their friend would be happy to welcome him. When Pastuzo is killed, Lucy moves to a home for retired bears and the young cub stows away on a freighter bound for London, wearing the red hat and carrying a suitcase filled with jars of marmalade.

At Paddington Station, he meets the Brown family. Risk-averse Mr. Brown (“Downton Abbey’s” Hugh Bonneville) does not want to have anything to do with him, but warm-hearted and spontaneous Mrs. Brown (Sally Hawkins) invites him home, naming him for the train station where they met. The Browns have two children, Judy (Madeleine Harris), a teenage daughter who never takes out her earbuds, and Jonathan (Samuel Joslin), a budding inventor.

As soon as they get home, the extra-prudent Mr. Brown calls his insurance company to extend the protection of his homeowner’s policy, but it is not fast enough. Paddington’s first encounter with a bathroom ends in catastrophe. Mr. Brown is horrified. But Mrs. Brown is sympathetic, and Judy and Jonathan are delighted. A little chaos can be a good thing. And learning to enjoy the differences we encounter in others is a very, very good thing.

As the Browns warm to Paddington, their neighbor, Mr. Curry (“Doctor Who’s” Peter Capaldi) has only one pleasure — having something new to complain about. And there is a more sinister villain as well. A taxidermist at the natural history museum named Millicent (Nicole Kidman, who also co-produced the film) wants Paddington so she can kill him, stuff him, and put him on display. “Is he endangered?” asks one of the museum staff. Millicent narrows her eyes, channeling Cruella De Vil. “He is now.”

The advertising for the film regrettably focuses on the slapstick and gross-out jokes (Paddington thinks Mr. Brown’s toothbrush is for cleaning out his ears). Thankfully, as a whole the film is true to the gentle humor and sweetness of the books. Wishow perfectly captures Paddington’s innocent friendliness and Bonneville and Hawkins are just right as the couple who only need a slight adjustment to reconnect with each other and their children. A brief flashback showing why Mr. Brown became so worried about safety will be appreciated by the children and parents in the audience, and even Millicent’s motives are revealed to be less about evil than about her feelings of hurt and loss. Paddington remains a most welcome visitor, and I hope we see more of him.

Parents should know that this film includes a sad (offscreen) death and some peril, including a taxidermist who wants to kill and stuff Paddington. Characters use some mild language and there is comic mayhem and peril and some bodily function humor. A woman flirts with a man to get him to do what she wants. A man dresses as a woman for disguise and another man finds him attractive. A character gets a security guard drunk so that other characters can break into a building.

Family discussion: Why did Mr. Brown change his views on taking risks when his daughter was born? Why doesn’t Mr. Curry like Paddington? Can you do a “hard stare” and when would you use it?

If you like this, try: the Paddington books and the “Curious George” books and movies — and taste some marmalade!

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Based on a book Comedy DVD/Blu-Ray Pick of the Week Family Issues Fantasy For the Whole Family Talking animals

The Real Story: True Story with Jonah Hill and James Franco

Posted on April 15, 2015 at 3:46 pm

“True Story” opens this week, starring Jonah Hill and James Franco. It is based on the real-life experiences of a disgraced journalist and the murderer who took his name.

The movie is about a reporter fired by the New York Times for fabricating part of his story with an important connection to a man he has never met, a murderer who killed his wife and children. The name they share: Michael Finkel.

Michael Finkel was the name given by the murderer when he was arrested. By then he was on the FBI’s Ten Most Wanted List after he fled the country.

Finkel was not his real name, which is Christian Longo. When the real Finkel found out Longo was using his name, he wanted to know why. One reason was his natural curiosity as a journalist. Another was the spookiness of it. And another was his sense, or at least his hope, that this was a story that could be his ticket back to a career in journalism. But who was using whom? Who was the bigger liar?

Finkel wrote a book about his experiences called Murder, Memoir, Mea Culpa. And now it is a movie starring Jonah Hill and James Franco.

CBS News told the story on “48 Hours” in 2005.

“Mike was empty. He was a little lost,” says Barker, Finkel’s ex-girlfriend at the time. “Mike was not sure who he was. And Chris came along, the timing was perfect. He just came along at the right time and a real relationship developed.”

Finkel adds, “He was the only friend or person in my life to whom I felt morally superior,” says Finkel.

Years later, on death row, Longo called Finkel to ask for a favor. As Finkel explained in Esquire magazine, Longo was influenced by the movie “Seven Pounds” and wanted to set up a program for organ donation by prisoners scheduled for execution. This contact led Longo, for the first time, to tell the real story about the murders, at least what he could tell. “I can’t remember who I killed first,” he explained to the man whose identity he tried to take. Finkel wrote of this encounter:

It’s never been easy to say how I feel about Longo. I’ve been tugged, from the start, between revulsion and fascination, between hoping to know the truth and wanting to imagine that Longo couldn’t actually murder his own family. But after hearing this story, there was no doubt. Hate seems too flat a word, too glib, but that is what I felt. I hated the crime, I hated hearing about it, thinking about it, imagining it, and I hated the person who did it. And it was the worst kind of hate, too, because it really didn’t matter.

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The Real Story

Other Space — New Comedy Series on Yahoo from Paul Feig

Posted on April 14, 2015 at 3:47 pm

Paul Feig (“Bridesmaids,” “Freaks and Geeks”) has a new comedy sci-fi series called “Other Space” premiering today on Yahoo.

There is a fascinating article by Stephan Rodrick in the New Yorker about one of the people who played a key role in shaping the series, casting director Allison Jones. It explains that even a few years ago, quirky characters were still played by standard-issue pretty actors. But Jones, working with Feig, Judd Apatow, and others, has pioneered the casting of actors who look like real — or realistically offbeat — people. Here is her comment about working on the all-female reboot of “Ghostbusters.”

“It’s nice to get a break from the testosterone every once in a while,” she said. “I was thrilled to do ‘Bridesmaids’—it was a true ensemble of odd characters, all of whom I had observed in real life. There wasn’t one scene that called for a push-up bra. Most female descriptions in screenplays and TV scripts—and I am not kidding—are basically ‘astonishingly beautiful, even without makeup,’ and ‘brilliant.’ Never just beautiful, always astonishingly so.”

The article describes the casting process for “Open Space,” as Jones reads the same lines over and over with actors, sometimes asking them to come back to read for another part in the series.
And it describes the influence she has had on shows like “The Office,” “Brooklyn Nine-Nine,” “Veep,” and many other productions, as well as the influence she has had on the careers of stars like Jonah Hill. It is intriguing to think about the influence those casting choices have had in reflecting back to audiences a wider range of faces and bodies.

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