The Meddler

Posted on May 1, 2016 at 11:42 am

Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for brief drug content
Profanity: Some strong and crude language
Alcohol/ Drugs: Drinking, marijuana
Violence/ Scariness: Sad offscreen death, minor accident
Diversity Issues: None
Date Released to Theaters: April 29, 2016

Copyright Sony Pictures Classics 2016
Copyright Sony Pictures Classics 2016
Marnie (Susan Sarandon) is the irresistible force who, just before this movie starts, meets the immovable object: devastating grief in the loss of her husband. She does not have the vocabulary to process this loss. And so she tries to hold onto the person she was before. And she tries to convince everyone around her — and herself — that she’s fine. “The Meddler” begins with a brief monologue about how much she loves living in Los Angeles, where she has moved to be near her only daughter, Lori (Rose Byrne). “It’s like Disneyland!” she says cheerfully.

But she has trouble filling her days and finding a place to use her generous impulses. And so, as the title indicates, she meddles. She calls Lori many times a day, and when Lori does not answer, she comes over — with a bag of bagels. Lori, grieving in her own way for her father and for a breakup with a handsome actor, does not respond, and so Marnie turns her attention to anyone who comes along, from Lori’s friends to the guy at the Apple store genius bar. What she does not feel ready to do yet is to say goodbye to her husband by burying his ashes and putting up a headstone in the family plot back in New Jersey. “It’s been a year,” she tells his brothers. But it has been two. And she is not ready to think about loving someone new, even after she meets a man who is from her home town and seems perfect for her (Michael McKean).

When Lori’s friend Jillian (SNL’s Cecily Strong) mentions that she needs a babysitter, and so Marnie shows up at her house — with bagels. Jillian says that she does not have a mother and she never had the dream wedding she wished for. So Marnie offers to give her a wedding. And when she encourages the Apple genius (Jerrod Carmichael of “The Carmichael Show”) to go back to school, she offers to drive him. She has so much to give, but the loss of her husband has left her with no place to give it and a fear of losing him even more if she changes too much or gets too close to someone else.

Sarandon gives one of her best performances, which means she is truly superb, and Byrne is excellent as well. When Lori’s ex and his new girlfriend find Marnie and Lori having dinner together on Valentine’s Day, there is a beautifully funny and heart-wrenching moment as both mother and daughter try so hard to appear to be doing fine that they do not notice they are undermining each other. In another scene of piercing bittersweetness, a day of emotional upheaval ends in mingled laughter and tears. JK Simmons brings dry wit and humanity to the role of an ex-cop and hen farmer whose quiet understanding gives Marnie her first chance to let go a little, and to acknowledge, after some resistance, that it is something she wants and needs to do, for herself and for Lori.

Writer/director Lorene Scafaria (“Nick and Nora’s Infinite Playlist” and “Seeking a Friend for the End of the World”) has a rare gift for finding the space in between joy and grief, and a rare understanding of the power of small moments to tell a big story. As Marnie watches Lori’s script being filmed, she is moved by the way Lori has used her writing to work through her grief, and as we watch this film, we share that feeling.

Parents should know that this film has some strong language, sexual references, and drug use.

Family discussion: Why does Marnie want to help people she hardly knows? What’s the difference between being supportive and meddling and how does that change in different circumstances?

If you like this, try: “Hello, My Name is Doris” and “Seeking a Friend for the End of the World”

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Comedy Drama Inspired by a true story Movies -- format Romance

May 2016: Movies This Month

Posted on May 1, 2016 at 12:18 am

Happy May! The blockbuster movie season officially starts this week with the latest superhero movie from Marvel, and the month will end with another superhero movie as well. But we’ll get some good smaller movies, too. Here’s what I’m looking forward to:

May 6

Captain America: Civil War: The Russo brothers, who gave us one of the all-time best superhero movies with the last Captain America film are back with a story that has the Avengers fighting each other.

May 13

Money Monster: George Clooney, Jack O’Connell, and Julia Roberts star in a tense drama about a bombastic television commentator who is taken hostage.

The Lobster: Colin Farrell and Rachel Weisz play characters who live in a world where people turn into animals if they do not fall in love. On the other hand, they do get to pick their animal.

High-Rise: Tom Hiddleston is the new resident who gets caught up in the creepiest skyscraper since “Rosemary’s Baby.”

Last Days in the Desert: A carpenter went to the desert to meditate and pray and came out of the desert to perform miracles. Ewan McGregor plays both Jesus and the devil who taunts him in this moving story.

Love and Friendship: Whit Stillman wrote and directed a witty drama based on Jane Austen’s epistolary novel about a manipulative flirt, Lady Susan.

May 20

The Nice Guys: The wicked mind behind “Kiss Kiss Bang Bang” has written a new detective story set in the 1970’s.

Weiner: A politician of extraordinary ability and promise makes a mistake — again — that ends his career. This documentary tells the story.

Neighbors 2: Sorority Rising: Seth Rogen and Rose Byrne thought the fraternity next door was a problem in the first “Neighbors.” Now a sorority takes over and they find out what a problem really is.

Maggie’s Plan: A Greta Gerwig movie is always good news. Here she plays an earnest college administrator who falls for a married man — and then learns he might be better suited for his wife.

May 27

X-Men: Apocalypse : Will the most powerful mutant of all wipe out all of humanity?

Alice Through the Looking Glass: More Tim Burton than Lewis Carroll.

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Opening This Month
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