Interview: Harry Connick, Jr.

Posted on February 3, 2017 at 3:52 pm

I love “Harry,” the free-wheeling, upbeat, always-entertaining talk show hosted by Harry Connick, Jr. The New Orleans-born actor/singer/musician gives the show a Big Easy vibe, always making his guests and his audience feel as though we’re in his living room. It was a great pleasure to talk to him about what he does to make the show welcoming to his guests and his audience — and his favorite place to eat in his famously food-centric home town.

What is the biggest challenge of doing a show in front of a live audience?

That’s my favorite part to be honest with you. Being a performer and having so much experience playing in front of a live crowd, that’s just what I love to do. I think if there were a challenge it would be normally when I perform I’m sort of the only person making the decisions as to how the show is going to go, when I play, when I sing, when I talk, when other people solo, those are all decisions that I make. When you do a television show like this there are so many other people involved regarding the pace and the structure of the show. I don’t really think of that as a challenge. It’s just more of a collaborative effort and that is relatively new for me but it’s just a really cool process to be involved with a lot of talented people versus doing it all myself.

How do you cope when things go wrong in front of the audience?

I don’t know if I call it things going wrong. Things happen all the time that we didn’t plan but those are the type of things that are the most exciting for me. Those are the moment that we live for. I remember one time we had a guest who didn’t show up and I went into the audience and grabbed some lady and brought her onstage and she didn’t know who the guest was but I made her sit in the chair and I interviewed her as if she were the guest and then the producer came and whispered the answers that only he would have known, like for example, “When are you going on tour again? and she just said “Oh I’ll be on tour from July to whatever.’ Those are the types of things that we really look forward to because my whole show is extremely spontaneous and many times I go out not being aware of a lot of the details about what’s going to happen because I like to kind of experience things with the audience. So, we love that stuff when it happens.

I really enjoyed when you had that super fan of Megan Good come on and he was so excited. Who makes you become a total superfan?

I feel like that just towards everybody that sits in that chair. Anytime somebody sits down, they’re bringing something that I don’t know how to do, certainly not from their perspective so I always end up learning something from everyone whether they are a celebrity or not. It’s a great thrill to see things through their eyes. I mean obviously there are some people that are incredibly accomplished. Laurence Fishburne was on the other day and guests like that are always inspiring. But I had an 18-year-old girl from Detroit who made it her life’s mission to raise awareness and give aid to the homeless and it’s become a big deal in her town, a lot of churches and groups are jumping on board trying to help and I was as impressed with her as I was with Laurence Fishburne. So I take those opportunities very seriously because ultimately there’s a lot to learn from everyone.

Do you have a technique for making guests, especially those who are not used to being in front of an audience feel comfortable?

I don’t really know if they are comfortable or nervous when they come out but it’s my job to make that person feel like the only person in the world for the time that they are out there, The way I do it is if it’s Laurence Fishburne and he was promoting a movie that he did when he played Nelson Mandela I made sure I watched it, I know everything about Laurence Fishburne so that I don’t sit up there with the blue note cards and make him feel like he’s been interviewed. Although there’s nothing wrong with that for some folks, but when he sits down with me it’s a blank slate and I look at him and ask him questions and listen and it turns into a conversation. The same thing with that young lady from Detroit, I knew everything about what she was doing. That’s what the host is supposed to do, to make their guests feel comfortable. Every other part of the show I don’t really know what is about to happen which is what I wanted because I like things to be spontaneous but it’s really important for me to make sure that every guest is made to feel welcome and that’s how I do it.

How do you see the importance of the music on the show? What genres do you feature?

Just to have music in general no matter what it is, is really important. There are no bands on daytime TV. But I have not only a band but I have my band which has some of the best musicians in the world playing every single day. So if you’re lucky enough to see them in the studio audience, you’re hearing them play through the commercials, before the show, after the show. It’s just a big party in there with this amazing group of musicians. And the music that I’ve written for the show spans a huge gamut of styles from jazz to funk to EDM to country to samba to merengue. I put in everything because I want everybody to feel like they have a piece of the music on the show.

It’s just an incredible opportunity to have a nationally syndicated show and have real people playing real instruments. One of my trombone players is an African-American guy from Miami. He said, “’m a trombone player, I’m a black man, and this is an incredible responsibility and opportunity for young musicians watching. They may end up making a career decision because they see somebody that looks like them playing trombone on television.” That’s an immense honor for me to be able to provide that opportunity for these guys. I can only imagine what it must be like for young kids to turn on the TV and see these musicians playing right in the middle of the day. That’s a huge thrill for me to be able to be a part of that.

Do your daughters watch the show? Do they like it?

They love it, and my daughters they come to the show a lot. One of my daughters actually works for me at the show so she’s there every day. Yesterday I called her over during a commercial break and put my arms around her. It’s very loud in there because of the music and I kind of whispered in her ear, “I love having you here.” It is such a dream when you raise your kids and you never know what’s going to happen. I get to have one of them there every day and it’s just a great sort of extra layer to our relationship that is really cool. One of my daughters is away at school. It’s hard for her to watch it every day but she sees things online and she’s always telling me what she likes. And my other daughter who’s in eighth grade, she comes whenever she has a half day or day off so she was there yesterday actually and it was just so fun to have them there. They are loving it and they are so supportive and it’s really a nice feeling.

I hear that “Will And Grace,” one of the greatest shows of all times is coming back. Are you going to be a part of that?

I only found out about it because it was in the news. I would love to do it if they call. I’m not sure if my schedule would work out with their schedule but it’s so exciting for everyone. We’re all pretty fired up about it.

What’s the best advice you ever got about performing?

It wasn’t just about performing at it was from my dad. He was a lawyer, a District Attorney in New Orleans for about 30 years. He said, “Be on time and be nice to people.” As basic as that sounds, if you can just show up when you’re supposed to show and treat everyone with kindness it’s amazing how much easier your life can be. It’s something that he does and it’s something that I try to do as much as I can.

How has the world of social media affected the way that you get the word out sometimes on the show?

I was late to the game. I didn’t start until around 3 or 4 years ago. I guess but it has been an amazing way to let people know who is going to be on, the types of things that we think people would like to see. My team goes through all of those comments. I find that it can be all-consuming if you get caught up in the routine of that but the things that I have seen, the responses have been just overwhelmingly positive and it’s so encouraging, the things people say, like “thank you for doing the show,” which is just a reminder of how humbling this can be. You have a show that comes into people’s living rooms in every market in the United States every day, sometimes twice a day. It is just an incredible feeling and responsibility and it’s humbling really so I think social media has been a big part of getting the word out.

I really like the way that your show is a safe space for kindness, creativity, and good news.

Oh, that means a lot. You know faith and family and community, these are all things that I think we can represent without preaching to the people. Nobody wants to hear me come out and shove my values down their throat but I think all of us or at least most of us in this country are really good people, despite our differences, which is I think one of the great points of our country because we do come from different backgrounds and beliefs. Most of us are good people in this country. There are so many great people and it makes me so proud to be an American. I think by example I can try to do what I think is important. You know there’s a lot of people who get on TV and they talk politics, they talk social issues and they are far better equipped to do that than I am which is why all I really want to do is celebrate aspirational ideals in people and inspirational things. It’s hard to find that on TV especially daytime TV. We wanted a show that felt like a party in the middle of the day, music and uplifting stories and celebrating women and celebrating things that we all should be proud of. I think those transcend sort of any political differences or differences in religion. These are the things that we want to try to show rather than preach about.

You come from New Orleans, in my opinion the greatest restaurant city in the world. Where’s your favorite place to get a good meal there?

My favourite place is pretty new, it’s only been there for a few years it’s called Cava and it’s in Lakeview which is the neighbourhood I grew up in and man — it is just amazing. They don’t even have a freezer, that’s how fresh their seafood is. It is so good, it’s real New Orleans food in a real local environment. I just love it there.

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Interview Television

The Comedian

Posted on February 2, 2017 at 5:32 pm

Copyright 2016 Sony Pictures Classics
Copyright 2016 Sony Pictures Classics

They say all clowns want to play Hamlet, and often they turn out to be outstanding dramatic actors, from Mickey Rooney to Robin Williams. But it does not always work the other way. Dramatic performers want to be clowns. Robert De Niro is one of the greatest actors in the world and he can be very funny (“Analyze This,” “Midnight Run,” “Silver Linings Playbook”). He does not always choose the best material (“Dirty Grandpa”), but like his fellow Oscar winners Tom Hanks and Sally Field, that doesn’t mean he can play the part of a stand-up comic. It is generally understood that stand-up comedy is the most difficult and terrifying of all in show business professions because they go out on stage with nothing but their ideas and a microphone — no script, no other performers, no sets, no music — just the comic and his or her ideas, and an audience expecting to be amused. Comic and comedy writer Dylan Brody told me that stand-up comics who want to be on television have to be able to deliver four laughs a minute.

In “The Comedian,” De Niro plays Jackie, an “insult comic,” whose humor is based on his ability to fire off quick, punchy, provocative responses to the people around him, to be outrageous by saying what people might think but would never admit to. Jackie was once the star of a popular “Honeymooners”-style television show and is constantly annoyed when fans of the show ask him to repeat his character’s catch phrase.

The problem is that Jackie is never as funny as the movie thinks he is and needs him to be. De Niro makes us see Jackie’s frustration at constantly being confronted with having his most popular work over long ago and not something he was especially proud of even at the time. (See Ricky Gervais in “Extras” for a much better exploration of this theme.) But when it gets to the crucial moments of his performances, he never gets the rhythm of the jokes or shows us the mental imperatives that keep comedians punching. Cloris Leachman (another Oscar winner) does better as a 95-year-old stand-up being “honored” with a Friar’s Club roast. Though she is old and frail, we see in her the fearlessness that made it possible for her to do the one thing tougher than being a make stand-up; being a female stand-up. Her character, a Phyllis Diller/Joan Rivers type, still has the reflexes and gutsiness of someone who has spent decades, going back to the 50’s, relying only on her wit, proving herself in front of audiences. And the cast includes real stand-ups, like Billy Crystal and Hannibal Buress, who remind us what comedians really sound like.

Jackie gets into trouble punching a heckler — not because he insults him but because he appropriates Jackie’s routine for his web series. He is sentenced to 30 days in jail plus community service and it is at the homeless shelter where he is putting in his hours that he meets Harmony (Leslie Mann), also working off an assault charge (her ex and his new girlfriend). Not the greatest of meet-cutes. He brings her to his niece’s wedding where he makes a toast that is profane and insulting but everyone, including Harmony and the bride, thinks it is hilarious (except for his sister-in-law, a terrifically furious Patti LuPone). He then does stand-up at a nursing home where once again, he is profane and insulting but everyone thinks it is hilarious (except for Harmony’s father, a what-is-he-doing-in-this-movie Harvey Keitel). The greatest acting challenge in this movie is pretending Jackie is funny.

Parents should know that this film includes very strong and crude language with insulting epithets, bodily function and sexual humor, intentionally offensive and provocative jokes, sexual situation, references to drug overdose, assaults, and discussion of a sad death of a child.

Family discussion: Why didn’t Jackie enjoy hearing from fans of his television show? Was Jackie funny? Why?

If you like this, try: “Sleepwalk With Me,” “Punchline,” “Mr. Saturday Night”

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Comedy Drama

I Am Not Your Negro

Posted on February 2, 2017 at 5:26 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for disturbing violent images, thematic material, language and brief nudity
Profanity: Some strong language, racist epithets
Alcohol/ Drugs: Smoking
Violence/ Scariness: Archival footage of social unrest, civil rights era and contemporary violence
Diversity Issues: The theme of the movie
Date Released to Theaters: February 3, 2017
Date Released to DVD: May 1, 2017
Amazon.com ASIN: B06WLH94HD

Copyright 2016 Magnolia Pictures
Copyright 2016 Magnolia Pictures
Director Raoul Peck has made a powerful and vitally timely film about James Baldwin — and about today. By juxtaposing Baldwin’s words with images from Ferguson and other contemporary conflicts over race and poverty, he underscores the impact and importance of Baldwin’s commentary.

It is shocking how little has changed. Peck makes that point subtly by going behind the grainy black-and-white images that are so familiar to us from the Civil Rights Era, so stylized that they seem almost as distant as daguerreotypes. Intensive research over a ten-year period led to the discovery of previously unseen archival footage, some in color, matched here with new contemporary material, some shown in black and white to make even more seamless the connection between past and present.

Still, there are some stunning reminders of what has changed, none more shocking than the sight of not one but two public intellectuals as guests on a night-time network television talk show. Yes, before the days when talk shows were made up of silly games and sillier reality show “stars” and Hollywood performers pushing their latest projects, people used to come on television and talk about ideas. We see James Baldwin and a Yale professor on the Dick Cavett show. Yes, the professor condescendingly whitesplains race relations, clearly thinking he is complimenting Baldwin by pointing out all they have in common.

It is good to be reminded that at one time there were public intellectuals who engaged with policy and culture so bracingly. Peck reminds us that Baldwin was a social critic who was fascinated with movies and the message they reflected and conveyed about our society. Through his eyes, we see Doris Day as an emblem of whiteness, John Wayne “heroically” killing Indians, movies ignoring race (and the stories of anyone who was not white) and movies fumbling in their attempt to portray race, like “Uncle Tom’s Cabin” with its saintly slaves and “Imitation of Life” with the light-skinned girl who wanted to deny her heritage, and her mother.

The movie credits Baldwin himself as its author, and rightly so. Baldwin is a mesmerizing screen presence with his deep-set eyes and lacerating wit. But it is his words that make this film come alive, knowing, provocative, patient, but insistent.

Parents should know that this film includes some violent and confrontational images from the Civil Rights Era and contemporary racial abuses and protests, and some strong language.

Family discussion: What do the contemporary images tell us about Baldwin’s ideas? What would he say about today’s controversies? Would he say we have made progress?

If you like this, try: “Eyes on the Prize” and the books by James Baldwin

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Documentary DVD/Blu-Ray Pick of the Week Race and Diversity

The Space Between Us

Posted on February 2, 2017 at 5:15 pm

Copyright STX Entertainment 2016
Copyright STX Entertainment 2016

An intriguing premise is repeatedly undercut by clunky dialog and corny plot twists in “The Space Between Us,” the story of a teenager born on Mars and his first trip to Earth.

It begins in 2018, just before the launch of the first expedition to colonize Mars. Nathaniel Shepherd (Gary Oldman) has been planning it since he was 12 years old and now, a joint project from NASA and the private Genesis corporation is sending a team not just to explore Mars, but to live there for four years, in a settlement called East Texas. With the depletion of resources and abuse of the planet, Mars is the best chance for humanity to continue. “Mother Nature does not negotiate.” The night before launch, Shepherd presents the crew, lead by Sarah, who captivates the crowd with her gallantry and confidence. “Courage,” she tells them, “is fear that has said its prayers.”

All goes well at first, but it turns out, about halfway to Mars, that Sarah has committed a reckless misjudgement. She is pregnant. Nathaniel, worried about losing funding for the project, keeps it secret. Sarah dies giving birth and the baby is raised by the scientists on Mars, without anyone on Earth knowing about him other than Nathaniel and a couple of his colleagues. “East Texas runs on money, science, good faith, and PR,” Nathaniel says. He will not risk the mission. And the child, gestated in zero gravity, might not be able to survive the trip home or life on Earth.

By the time we see him again, Gardner (Asa Butterfield, still soulful, and quite the beanpole since we saw him in “Hugo”) is a teenager. His only friends are an astronaut scientist named Kendra (Carla Gugino), who treats him like a lab assistant, and a robot sidekick.

In some ways, he is just like teenagers on earth, moody, uncommunicative, very interested in meeting a girl, determined to find his father, and determined to test whatever boundaries there are. In some ways he is different. He knows very little about the most basic elements of life on earth. And, because he is the first human to grow up in the 62 percent lower gravity of Mars, his physical development — bone density, heart — has been affected so that even if he did get a chance to come to earth, it could kill him.

But remember what I said about boundaries? And girls? Gardner has been e-chatting with a high school girl named Tulsa (Britt Robertson, seven years older than Butterfield and looks it), who lives in foster care in Colorado. He runs away from the NASA/Genesis medical facility to meet Tulsa and asks her to help find his father, with Nathaniel and Kendra in pursuit. There were so many possibilities here, to see Earth through the eyes of someone whose only knowledge of the planet and human interaction involving more than the same five people came from Wim Wenders’ “Wings of Desire” and old how-to movies about dating. Instead, we get a syrupy love story and chases with a helicopter, a crop duster, and a series of stolen cars.

Last year’s “The Martian” made the science fascinating. “The Space Between Us” tries to make it superfluous, neglecting some basic principles of physics but even worse, some basic principles of logic.

Parents should know that this film includes some mild language, non-explicit teen sexual situation, alcohol abuse, teen mayhem (stealing, reckless driving), some peril, childbirth scene, sad death, and health risks.

Family discussion: What’s your favorite thing on earth and why? What surprised Gardner most? What advice would you give him about how to act on Earth?

If you like this, try: “The Martian” and the film Gardner watches, “Wings of Desire”

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Date movie Drama Science-Fiction Stories about Teens
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