“The Death of Stalin,” based on the graphic novel by Fabien Nury, is a scorching satire about the flurry for succession following the unexpected totalitarian leader of the Soviet Union. For rogerebert.com I spoke to co-writer/director Armando Iannuci about the parallels between this film and his HBO series, “Veep,” about the accents of this actors and the only one to change his accent to suit the character, and about what the movie has to say about today’s politics.

Do you see the story as something like “Veep” with guns? I get the feeling that if the characters in “Veep” had the chance to kill people, they would.

You might think that at the start, but once there’s a threat of being killed, it just turns into something else. The comedy is more based in paranoia, craziness. In “Veep,” the characters’ biggest worry is being found out. The worst that can happen to you is maybe they will be embarrassed or you may lose your job and go into lobbying. It’s temporary. But for these characters it is “if you are found out, you will be dead,” and it turns them into gibbering, frozen with fear, paranoiacs, every one of them. It turns them into stories that are timeless like ancient Rome or Shakespeare’s history plays or “Game of Thrones” or “The Godfather.” It’s the war for succession, kill or be killed. You have characters who tell themselves, “I’m good, but I may have to kill people so that my goodness can survive.”