Sunshine

Posted on January 8, 2008 at 12:34 pm

The sun is dying. A rocket ship from earth, meaningfully named “Icarus,” failed in its mission to reboot the sun with a supercharged nuclear payload designed to “create a star within a star.” Now the earth’s last chance is Icarus II. If they do not deliver the payload, the sun and all of its planets will die.


But this is not the usual “and then something goes wrong” or “and then an alien leaps out of a crew member’s chest” space opera. This is a meticulously constructed story that presents its characters with a series of exponentially more complex moral and practical dilemmas as gripping as the perilous situations that threaten the mission.


Director Danny Boyle transcends genre. His films have ranged from horror (28 Days Later) to thrillers (Shallow Grave) to charming family fantasy (Millions). But all of his films focus on moral choices. In 28 Days Later, he showed us a world infested with enraged zombies where it is the uninfected humans who are the scariest predators. In both Shallow Grave and Millions, characters discover the corrosive effect of stolen money. Boyle likes to make us think about what we would do to survive, how far we would go to get something we wanted.


The crew of Icarus II has just passed the point where communication with earth has been cut off. They are alone, a community unto themselves, and they must struggle with the remnants of the priorities and procedures they have been given as they are confronted with increasingly dire circumstances and increasingly conflicted priorities.


Should they change their course to try to save anyone who might still be there? No, that would interfere with their mission. But what if it might increase the chance of completing the mission? And what if things change and it is essential for completing the mission?


And what if there is not enough oxygen for everyone? How do we decide who gets to live? By assigning blame? By rank? By who is most important for completion of the mission? And, at the end of these judgments, who are we? How do they change us?


Boyle and his able cast create an atmosphere of conviction and sincerity that makes us invest in the answers to these questions, and the debates as gripping as the action scenes.

Parents should know that this is an intense and disturbing movie, with extreme peril, some jump-out-at-you shocks, and some graphic violence. Characters are injured and killed and there is a suicide. One of the strengths of the movie is the way it presents moral issues in a provocative manner, and that may be disturbing for some audience members. Another strength of the movie is its portrayal of diverse characters.


Families who see this movie should talk about how the characters evaluated their choices. What were their priorities? When they disagreed, what were the determining factors? Authors often use science fiction and the device of putting diverse characters in an environment that is cut off from everyone else to highlight particular controversies. How would this story have been different if it took place today, in the US?

Families who enjoy this film will also enjoy Silent Running, Apollo 13, and 2001 – A Space Odyssey. Books like Tragic Choices and The Problems of Jurisprudence consider ways to evaluate options in a legal, economic, and public policy framework and of course many books consider moral, ethical, and spiritual approaches to these issues as well.

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Action/Adventure Science-Fiction Thriller

Stardust

Posted on December 18, 2007 at 12:14 pm

This is an enchanting story that lives up to the promise of a “once upon a time beginning,” filled with romance, adventure, magic, and wit. It has witch sisters who need to find a fallen star to make the potion that gives them eternal youth, prince brothers who want to find it because the jewel that knocked it out of the sky will determine which of them will be king, cloud pirates who sail in a flying ship, and a unicorn.


stardust.jpg Tristan (Charlie Cox) promises to bring back a fallen star to win the hand of the girl he loves. To find it, he must cross the wall that divides his village from the magical land of Stormhold on the other side. It turns out that he has a connection to Stormhold that he did not know. And it turns out that the fallen star is not an it but a she — the star has a human form, a woman named Yvaine (Claire Danes). And so begins a journey that will include sword fights and transformations, captures and escapes, bickering and kisses, encounters with rascals, villains, and imprisoned princesses, and reunions with unexpected lost connections.
Director Matthew Vaughn (“Layer Cake”) blends romance, action, and comedy with brilliantly imagined visual effects, seasoning fairy tale enchantment with a splash of modern sensibility. Peter O’Toole as the dying king, Robert DeNiro as the pirate captain with a surprising hobby, and Ricky Gervais as a dealer in stolen goods, and Rupert Everett as one of a Greek chorus of murdered princes are high-spirited but never wink at the audience; the film is as sincere as its appealing lead characters. Pfeiffer has a blast as the witch, whether cooing at her restored beauty or blasting through its disintegration as she pursues the star.


Modern without being post-modern, ironic without air-quotes, romantic without apology, this is a fairy tale for our time because it takes us beyond time and reminds us that happily ever after is still a dream worth having.

Parents should know that this film includes fantasy violence, with characters injured and killed in a variety of ways, everything from having their throats cut to being thrown out of windows, poisoned, and drowned. There is some mild language and there are some mild sexual references and non-explicit sexual situations. A strength of the movie is unexpected acceptance of and support for a cross-dressing character.


Families who see this movie should talk about what drew Dunstan and Tristan to the other side of the wall. What is the difference between being a shop boy and a boy who works in a shop?

Families who enjoy this movie will also enjoy sumptuous fantasy classics The Princess Bride, Labyrinth, Time Bandits, and Ladyhawke (also featuring Pfeiffer). And they will enjoy the graphic novel by Neil Gaiman, illustrated by Charles Vess.

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Action/Adventure Based on a book Fantasy Genre , Themes, and Features Reviews Romance

Underdog

Posted on August 2, 2007 at 11:49 am

C
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for rude humor, mild language and action.
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Comic/cartoon violence and peril, scary-looking scar, bad guys bashed but no one seriously hurt
Diversity Issues: None
Date Released to Theaters: 2007

There may be no need to fear now that Underdog is here, but there is no reason to feel very happy, either. This live-action adaptation of the 1960’s animated television show substitutes special effects for satire.


The animated series was a gentle parody of the superhero genre, with perennial milquetoast Wally Cox providing the very unheroic voice talent for the shoeshine dog who popped power pills and spoke in rhyme.


This version is a boy-and-his-dog story, alternating between crude humor and synthetic sentiment. Perennial slacker Jason Lee (“My Name is Earl”) provides the speaking voice for a sad-eyed beagle who is drummed out of the K-9 corps for making too many mistakes. Consigned to be the subject of experiments in the lab of mad scientist Simon Barsinister (Peter Dinklage of The Station Agent), the beagle creates chaos trying to escape. The lab is destroyed, but not before the dog is exposed to the doctor’s experimental fluid, which gives him superpowers, including the ability to speak and to fly.


Cop-turned-security guard Dan (Jim Belushi), takes him in, names him “Shoeshine,” and gives him to his estranged son Jack (Alex Neuberger). Jack is thrilled with what Shoeshine can do and helps him become the superhero known as Underdog.


The special effects are technically adept. The screenplay, however, is not. It relies heavily on doggy-doo humor and smart-alecky comments comparing humans and animals, adding in a clumsy reference to Lady and the Tramp and, even a sort of “Norma Rae” moment when Underdog pauses in the middle of a confrontations to invite the worker dogs of the world to unite. Dinklage has fun with Barsinister’s grandiosity and the ever-reliable Patrick Warburton gives what he can as the sidekick. But the he father-son reconciliation is listless and the rest of the movie is bland, tepid, and dull. If only Underdog’s superpowers included the ability to fetch a better script.

Parents should know that the movie has a lot of comic/cartoon violence. The bad guys are bashed, characters are in peril, one character has an ugly scar, and at one point it appears that a major character has been killed, but no one is seriously hurt. There is a reference to loss of a parent. A student forges a note to get out of school. Characters use some schoolyard language and there is a significant amount of potty humor. Shoeshine makes a joke about mistaking a boy dog for a girl dog and there is some boy-girl humor. There is a nod to the movie’s origins as a way to promote General Mills with some product placement of the company’s cereals.

Families who see this movie should talk about why it was hard for Jack and his father to talk to each other. What did Jack like most about Shoeshine? Why did Con want to be Dr. Barsinister’s partner? Who can you think of who could be called an underdog?

Families who enjoy this movie will also enjoy the cartoon series, Firehouse Dog, Good Boy!, and Cats & Dogs.

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Action/Adventure Comedy Family Issues Movies -- format

Hot Rod

Posted on July 31, 2007 at 12:09 pm

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for crude humor, language, some comic drug-related and violent content.
Profanity: Strong and crude language
Alcohol/ Drugs: Drinking, smoking, hallucogenic drug use
Violence/ Scariness: Comic violence and peril, no one hurt
Diversity Issues: None
Date Released to Theaters: 2007

Even when this movie is at its dumbest, and that is very, very dumb indeed, even when it launches, or, I should say, lurches, into its umpeenth attempt to find humor in having its main character get beat up/crushed/knocked over or act like a 12-year-old around the girl he has a crush on, somehow, we still keep rooting for it because Andy Samberg is funny. Even his hair is funny.


Reportedly this was originally written for Will Ferrell and then someone realized that even the energetic Ferrell could not possibly make a silly movie about every loser who every tried any sport, so it was turned over to the latest “Saturday Night Live” breakthrough, Lazy Sunday‘s Samberg, who adapted it, with the friends he’s been working with since childhood, for his rather more surreal sensibilities.

This is the story of Rod Kimble, a would-be stuntman who does not seem to notice that he never successfully completes a stunt (the Ferrell part). He goes to the woods to “punch-dance out my rage,” has an extended exchange with his half-brother that consists entirely of their saying “cool beans” to each other and celebrate by popping bubble wrap. And Rod’s question for the girl of his dreams (Isla Fisher as Denise) is who would win a fight between a grilled cheese sandwich and a taco. This is the Samberg part.

Her well-reasoned response? “The grilled cheese, but only in a fair fight. If it’s prison rules, I’d pick the taco.” Clearly, they are destined to be together. And then there’s a cameo appearance by a character in a Dickens novel.

These dementedly random moments make up for some of the more sluggish, thuggish elements. When Rod falls down a mountain, he really falls down the mountain in a scene that is hilariously prolonged. But too much of the movie is just seeing Rod get beaten like a pinata (literally). If you think it is funny to see someone get beat up many, many times, to hear that crunch of bone on bone, to see a man beg for the respect of his stepfather (Ian McShane) only to be told it will not happen until he defeats him in a fight, to see Sissy Spacek wander around in a daze, probably because she cannot figure out what she is doing in this movie, to see adult males act like 12-year-olds around women and refer to the “boner police” — if you can understand the references in a Nickelback joke, AND if you think there is such a thing as a Nickelback joke, and only then, you might enjoy this film.

Parents should know that this movie has brief strong language (one f-word), many crude words and some sexual references, homophobic insults, vulgar humor, a brief scene of dogs having sex, constant comic cartoon-style violence (no one hurt) including domestic violence, drinking, including buying liquor to respond to disillusionment, smoking, hallucinogenic drug use, and potty humor.


Families who see this movie should talk about why Rod felt he had to prove himself? Why did Denise like Rod? What does it mean to sell out? This movie was made by three people who have been making funny movies together since they were kids -– would you and your friends like to try to make a movie?

Families who enjoy this movie will also enjoy Blades of Glory and Wayne’s World.

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Comedy Movies -- format

The Simpsons Movie

Posted on July 31, 2007 at 12:05 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for irreverent humor throughout.
Profanity: Some vulgar language
Alcohol/ Drugs: Drinking, smoking, drug humor
Violence/ Scariness: Cartoon peril and violence
Diversity Issues: None
Date Released to Theaters: 2007

“I can’t believe we’re paying to see something we get to see on TV for free. Everyone in this theater is a giant sucker, especialy YOU.” And thus, Homer Simpson lets us know that he’s onto us, as he has been for 18 years. “The Simpsons,” television’s longest-running primetime animated series in history, and the longest running sitcom currently on primetime, has now become a movie and people are paying to see something they get to see on TV for free. And it’s worth it.


I am sure there are Simpsonologists out there who are already parsing and disescting every element of this film and scholars working on an annotated version in preparation for Cultural Studies dissertations.

Parents should know that this film includes some vulgar humor, including brief cartoon nudity, drug humor, cartoon violence, scenes in bar, a child drinking liquor, characters in peril, and some crude language.


Families who see this movie should talk about why Bart thought he might like to have Ned Flanders as his father. Why did Marge decide to leave Homer? Why did they change their minds? What can kids in your community do to help protect the environment?

Families who enjoy this movie will also enjoy the television series and Groening’s other series,
Futurama.

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Animation Comedy Movies -- format
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