Copyright 2020 Unshakeable Productions

The award-winning documentary “Resisterhood” is about some of the most controversial moments of Donald Trump’s first term as President and the groundswell of protest in response. Since it was released in 2020, as he was defeated by Joe Biden, it is well worth another look in light of increased controversy and division.

Director Cheryl Jacobs Crim begins the film with a collection of clips from the 2016 campaign, like his imitation of a reporter’s disability and his urging of violence against protesters to highlight/remind us of Trump’s thuggishness and cruelty. Those moments are stark and unsettling in showing us how far we have fallen from what six years ago seemed like the floor of politics. And how alert and vibrant Trump was compared to the man who falls asleep during meetings and tries to cover up the bruises on his hand.

After that opening, the focus is on the response of the voters to initiatives like child separation at the border, eliminating the rights of GLBTQIA individuals, the appointment of Justice Kavanaugh despite claims of sexual abuse, rollback of environmental protection. Crim introduces us to five thoughtful “resisters,” and the determination, integrity, and commitment to helping others in each story is warm, engaging, and inspiring.

Steely but radiant and warm-hearted Margaret Johnson Morrison is identified as an historian/educator. She tells us that the first time she participated in a protest it was on the march from Selma to Montgomery led by the Reverend Dr. Martin Luther King. And one way and another, she has been standing up for justice ever since. “That is why I have continued to participate where I could, to change what is wrong to what is right.”

Joanna Lohman was on the Washington Spirits soccer team as this film was being made. She felt that soccer was what she was born to do, but she loved talking to the fans, especially the young girls who wore her jersey to games and admired her “jo-hawk” haircut. She happened to be injured at the beginning of the season, which gave her time to think about using her time and her platform to speak out on the issues she cared most about, respect, equality and inclusion for the GLBTIA community.

Mimi Hassanein (community volunteer) came to the United States from Egypt and has been a US citizen since 1971. Even before she learned to speak English, she reached out to her community by sharing what she could: bringing baklava to her children’s school. She wears a hijab, but take it off when she is in the car. By the time we see that, it is wrenching, because we know how good hearted she is, and she has shown us how she has embraced the American idea of civic involvement. “Learning about my civic duty really empowered me to really learn about the beautiful system we have here.” She explains that she feels she has to do that to be safe, because strangers make comments like accusing her of being in ISIS. As the movie goes on, she decides to run for office.

For Illinois Democratic Congressman Luis Gutierrez and his wife, originally from Puerto Rico, the Trump policies on immigration and his response to the devastation of Hurricane Maria. He describes his journey of questioning the prejudices he was taught as a child. “My heart and my soul is so much cleaner today than it was.” And Dr. Jean Gearon is proud to carry on the tradition of her great-grandmother, a leader of the fight for women to get the vote. She is a psychologist, but she makes it clear at an early meeting that the gathering is not a support group; it is about education, outreach and action.

The film is punctuated with the large demonstrations with people protesting policies on climate, guns, immigration, and the confirmation of Supreme Court justice Kavanaugh. We also get a brief glimpse of the alt-right protest in Charlottesville, shouting “Jews will not replace us!” and another protest of that protest. Crim deftly brings the stories together, giving us time with each of her main characters in the context of the developments of the 2017-2020 era. Some of the film’s most powerful and moving scenes are the family members who are all inspired to continue the tradition of speaking out for others. Morrison’s great-nephew says, “She made it sure that her voice was heard. And if she can do this, I can do this.” Hassanein’s granddaughter knocks on doors to talk to voters and the whole family comes over on election night. And Gearon’s daughter accompanies her to the Belmont–Paul Women’s Equality National Monument, a historic house and museum of the U.S. women’s suffrage and equal rights movements, so see her great-great-grandmother’s pictures. They remind us that it is not about a particular politician or policy, it is about always looking forward. As Morrison says, “That is why I have continued to participate where I could, to change what is wrong to what is right.”

Parents should know that this movie covers many political controversies, some involving violence, bigotry, or reproductive rights. A survivor of the Parkland school shooting speaks at a protest. There are references to sexual assault.

Family discussion: Which of the issues in the movie is the most important to you? What kind of protest is most effective?

If you like this, try: “Ratified,” about Virginia’s becoming the final state to ratify the Equal Rights Amendment