Two-time Oscar winner Olivia de Havilland turns 99 years old today. She was one of the biggest stars of the Golden Age of Hollywood, appearing memorably opposite Errol Flynn eight times, most memorably in “The Adventures of Robin Hood.”
She could appear beautiful and glamorous, but some of her best roles were when insisted on looking plain: “Gone With the Wind,” “The Heiress,” and “The Snake Pit.” She is best remembered for her dramatic roles, but she was also a gifted comic performer, as shown in “The Strawberry Blonde” with James Cagney.
At 98, Olivia de Havilland is the last great star of Hollywood’s golden age, a woman who began her career during the rise of Technicolor in 1935, formed one of the most indelible screen couples of all time with Errol Flynn, and went on to work with James Cagney, Rita Hayworth, Montgomery Clift, Bette Davis, Richard Burton, Clark Gable, and Vivien Leigh. With her deep brown doe eyes and apple-cheeked smile, the two-time Best Actress winner excelled at playing heroines whose demure bearing belied a feisty core. The most famous of these great ladies was Melanie Hamilton, the tenderhearted foil to Leigh’s scheming Scarlett O’Hara in 1939’s Gone With the Wind. Based on Margaret Mitchell’s best-seller, the beloved epic has sold more tickets in its lifetime than any other film. And 75 years ago it cleaned up at the Academy Awards, winning eight of its 13 nominations.
Having outlived all of her costars (as well as the movie’s mad-genius producer, David O. Selznick, and the three directors he hired to steer the massive ship), de Havilland has been GWTW’s principal spokesperson for almost five decades, the sole bearer of the Tara torch. It’s a privilege she calls “rather wonderful,” as her affection for the film is genuine and deep. She’s seen GWTW “about 30 times,” she says, and still enjoys watching it for the emotional jolt it brings as she reconnects with those costars—Gable, Leigh, Hattie McDaniel, and Leslie Howard—who have long since passed on.
“Luckily, it does not make me melancholy,” she says via email a few days after our meeting. (Though an expert raconteuse, she’s conscientious about facts—”I want to be a font of truth”—and will discuss the finer points of her career only in writing.) “Instead, when I see them vibrantly alive on screen, I experience a kind of reunion with them, a joyful one.”
Ms. de Havilland lives in Paris, now, so we will wish her a bon anniversaire, with many thanks.
Interview: Stephen “tWitch” Boss of “Magic Mike XXL”
Posted on June 30, 2015 at 3:45 pm
I asked actor/dancer Stephen “tWitch” Boss whether it was as much fun to make “Magic Mike XXL” as it looked, and he said, “Absolutely and even more. People have been asking me what I would say to guys that are hesitant to see the movie?”You might not be big on male nudity but there is an underlying bro movie, a road trip movie that they will love. I think that all guys would like to jump on the road and take a road trip with their friends, an epic road trip with their friends.” He said there was as much bro-bonding off-screen as on. He also enjoyed the dancing, especially his first big scene in a very special club for ladies. “All of the moments of research, all of the anxiety of what it would be like to be dancing around women like that and acting seductive and dancing seductively you know. What was it going to be? And then it happened in that moment and it was a very, very special time. It was great actually. Some guys have a natural, built in smolder, but not everybody is Ryan Gosling. So, the challenge was finding the approach and the fine line and what actually worked for me. What happened was I just found elements of my dance style that I could just tweak a little bit. I dance very aggressively. That is just my style. I dance very aggressively so I had to find a way to balance that out to where it’s not scary but it’s just like a sexy aggressive kind of thing. So it just took practice. We had a great choreographer, Alison Faulk and also Theresa Espinosa who were in rehearsal with us. They helped hone and the sexy, hone and the nasty and then just blend them and put it on screen.” They made sure each character had a distinctive style. “We read through the script and made sure that each performance was remarkably differently from the next and that each character could actually have their moment to shine in the individual pieces. And again, you know, shout out the choreographers, Theresa and Alison for being able to use people’s individual strengths. That was perfect and that’s one of the greatest things too is that, this movie, it’s going to go beyond this film. It’s going to shift the way that male entertainment packages are going to offered as opposed to just like a Chippendale’s-style show. We’re mixing all kinds of different elements, more individual and contemporary.
He enjoyed the “healthy competition” among the actors in “Magic Mike XXL.” “We just wanted to be at our best because we knew that everybody was going to be at their best. And because these are a professional group of gentlemen. They were 100% yin there. Like he’s either going incredibly full out or he’s not going to do it and that was the attitude. Anytime we stepped on stage we had to be the best.”
tWitch said that his earliest dance inspiration came from music videos, especially Michael Jackson, Paula Abdul, and Janet Jackson. “It’s what I latched on to in my heart.” Later he studied the movies of Gene Kelly, Fred Astaire, and the Nicholas Brothers. And he loved Sammy Davis, Jr. “And you know who I have been getting into it recently here even though he was a singer, Jackie Wilson.” His favorite style of dancing is locking. “That derived from the Funky Chicken back in the early 70’s. There is a subculture that has taken it and studied it and taken it down to a technique and a science. Overseas they’ve broken it down to university level. You have a curriculum of Locking so you know I love that.
Coming up next is the new season of “So You Think You Can Dance.” “This season is called ‘Stage vs Street.’ We take the top 20 and we split them in half, 10 stage dancers and 10 street dancers. I am the mentor for the Street contestants and that starts July 3rd. It’s going to be a great show and I have faith in my Street team. We bring a very raw energy and we have some things to say.”
Interview: Jalmari Helander and Onni Tommila of “Big Game”
Posted on June 27, 2015 at 3:53 pm
Big Game, now in theaters and on VOD, is an exciting action movie about Oskari, a Finnish kid on a solo hunting trip, who has to save the President of the United States when he is ejected from Air Force One during an attack. I spoke to writer/director Jalmari Helander and star Onni Tommila, who is also his nephew.
The President is played by Samuel L. Jackson, already a favorite of Tommila’s, because of “Star Wars.” He enjoyed talking to Jackson between takes and said he picked up some acting pointers by watching him, especially about improvising. Jackson also taught him a special handshake.
Jackson was a fan of Helander’s previous film, “Rare Exports,” and when he expressed interest in being in this movie, “it sounded really cool to me,” said Helander.
Shooting outdoors in the mountains posed some problems for Helander. “Of course when you are shooting outdoors and especially when we were up in the mountains it almost never goes like you had planned. We had some difficulties with the weather and it was probably the second day when we started shooting there was snow up in the mountains and things like that. So there was a lot of things not expected with the weather. We had to shoot of course anyway because we were up in the mountains and it is really expensive to get all the people up into the mountain. So we just shot the last scene of the film with the snow and we were just hoping that the snow would melt away so we could shoot the earlier scenes. On the third day of shooting and it actually did. We were very lucky with the weather but of course there were some minor changes and things like that.” Another challenge was shooting the scenes in Air Force One submerged in water. “It was in the studio. It was a big and complicated set because it involved, there was so much water in it. And when you have water and you have a lot of electricity and stuff like that it gets quite complicated but I really loved the set and it was really fun to work with it. I remember that some stunts Sam didn’t love so much because he had to lay there in the water for a long time.”
He spoke about the costume worn by Tommila. “I was trying to get the designer to somehow make Oskari look like he doesn’t belong int the forest as much as all the other Finnish guys in the beginning of the film. The Finnish hunters look like very typical outdoor, forest kind of men. I was trying to add more color to Oskari and something that he could actually wear somewhere else, probably in the school or something like that. So I was trying to make him look like he doesn’t belong there as much as everybody else. Then of course when he meets the President, who has a suit and tie stuff like that, Oskari started to look like he belonged there hell of a lot more than the President.” And the vest he wears was inspired by “Back to the Future.”
Tommila laughed when I asked him if he did any of the stunts. “I would like to say that I did but no.” As for acting, he said that the most important thing in acting is “you must jump into the character and think that you are the character so that you are in this situation right now and not pretend it.”
Boz Yakin wrote and directed “Max,” the story of a weapons-sniffing military dog whose human partner is killed. So traumatized he can no longer work, he goes to live with the grieving family and is cared for by their younger son, played by Josh Wiggins. I spoke to Yakin and Wiggins about the film and got to see Jagger, one of the five dogs who play the title character, too.
“I felt like it had been a while since someone made a movie about the human/animal dog human bond in particular,” sais Yakin. “A story that was was exciting and adventurous and harkened back to some of the things that excited me when I was younger. I wanted to make a family movie but not just for kids. I approached my friend Sheldon (co-writer Sheldon Lettich), who was a Marine and a Vietnam vet. He brought the idea of making it about a MWD, a military working dog. Once that came in the family that Josh is apart of and all that just kind of started to create themselves and it all started rolling from there.”
Josh Wiggins is also experienced with dogs and has three dogs himself, a Rottweiler, a Lab and a little Chihuahua Wiener dog mix, “every level, small, medium, and large.” His father is a K-9 dog handler, who trains dogs to locate bombs. “Before I left to go shoot for the video I ran the dogs and it helped a lot. You learn how to hold the dog and how to compose yourself and stuff like that.” Then he spent some time with the dogs in the movie so they would be comfortable with each other. “Before we started shooting I went to this facility where they were training. We would run around on bikes and get into cages with them, run around trees back and forth. I love dogs, so I was very comfortable bonding with them. It’s just like with a person. When you spend months and months with someone you get pretty close to them.”
Yakin said the dog trainers were as much a part of the making of the movie as the cinematographer and stunt coordinator. “They train a lot of the animals you might see in a lot of movies. And they’re just so specific and so well organized and it really makes your life easy. The dogs respond to that kind of environment so well. It really was remarkable for both of us to see what they were able to make them do.” The two main dogs were named Jagger and Carlos, but each of the five dogs used to play the role of Max had special skills. They had to use a female dog to play Max in the fight scenes because males are not permitted to fight each other. Carlos was unpredictable but uncannily was the best “actor.” In one scene, he had to convey a new sense of respect for one of the characters and he added tip of the head that was all his own. And “there was a moment at the beginning of the movie where in order to show that he’s found the weapons, he is supposed to just sit where they are. So Carlos comes and sits and does this with his head and I was almost tempted not to yell. Like people are going to think it’s like cute dog added right you know. But in fact Carlos was just his jittery self got on the thing and went here ok and sat down on it and I went man this dog is unbelievable. He kept doing stuff like that throughout the film. So a lot of what gives Max his personality is Carlos’ personality.”
Wiggins is terrific as Justin, an unhappy kid who resents his father (Thomas Haden Church) because he is demanding and undemonstrative. And because Justin blames his father for sending his older brother, Kyle, to war. “He’s definitely overshadowed by his brother but I think there is definitely some jealousy, whether he would accept it or not, because his brother is kind of his dad’s perfect image of what a son should have been and Justin is not like that. So I think there is definitely some jealousy. I think Kyle fits in much better with his family than he does. But that doesn’t mean there is resentment towards him. It’s jealousy you know, not resentment. He has to find himself.” There are a lot of stunts in the film, as Justin and Max get involved with illegal weapons dealers. There were stunt doubles, but Wiggins said, “I did a good amount of the bike riding. All the jumps and stuff were my stunt double, Keith Schmidt, Jr., and did an awesome job with it. Of course I’m a teenager, I’ve ridden a bike before but nothing to that extent , with rocks and tree branches and all that. It was really cool to be able to go outside of my comfort zone a little bit which is the cool thing about acting. You do a lot of stuff you really wouldn’t do otherwise.”
Television veterans Church and Lauren Graham (“Gilmore Girls”) play Justin’s parents. Yakin talked about working with them. “Thomas is so close to this character. He comes from Texas and his father who is a “Great Santini”-like a military man. So in some ways the challenge for Thomas was to make something imaginative for himself in that space. For Lauren coming from where she does feeling like a part of this family was a little bit more challenging. She felt a little bit more like an outsider. It was a little bit less clear to her how to get into it. I think she marvelously managed to work her way into this situation.” But, “the whole movie hinges upon Josh,” he added. “With a movie like this it’s easy for it to slip into sentimentality in the wrong situation. You know you want it to be emotional but not sentimental and when we saw Josh’s work one of the things that really stuck me about it was that it’s perfectly appropriate for the scene, it’s honest and it has emotion in it but it never tries to hand it to an audience and it’s never sentimental. Once we know that we had that core we can cast the other kids around him.”
The movie raises some important issues about families and about the military. Yakin wanted the movie to be more than just a boy and his dog. “For me the exciting part and the challenging part is making a family movie that provokes and challenges kids to think about and feel things that they aren’t necessarily asked to think about and feel and that allows adults to enjoy it even though it’s a movie that a young person can see. It allows adults to enjoy it for what it is without just feeling like they have to be there for their kids. So we’re trying to make a movie that can provoke and challenge while entertaining because it’s an adventure movie. And this country has been at war for how many years since 1991, and it’s a pressure that’s laying over everything that we do and feel about all the time. It’s always there and while trying to make a movie that’s entertaining and fun to a degree you know this war and the pressure of what it means to be a man, an American man in an environment where your manhood and masculinity are defined by how you react by this particular stress is always on you. That to me was interesting. Making the movie, it’s a family movie and I’m not trying to lay it on too thick but being an American man in the age of constant war. What the choices are in within the Justin character. That’s what the movie is about.”
Where You’ve Seen Them Before: The Cast of “Jurassic World”
Posted on June 13, 2015 at 3:55 pm
Of course the dinosaurs and the geniuses at ILM who created them are the real stars of “Jurassic World.” But the highest compliment we can pay the human performers is that they can hold their own next to the CGI dinos. If they look familiar, it may be because you’ve seen them before.
Nick Robinson plays Zach, a teenager visiting the Jurassic World theme park. I first noticed him in the hilarious Cox commercials, but he also starred in the terrific independent film, The Kings of Summer and on Melissa & Joey.
Chris Pratt starred in two of the biggest movies of 2014. He was the voice of Emmett in The Lego Movie and he was Peter (also known, at least to himself, as Star-Lord) in Guardians of the Galaxy. But before that he was often seen playing comic relief best friend type roles in movies like “Delivery Man” and “The Five-Year Engagement.”
Bryce Dallas Howard played a mean, racist socialite in The Help and she played Victoria in the “Twilight” series. And she wants you to know she is not Jessica Chastain.
Judy Greer plays the mother of the two boys and the sister of the woman who runs the park. She has been in pretty much everything, playing best friends in rom-coms and on television shows like “Arrested Development” and “Archer.” She even wrote a book about it: I Don’t Know What You Know Me From: Confessions of a Co-Star
Irfan Kahn plays the billionaire whose company owns Jurassic World. He appeared in “The Life of Pi” as the title character and in “Slumdog Millionaire” as the game show host. His lovely film “The Lunchbox” is well worth seeking out.