Is it Time for Another Captain America?

Is it Time for Another Captain America?

Posted on March 23, 2010 at 4:19 pm

This week’s announcement that Chris Evans (“The Fantastic Four”) will star in a new “Captain America” movie makes this the right moment to think about the history and meaning of the character. Never as iconic and popular as Superman or Batman, Captain America’s status has risen and fallen according to the political sentiments of the era. Unsurprisingly, he first appeared at a time of the most vibrant patriotism, the beginning of WWII. The character was Steve Rogers, a sickly young man who was given an experimental Super-Soldier Serum and “Vita-Ray” treatment that made him very strong and healthy in order to aid the United States war effort. His costume was inspired by the American flag. He has no superpowers but he carries a red, white, and blue indestructible shield. Captain America was often portrayed as fighting for the Allies and he was Marvel’s most popular hero during the war. captain america silver age.jpg
But his popularity waned in the Cold War era. His explicit Americanism did not fit either the complacence and materialism of the 1950’s or the Cold War concerns. He disappeared from comics until 1964. Interestingly, a character who appeared to be Captain America was featured in a comic book story starring the Fantastic Four’s Johnny Storm (also played by Evans on screen). But that character turned out to be a villain in disguise. The unabashed pro-Americanism of the character did not fit well with the turbulence of the 1960’s and Captain America himself became so disillusioned with the government following Watergate that he took on another persona for a while. In another episode he led a protest against government oppression of superheroes that was a commentary on infringement of civil rights. The character has had many different iterations and the Steve Rogers alter ego has died and been brought back and been in suspended animation and been brought back as the Captain America identity has shifted as well for a while being taken over by Roger’s one-time sidekick. There is also a black Captain America named Isaiah Bradley, whose origin was explicitly inspired by the real-life Tuskegee experiments. He was injected with the serum before Rogers.
Chris Evans was one of the best things about the uneven “Fantastic Four” movies and I look forward to seeing where he takes this character.

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Behind the Scenes Comic book/Comic Strip/Graphic Novel Commentary Understanding Media and Pop Culture
Interview: Bindi Irwin of ‘Free Willy 4’

Interview: Bindi Irwin of ‘Free Willy 4’

Posted on March 22, 2010 at 1:59 pm

Bindi Irwin, daughter of the late “Crocodile Hunter” Steve Irwin, stars in her first feature film, “Free Willy: Escape from Pirate’s Cove.” Inspired by the popular series of movies about a boy and a whale, this new adventure is about Kirra (Irwin), an Australian girl who visits her grandfather (Beau Bridges) in South Africa for the summer. When she discovers a stranded baby orca she names him Willy. She and her grandfather must help the whale get back to his pod before a greedy theme park owner steals him.
I spoke to Bindi and her mother Terri in the studios at a local public radio channel, WAMU, where she was appearing on their Animal House show. Bindi is a joy to talk to — so bright and friendly but also fearless and very passionate about animals, just like her dad.
I have one copy of the DVD to give away to the first person who sends me an email at moviemom@moviemom.com with “Bindi” in the subject line.
This is your first time acting. You’ve done a lot of documentary-style filming, but this was quite different.
I play a little girl called Kirra Cooper. She does not take no for an answer! This was my first time being someone else and being in a movie and it was very exciting. She was different from me but there was one similarity. She was trying to save this Orca called Willy, who washed over the lagoon wall and into my grandfather’s theme park. And in real life, I am trying to save the Steve Irwin wildlife preserve. It’s in Australia, up on Cape York and it’s in danger of being strip-mined. You can go to our website at Australia Zoo and sign a petition. IMG_7262.JPG
And how is Kirra different from you?
I can tell you a funny story about that! In one scene, I had to get really, really angry at the bad guy. My cheeks were getting all red and I was all grumpy. And I went back to the trailer and my mother said, “Bindi, I’ve never seen you that mad!” And I said, “I’ve never seen me that mad, either!” It was really fun to get a chance to do that. Beau Bridges was such an inspiration and he helped me so much. He gave me the book Acting: The First Six Lessons and I listened to it in audio and now I’m reading it, too.
Tell me about working with Beau Bridges!
It was so nice because my mum’s dad died a little over a year ago and so he became like another grandfather to me. In one scene he said when I was going to sleep, “Don’t let the bedbugs bite!” And that was heartwarming because that is what my grandfather used to say to me before I went to bed. I was also glad to work with someone who had been working in movies since he was six years old.
Did you film on location?
We got to go to South Africa for the very first time. My dad had been there before filming documentary films but there was political unrest and malaria so we did not get to go along. While we were filming my brother Robert went off and got to see Africa. His favorite animal is the chameleon and now I don’t think there is a single chameleon in Africa un-wrangled by Robert.
If you said “Boo” to me I wouldn’t sleep for two weeks! I don’t like scary movies. But I love my dad’s movie “Crocodile Hunter: Collision Course” and I liked doing this because it was like his. It isn’t just an action-packed fun family movie. You’d accidentally learn something, too. And there’s a great kid empowerment message. Kirra stands up for herself. She has a voice. A while ago I saw a very old movie and it had a man who said, “Children should be seen and not heard.” And I had to ask my mum what that meant! She said some people thought that children should not have opinions or have a voice. And I really believe we’re the next voters, we’re the next decision-makers, we are the generation making a difference on our planet to decide what will happen on this planet, so we should have a voice and be able to make decisions.
What was the most fun scene to work on?
They were all a lot of fun but the funniest was when I had to be eating an ice cream. But it was mashed potatoes! I’ll never look at ice cream in a movie the same way! They have to do that so it wouldn’t drip everywhere.
What’s the best advice you got about making the movie?
I was so used to documentary filming where it’s one take. You can’t really say, “Make that elephant charge again!” And you talk to the camera. With movie filming you’re talking to someone else. And Beau told me to think of it like you’re having a conversation. That really helped me. And everyone was lovely, even the crew. They all helped me so much. And we all laughed a lot of the time.
What should kids know about animals?
One of the great things that my dad told me was to treat animals the way you’d like to be treated. And it’d not just woodland creatures and conservation. Every time you lose an animal species, it’s like losing a brick from a house. Pretty soon the house just falls down. Snakes for example. People think they’re sticky and monstrous. But they’re cool and gorgeous. We live in a zoo and we get to share all our animals with the people who come in. We really put our animals first, and then the staff, and then the visitors. The animals aren’t pacing; they’re all happy. When you touch an animal, it ultimately touches you.
Do you have a favorite animal?
I love snakes and crocodiles but my favorite is the echidna, like the porcupine they have here. When a predator tries to grab them they curl up into a little ball. Whoever thought them up was very creative! Every August we go to study the saltwater crocodile, the largest reptile on the face of the earth. There’s so much we don’t know about them. You can’t give them a sedative so in order to put in the trackers we actually have to jump on them, use human force. It’s a lot of fun. You haven’t lived until you’ve been lying on a dinosaur. He’s an apex predator, the top of the food chain. And gorgeous!
How can kids help conservation and animal protection?
We’re working with an organization called the Sea Shepherd to try to protect the whales. And we have Wildlife Warriors, a non-profit organization working on protecting the Cambodian forest elephants, with tigers and cheetahs. And we help to train shepherds so they can do a better job of protecting their herds.

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Actors Behind the Scenes Interview
Dialect Coach Stephen Gabis of ‘The 39 Steps’

Dialect Coach Stephen Gabis of ‘The 39 Steps’

Posted on March 20, 2010 at 8:00 am

The 39 Steps is a riotously hilarious theater experience based on the classic Alfred Hitchcock movie, itself based on a popular 1915 thriller by John Buchan. The play has 150 zany characters — all played by four actors. The show features an on-stage plane crash, handcuffs, missing fingers and some good old-fashioned romance as the hero and heroine go on a chase that takes them through Scotland and into a London music hall. The touring stage version is opening in Washington DC this week. 39steps.jpg Four actors performing 150 parts means not just a lot of split-second costume changes but a lot of lightning-fast changes of character, voice, and accent, what dialect coach Stephen Gabis calls “a living, breathing actor’s nightmare.”
I spoke to Mr. Gabis about working on the show and what makes accents so important in creating a character. Part of the fun of talking to him was the way he almost sub-consciously slipped in and out of a dozen different accents to illustrate his comments.
This has to be one of the most accent-intensive challenges of any theatrical production.
And there’s an understudy who has to cover not just the main character but all of the other roles as well! From my vantage point, it is like boot camp for the first week, about the dialect. It really has to become muscle memory. Everyone has a different skill set; everyone’s brain is complicatedly and differently wired for this sort of thing. Some people have a kind of mimicry chip and can pick it up on their own. Some are good at some accents and not good at others. For this particular piece, a consistent problem is for the Scots characters. You have the Highlands accent and the Glaswegian girl and the guys on the platform in Edinburgh and the bobbies that are chasing them, keeping them out of Ireland! Americans have some misconception that mixes Irish and Scots accents.
Can you give me an example of the differences?
You’re going to say any of your sounds like “love” or “come” or “mother” would be “loove” if you’re Irish but the Scots would say it like an American. I got “te” go instead of I got “to” go. You don’t have to roll your r’s, you just have to be able to tap them. That over-emphasized rolling would be exaggerated, what I call “music hall Scots.” That’s what performers like Harry Lauder used to do, for emphasis and to be entertaining. The R takes that tap when you’re in the position to make a D. American speech is very lateral. Words kind of lean on each other. More legato. There’s a bit of a bounce to this stuff. This play exaggerates some of the speech in the text. And Scots will repeat what the other person says for emphasis.
So it isn’t only pronunciation, then, it’s cultural.
Yes! For instance, knowing the relationships between the different cultures that live together and the effect they have on each other. And whether the person is educated or not is important, too, not just where they live. The Glasgow girl in this show sounds like one of my classmates when I was in drama school, Sharman Macdonald, that soft voice — she is the mother of Kiera Knightly.
Were you always interested in accents?
I grew up around a lot of different accents and I’m a mimic. I studied acting but I am an autodidact. I resisted learning all of the phonetic alphabet stuff in drama school but had to discipline myself when I began to coach and teach.
Are accents as important as they once were in identifying people and their backgrounds?
Things are mushing together — media has made accents get a bit homogenized and put into a blender. I have to be really attuned to when it is taking place. This play is set in the 30’s. But I can’t overdue the authenticity, either. It has to be understandable for the audience. You don’t want a museum piece, too mannered, like Colin Clive in “Frankenstein.” The accent can’t be a distraction.

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Behind the Scenes

What Does the Sound Editor Do?

Posted on March 5, 2010 at 8:00 am

The Oscars are about more than office pools, fashion, and celebrities. It’s also a chance to learn more about that most collaborative of art forms, the movies. It took more than 3000 people to make “Avatar,” and only a couple of dozen were on screen. Slate has an excellent explanation of one of the more obscure awards, sound editing. Take a look and pick your favorite to win the award on Sunday night.

Check out Slate’s pieces on art direction and editing, too.

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Behind the Scenes

Temple Grandin on Thinking in Pictures

Posted on February 27, 2010 at 11:02 am

Temple Grandin, the subject of the new movie starring Claire Danes, was diagnosed with autism as a child. In this talk at TED, she talks about how her mind works — sharing her ability to “think in pictures,” which helps her solve problems that neurotypical brains might miss. She makes the case that the world needs people on the autism spectrum: visual thinkers, pattern thinkers, verbal thinkers, and all kinds of smart geeky kids.

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