Though the conversation on inequality in Hollywood is getting more attention than ever, a new report reveals that little has changed on screen or behind the camera.
Authored by Professor Stacy L. Smith and the Media, Diversity & Social Change (MDSC) Initiative at USC’s Annenberg School for Communication and Journalism, the study is the largest intersectional analysis of characters in motion picture content to date. The group examined the 800 top films from 2007 to 2015 (excluding 2011), analyzing 35,205 characters for gender, race/ethnicity, LGBT status and – for the first time – the presence of disability. The results reveal that Hollywood remains resistant to change.
Copyright USC Annenberg 2016
Just 31.4% of all speaking characters across the 100 top films from 2015 were female, a figure that has not changed since 2007. While race/ethnicity has been a major focus of advocacy in the wake of #OscarsSoWhite, characters from underrepresented racial/ethnic groups were 26.3% of all characters. LGBT-identified characters represented less than 1% of all speaking characters. The report includes data on characters with disabilities, who filled a mere 2.4% of all speaking roles.
The report also has extensive and disturbing data on the depictions of minorities, including people with disabilities, and on the sexualization of young woman.
Special Screenings of Autism Documentary “Life, Animated” for People on the Spectrum
Posted on August 16, 2016 at 10:56 pm
The award-winning documentary “Life, Animated” tells the story of Owen Suskind, a young man with autism, who used Disney movies to teach himself how to understand and communicate with other people. Regal Cinemas will have a special screening for those who need quieter environment in 30 cities around the country on August 27, 2016. This special one-day national screening date is part of Regal’s My Way Matinee screening series, featuring a sensory friendly screening environment to support those on the autism spectrum and their families.
Owen Suskind and His Parents Talk About the Autism Documentary “Life, Animated”
Posted on July 8, 2016 at 8:00 am
Owen Suskind tells me, “It feels interesting to be on the autism spectrum and fascinating.” His parents remember what he has said to them about how it feels to have autism. Ron Suskind reminds him, “Remember you said you see everything at once and you can remember all the moments in your life, maybe too many moments, but you go across them and you get a sense of what?”
“My place in the world,” Owen answers.
Cornelia Suskind adds, “And sometimes it’s a little overwhelming having all the stimulation coming in to you at once. You need to create a quiet space around you. When you were younger it was hard to communicate, language was really hard.”
The Suskinds were there to talk about their new documentary, “Life, Animated,” based on Ron’s best-selling book about Owen and how he taught himself about the world through Disney films. The movie is about Owen and autism and the scary and exciting adventure of leaving home, but most of all it is about family. The Suskinds are one of the most loving, devoted, and compassionate families ever to appear on screen. It is a joy to spend time with them, whether through the book, the film, or an interview.
Owen has regressive autism, meaning that he developed along typical milestones until about age 2½, and then lost his ability to communicate and continue to develop. He loved to watch Disney animated films but barely spoke until age 6, when he suddenly told his parents that his brother Walt did not want to grow up, “like Peter Pan and Mowgli.” Owen was using Disney films to teach himself how people feel, behave, and communicate.
“They helped me communicate to find my place in the world and get my speech back,” Owen said.
Cornelia explained, “Movies are always the same. Every time you pop it in, every time you put in a VHS it will always be the same movie and the same language and the same characters instead of constantly changing, the way it does with people, even my expressions, with you and me sitting here. it’s always the same, very, very exaggerated, very colorful. And I think the combination of the music and animation together activating those parts of the brain were really key in tapping into how Owen was feeling but not able to express.”
When Owen was younger, he preferred hand-drawn animation “because it does expressions and feelings.” Now, he likes computer animation as well, perhaps because it has come closer to hand-drawn in its expressiveness and richness of detail. He has very strong views about sequels: “The only four theatrical animated sequels I love are ‘The Rescuers Down Under,’ ‘Fievel Goes West,’ ‘Toy Story II’ and ‘Fantasia 2000’ and the only direct-to-video animated sequels I love are after the very first film of ‘The Land Before Time’ the animated film theatrical in 1988 were ‘The Land Before Time’ direct to video animated sequels. I would go all the way until the 10th one from late 2003, early 2004 and then conclude right there.” He loves to draw the sidekick characters, who have special meaning for him. His favorites are Sebastian from “The little Mermaid,” Iago from “Aladdin,” and Lucky Jack from “Home On The Range.”
Owen has his own YouTube channel, Owen’s Disney Club, where he discusses his favorite movies, displays Disney paraphernalia currently available for bid on eBay in a weekly “Finds of the Week” screencast, tours his personal collection of rare and hard-to-find Disney items, and interviews special guests.
Owen may be the only fan whose favorite Jimmy Stewart role is in “Fievel Goes West,” where his character says, “Just remember Fievel, one man’s sunset is another man’s dawn. I don’t know what’s out there beyond those hills but if you ride yonder, eyes steady, head up and heart open, I think one day that you’ll find that you are the hero that you’ve been looking for.”
Owen pointed out that Stewart, like a surprising list of other stars, made his last performance in an animated film. Another favorite is Mary Wickes, whose last performance was as a gargoyle in “Hunchback of Notre Dame.” Owen quoted her: “Life’s not a spectator sport. If watchin’ is all you’re gonna do, then you’re gonna watch your life go by without ya.”
Cornelia’s hopes for the movie are equally inspiring: “If we could share a little bit of a positive experience, not that obviously every minute in the film is a positive and our every minute has not been positive, but just the reality of it for people to get another image of what a person on the spectrum is like instead of ‘Rain Man,’ to see how fully realized Owen’s life is and that his wants and desires are every bit exactly the same as ours. I mean it’s extraordinary, it really is. So we’ve guided him for sure and try to teach him but he teaches us a lot more in a profound way.” And in this movie, they teach us all.
Rated PG for thematic elements, and language including a suggestive reference
Profanity:
None
Alcohol/ Drugs:
None
Violence/ Scariness:
Emotional upheavals
Diversity Issues:
A theme of the movie
Date Released to Theaters:
July 8. 2016
Copyright 2016 The Orchard
Temple Grandin described her experience of trying to understand social interaction as a person with autism: like an anthropologist on Mars. The kinds of social cues that come naturally to neurotypicals can seem strange and even disorienting to people on the autism spectrum, who may be overwhelmed with undifferentiated input that makes it even more difficult to understand the mood and motives of the people around them. “Life, Animated,” based on the best-seller by Ron Suskind, is the story of Owen Suskind’s efforts to use Disney animated films to help him understand and communicate with the people around him. Taking up where the book ends, it is the story of the most universal of human experiences — leaving home, becoming independent, negotiating romance and work — as seen through the unique mind of a man who finds his answers in Disney movies.
And of course so many Disney movies are about growing up. We see Owen watching Wendy in “Peter Pan” as she says, “I have to grow up tomorrow.” And Owen tells us he is a little nervous and a little excited about graduating and moving out of his parents’ house and into a group home.
Owen was developing normally until age three, and then suddenly he “vanished.” He stopped speaking. “It’s like we were looking for clues to a kidnapping.” His parents found themselves in those less-friendly doctor’s offices, the ones that have rooms with special windows for observation. Owen was diagnosed with “pervasive developmental disorder,” which basically means: “we have no idea what the problem is or how to fix it.”
The Suskinds, one of the most loving, wise, and devoted families ever put on film, were determined to undertake “a rescue mission to get inside this prison of autism and pull him out.”
And it turned out, from the inside of that prison, Owen was on his own rescue mission. Suddenly, at 6 1/2, after years of no clear sign that he could still speak or of how much he understood, he said to his parents after his brother’s birthday party, “Walter doesn’t want to grow up, like Mowgli and Peter Pan.”
That is not only a complex sentence; it is a complex idea. The family began to use the Disney films as a sort of English as a second language mode of communication. Owen’s father used a puppet of “Aladdin” character Iago to speak to him, and Owen answered back. “We began to speak to him in Disney dialog.” As an expert in the film notes, animated characters are exaggeratedly expressive. Their fear, anger, and affection is clearly shown, and repeat viewings are illuminating and reassuringly the same, a welcome consistency in a world of chaos and unpredictability. “Disney keeps the world neat and tidy.”
It also gives Owen a chance to interact. He starts a Disney club for other people with autism. A surprise visit from two Disney voice talents is a movie highlight, and, clearly for the actors unused to such unalloyed enthusiasm, a career highlight for them.
And Owen draws the characters, too. But only the sidekicks, never the principals, the stars. Perhaps he feels that he is a sidekick as the people around him have adventures he will not.
Director Roger Ross Williams, a family friend, is clearly trusted by the family and he more than earns it with a sensitive, understanding approach. With the permission of Disney, he includes clips and animation inspired by Disney that tells Owen’s story in a way that lets us see through his eyes the way that “Peter Pan” and “Aladdin” let him see through ours.
Parents should know that this film includes discussions of autism, growing up, and separation, a painful break-up, and a mild sexual reference.
Family discussion: What movie helped you understand feelings and communication? What is the best way for families and friends to help people like Owen?
If you like this, try: “How to Dance in Ohio” and “The Story of Luke”
Autism Awareness Month on SundanceNow Doc Club Channel
Posted on April 16, 2016 at 8:00 am
The SundanceNOw Doc Club observes Autism Awareness Month by showing three inspiring films that follow the triumphs and hurdles of individuals on the Autism spectrum. These stories show that through art and self expression, untraditional methods, and efforts of entire communities’ individuals with special needs can flourish.
SPECTRUM OF HOPE
Follow the journey of 10 musical theater students, their families, and their teachers as they travel from their NYC special needs school to compete in the Junior Theater Festival in Atlanta, Georgia. A powerful celebration of what can be accomplished through arts education, musical theater, and allowing individuals to grow on their own terms.
BEST KEPT SECRET
Janet Mino has taught her class of young men with autism for four years. When they all graduate in the spring of 2012, they will leave the security of the public school system forever. Take a closer look at the compounded difficulty of special needs individuals within the working-class and impoverished circumstances.
THE HORSE BOY
When two-year-old Rowan was diagnosed with autism, Rupert Isaacson, a writer and former horse trainer, and his wife Kristin Neff, a psychology professor, sought the best possible medical care, but traditional therapies had little effect. Then they discovered that Rowan has a profound affinity for animals—particularly horses—and the family set off on a quest that would change their lives forever.
