Museum Exhibit Explores Illinois Film Censorship Bureau

Posted on July 10, 2014 at 2:25 pm

Illinois’ Lisle Station Museum has an exhibit about the little-known and less-remembered history of film censorship in Chicago under the direction of what was originally called the Police Censor Board, formed in 1907, the first such oversight organization in the country. It remained in force until 1984, though of course its work had long since been superseded by first the Hays code and then the MPAA.

Titled “Banned in Chicago: Eight Decades of Film Censorship in the Windy City,” it examines the history behind film censorship in Chicago and provides a glimpse into the types of films that were being censored and a broader look at the implications of censorship throughout America.

The Chicago Tribune wrote:

Though this gathering, vividly illustrated with documents and photos and embellished by clear writing, is based on serious academic research, it is wildly, somewhat weirdly and even comically entertaining.

For each film viewed, the board members would fill out censor cards, detailing their complaints. The card regarding the movie “Woodstock” in 1972, for instance, contains notations such as a “hippie cult song festival,” “nudity, free sex and pot smoking.” Efforts to ban that film were unsuccessful.

Not so “Scarface.” That 1932 film, generally regarded as the first gangster movie, starring Paul Muni and written by former Chicago newspaperman Ben Hecht, never did play at any Chicago movie house when it was first released. Such was the clout of the board for a time.

It will be on display through August 16, 2014.

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Summer Movie Catch-Up: Lists for Kids, Couples, and Hipsters

Posted on July 2, 2014 at 12:00 pm

Summer is a great time to catch up on some classic and even not-so-classic films, the movie version of beach books.  The nice folks at Entertainment Weekly have come up with a terrific list of films all children should see before they get to high school.  This is a good chance for parents to share some of their own childhood favorites with their children, like “The Princess Bride” and “Babe” and perhaps discover some they missed like “The Red Balloon” and “Duck Soup.”  These are the movies that should inspire the scheduling of a monthly family movie night where we re-invent the idea that everyone sits down with a bowl of popcorn and enjoys the same movie at the same time in the same room.

And for couples, Esquire has helpfully put together a list of romantic comedies that men will enjoy.  No Katherine Heigl, Jennifer Aniston, or Adam Sandler in the bunch, and some very well-chosen black and white classics like “Trouble in Paradise” and “Miracle of Morgan’s Creek.”

In case you’ve been waiting for some suggestions from perennial polymath James Franco, Vibe has published his list of some favorites.  I was especially glad to see “Dogtown and Z-Boys,” one of my favorite documentaries, about a group of kids who transformed skateboarding and helped invent the idea of extreme sports.

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Our Second Pre-Code Series Starts Tomorrow with Barbara Stanwyck’s “Ladies They Talk About”

Posted on June 26, 2014 at 8:00 am

Margaret Talbot and I will kick off our second series of Pre-Code films at Washington, D.C.’s Hill Center tomorrow night with “The Ladies They Talk About.” As Margaret says, it’s Depression-era “Orange is the New Black,” much of it set in a women’s prison with a colorful group of inmates.  It is based on a play written by an actress who herself served time in prison.

Pre-Code films were made in the brief time between the beginning of the Sound Era (1927) and the enforcement of the Hays Code, which strictly limited the content of films, in 1934. Pre-Code films are frank and remarkably spicy. Tomorrow’s film, which stars Barbara Stanwyck and Margaret’s father, Lyle Talbot, may have a loopy plot, but portions of it feel very modern, including the treatment of a lesbian prisoner.  I hope those of you in the area will join us!

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Movie Greats: John Cassavetes and Gena Rowlands

Posted on June 24, 2014 at 3:42 pm

John Cassavetes and Gena Rowlands were at the forefront of a revolution in cinema that led to a new era of naturalism in subject matter and performance. Cassavetes, best known as an actor for starring opposite Mia Farrow in Rosemary’s Baby. But as a director, he was a pioneer of independent film. Working with his wife, Gena Rowlands and friends like Peter Falk and Ben Gazzara, he made movies of startling intimacy and honesty. Every film that is (or appears to be) improvised by its actors is inspired by Cassavetes and Rowlands.

Leonard Maltin calls Cassavetes’ 1959 film, “Shadows,” “a watershed in the birth of American independent cinema”.

Rowlands was nominated for an Oscar for her fearless performance in “A Woman Under the Influence,” a 1974 film that piercingly portrayed her character’s mental collapse.

https://www.youtube.com/watch?v=X4Uzdlgv2G8

Their son, Nick Cassavetes, became a director as well, and featured his mother in his best film, The Notebook.

https://www.youtube.com/watch?v=3FycR4ZT-eU

BFI’s Film Forever site has a terrific tribute to this ground-breaking couple.

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