Real Genius — Three Decades Later, It Still Holds Up

Posted on June 21, 2015 at 3:58 pm

Thirty years ago, a college comedy called “Real Genius” was released, and it is good to see that it holds up well. It is even more apt in some ways now than it was when it came out. Tor’s Emily Asher-Perrin has an excellent assessment of “Real Genius.” Long before “The Big Bang Theory,” this story of super-science-smarties at a CalTech-style college who discover that the experiments they are doing are for a new weapons system.

Asher-Perrin writes:

he movie is better at portraying geeks in ways that don’t just melt down to old tropes of pocket protectors and bow ties and awkwardness. It communicates that having an outrageous IQ can be isolating, but doesn’t make all smart people out to be socially undeveloped shut-ins. It also shows us how being driven toward answers can blind even the most optimistic, well-meaning folks into making terrible mistakes. And it communicates what it’s like to study for finals more realistically than any film I’ve ever seen, which is an accomplishment and a half.

No really, there’s a scene where everyone is gathered around a communal table to cram for the exam, and one guy just gets up and starts screaming at everyone before running from the building. Everyone else is unresponsive and some other dude sitting on the room’s perimeter moves into his vacated seat without comment. That’s basically the experience distilled into its purest form.

Also, did I mention that it ends on a Tears For Fears song? Because that should be enough to recommend it right there.

Another great thing about this film is how it doesn’t couch itself in the “nerd versus jock” dynamic. It’s a boring cliche that rarely bothers to examine the realities of persecution due to differences. Instead, it herds people into group stereotypes and activity negates character complexity. Real Genius knows this, and most of the rivalry here is geek-on-geek.

As she points out, the women in the film are more varied, intelligent, and substantial than in most teen comedies, especially the character named Jordan. “It’s not the fact that she might be on the spectrum itself that’s remarkable, but the fact that the film never suggests that Jordan should be viewed differently because of it. It doesn’t make her “special” in a manic pixie dream way, but it doesn’t make her pitiable either. She’s simply who she is, and that person is still portrayed as desirable and engaging and brilliant.”

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My Ebook on Movie Dads is Free This Weekend for Father’s Day!

My Ebook on Movie Dads is Free This Weekend for Father’s Day!

Posted on June 19, 2015 at 8:00 am

In honor of Father’s Day, my eBook, 50 Must-See Movies: Fathers is FREE through Monday, June 22, 2015.

50 must-see fathers smallWhat do “Wall Street” and the “Star Wars” saga and, seemingly, about half the movies ever made have in common? They are about fathers. In “Wall Street,” Charlie Sheen plays the ambitious Bud, who respects the integrity of his blue-collar father, played by his real-life father, Martin Sheen. But Bud is dazzled by the money and power and energy of Gordon Gekko (Michael Douglas). The movie will up the ante with Bud’s father’s heart attack as we see him struggle between the examples and guidance of these two male role models.

In “Star Wars,” Luke (Mark Hamill) does not know until halfway through the original trilogy that (spoiler alert) the evil Darth Vader is his father. He was raised by his aunt and uncle, who are killed very early in the first film, but the father figures who are most meaningful in his life are the Jedi masters Obi-Wan Kenobi and Yoda. Like Bud in “Wall Street,” Luke must choose between the good and bad father figures. Like Luke, Harry Potter is raised by an aunt and uncle, but he finds a true father figure later. For Harry, it is headmaster Albus Dumbledore. In opposition is He Who Must Not Be Named. Like Luke, Harry has the opportunity for great power on the dark side, but he lives up to the example set for him by Dumbledore.

The first stories ever recorded are about fathers. The central human struggle to reconcile the need for a father’s approval and the need to out-do him is reflected in the “hero of a thousand faces” myths that occur in every culture. In Greek mythology, Zeus is the son of a god who swallowed his children to prevent them from besting him. Zeus, hidden by his mother, grows up to defeat his father and become the king of the gods. Ancient Greece also produced the story of Oedipus, who killed his father and married his mother, and The Odyssey, whose narrator tells us “it is a wise man who knows his own father.”

These themes continue to be reflected in contemporary storytelling, including films that explore every aspect of the relationship between fathers and their children. There are kind, understanding fathers whose guidance and example is foundation for the way their children see the world. There are cruel, withholding fathers who leave scars and pain that their children spend the rest of their lives trying to heal. There are movies that reflect the off-screen real-life father-child relationships. Martin Sheen not only played his son’s father in “Wall Street;” he played the father of his other son, Emilio Estevez, in “The Way,” which was written and directed by Estevez, and which is about a father’s loss of his son. Will Smith has appeared with his son Jaden in “The Pursuit of Happyness” and “After Earth.” John Mills appeared with his daughter Hayley in “Tiger Bay,” “The Truth About Spring,” and “The Chalk Garden.” Ryan and Tatum O’Neill memorably appeared together in “Paper Moon.” Jane Fonda produced and starred in “On Golden Pond” and cast her father Henry as the estranged father of her character. Jon Voight played the father of his real-life daughter Angelina Jolie in “Tomb Raider.” And Mario Van Peebles, whose father cast him as the younger version of the character he played in “Sweet Sweetback’s Badasssss Song” made a movie about the making of that film when he grew up. It is called “Badasssss!” In the role of Melvin Van Peebles he cast himself.

Director John Huston deserves some sort of “Father’s Day” award. He directed both his father and his daughter in Oscar-winning performances, Walter Huston in “The Treasure of the Sierra Madre” and Anjelica Huston in “Prizzi’s Honor.”

Some actors known for very non-paternal roles have delivered very touching performances as fathers. Edward G. Robinson is best remembered for playing tough guys, but in “Our Vines Have Tender Grapes” he gave a beautiful performance as a farmer who loves his daughter (Margaret O’Brien) deeply. Cary Grant, known for sophisticated romance, played loving – if often frustrated — fathers in “Houseboat” and “Room for One More.” “Batman” and “Beetlejuice” star Michael Keaton was also “Mr. Mom.” Comedian Albert Brooks is a devoted father in “Finding Nemo.”

https://www.youtube.com/watch?v=2V74rUwMYHE

There are memorable movie fathers in comedies (“Austin Powers,” “A Christmas Story”) and dramas (“To Kill a Mockingbird,” “Boyz N the Hood”), in classics (“Gone With the Wind”), documentaries (“Chimpanzee,” “The Other F Word”), and animation (“The Lion King,” “The Incredibles”). There are great fathers (“Andy Hardy”) and terrible fathers (“The Shining”). There are fathers who take care of us (“John Q”) and fathers we have to take care of (“I Never Sang for My Father”). All of them are ways to try to understand, to reconcile, and to pay tribute to the men who, for better or worse, set our first example of how to decide who we are and what we will mean in the world.

https://www.youtube.com/watch?v=BadSZDpvq-s
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Today on TCM: Go Back in Time With Time Travel Movies

Posted on May 28, 2015 at 8:00 am

Tonight Turner Classic Movies has some time travel treats, including George Pal’s classic version of H.G. Wells’ “The Time Machine,” starring Rod Taylor and Yvette Mimieux.

Also on the schedule is “Time After Time,” with Malcolm McDowell as Wells himself, using his time machine to chase Jack the Ripper into the future — and falling in love with a 20th century woman played by Mary Steenburgen.

” Berkeley Square” has Leslie Howard going back in time and inhabiting the body of his look-alike ancestor, and “Dr. Who and the Daleks” takes the decades-long television hero to the big screen.

And be sure to check out the legendary short “La Jetée,” a spooky story about the few remaining humans after WWIII trying to send a survivor back in time.

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Movies for Memorial Day

Movies for Memorial Day

Posted on May 24, 2015 at 8:00 am

I’ve already written about great documentaries and feature films about the military to watch on Memorial Day.  These recent documentaries about our 21st century conflicts give the military a chance to tell their own story.  They are not pro-war or anti-war. They are pro-soldier.

The War Tapes Operation Iraqi Freedom was filmed by three soldiers on the front lines in 2006.

Restrepo This documentary tells the story of the deployment of a platoon of U.S. soldiers in Afghanistan’s Korengal Valley. The movie focuses on a remote 15-man outpost, “Restrepo,” named after a platoon medic who was killed in action.

Gunner Palace This film shows us the lives of soldiers from the 2/3 Field Artillery in a bombed-out former pleasure palace once belonging to Uday Hussein.

Bomb Hunters: Afghanistan The US Army’s 23rd Engineer Company is are charged with clearing routes in southern Afghanistan and disarming the military’s number one threat: IEDs.

https://www.youtube.com/watch?v=KDvFdXyFw6c

Always Faithful Military dog teams are on the front lines of war in Iraq and Afghanistan. “Always Faithful” follows five young Marines and their four-legged partners.

Baghdad ER Like a real-life update on the kinds of facilities portrayed in “MASH,” this film looks at life and death at the 86th Combat Support Hospital, the U.S. Army’s premier medical facility in Iraq.

 

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Great Films with Philosophical Themes

Posted on May 18, 2015 at 8:00 am

Even the least ambitious films often include some philosophical questions about identity, meaning, and free will. But I enjoyed this list of philosophical films from The Guardian. All of them are worth seeing and all of the questions they raise are worth considering, from “It’s a Wonderful Life” (What makes life worthwhile?) to determining reality (“Galaxy Quest”).

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