Night Catches Us

Posted on February 3, 2011 at 2:58 pm

Writer-director Tanya Hamilton and two of today’s most gifted actors have produced a sensitive drama with a powerful conclusion. Night Catches Us takes on some of the most complicated and painful issues of the era that saw the struggle for civil rights shift from “We shall overcome” to “Burn, baby, burn.” It is rare that we see those issues portrayed, rarer still that we see them explored with any recognition of complexity and nuance, and just about unheard of that we see how much more complicated and nuanced the issues were for the women.

It is 1976, and the United States is celebrating its 200th birthday. Some Americans are still feeling marginalized, neglected, or locked out.

Marcus (Anthony Mackie) who returns to his home in Philadelphia following the death of his preacher father. He seems rootless and restless. But it is immediately clear when he sees Patricia (another exquisite performance by Kerry Washington), a lawyer and single mother, that they have some history and that he wants to know whether they might have a future.

No one else seems happy to see Marcus, even his brother. It is apparent that the people he left behind feel abandoned and betrayed by him. Everyone seems to think he is the one who gave the police information that led to the death of one of the leaders of the Black Power movement. But it is also clear that he is a good man. Could he be protecting someone?

This is a sincere, thoughtful exploration of complex issues and complicated people. Washington and Mackie, who appeared together in “She Hate Me” give performances of great depth and dignity, spare but endlessly compelling and evocative. The story’s ambitions at times outstrip the ability of first-timer Hamilton, but it is those very ambitions that give the film its exceptional power. At its conclusion, we have to confront our own assumptions to recognize that it is really not Marcus’ story after all, and the whole movie opens up to deepen our appreciation and insight.

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Black History Month Movies

Posted on February 1, 2011 at 3:59 pm

Instead of the usual list of movies about famous historical figures, I thought this year I would suggest some movies that are themselves a part of the history of African-Americans as well as a part of the history of movies and of American culture. While some of these films reflect the racism of their era, they give us a chance to see some of the finest performers of the 20th century — and to talk about what their experience was like and about what has and has not changed.

1. Cabin in the Sky This was the first all-black movie made for a mainstream audience by a major Hollywood studio. While its script is lightweight at best, it is still a wonderful opportunity to see some of the most significant performing artists of that era, including Ethel Waters, Lena Horne, and Louis Armstrong. It was the also the first film directed by Vincente Minnelli.

2. Stormy Weather As with “Cabin in the Sky,” the reason to see this film is the chance to watch legendary greats like Lena Horne, Bill Robinson, Cab Calloway, and the astonishingly athletic Nicholas Brothers.

3. Lilies of the Field Sidney Poitier became the first black man to win an Best Actor Oscar for his performance in this wonderful film about a handyman who builds a chapel for a group of German nuns.

4. Gone With the Wind Hattie McDaniel became the first African-American performer to win an Oscar for her role as Mammy in this grandest of epics. Relegated to playing maids (and in this movie a slave), Ms. McDaniel brought to each of her roles a dignity and grace that is all the more extraordinary considering the bigotry that she faced on and off screen.

5. Baadasssss Cinema – A Bold Look at 70’s Blaxploitation Films Black cinema exploded during the 1970’s and this documentary about the “blaxploitation” era has a sympathetic but clear-eyed assessment of the strengths and weaknesses of these films.

6. Baadasssss! The “blaxploitation” era began with a film called “Sweet Sweetback’s Badasssss Song,” a raw, confrontational film made by Melvin Van Peebles about a powerful man who defied “the man” to live by his own code. His son Mario Van Peebles wrote, directed, and starred in this film about how it got made.

7. Do the Right Thing President and Mrs. Obama saw this incendiary movie on their first date. It is a brilliant film and it has become a cultural touchstone. It is a tough, smart, and very provocative film that included an electrifying moment when the character played by Lee himself held up a trash can and aimed it at the glass window of a pizzeria owned by an Italian named Sal (Danny Aiello). People are still arguing about what happened next.

8. Precious: Based on the Novel Push by Sapphire One of 2009’s top films is a searing story of a hideously abused girl, inspired by the lives of the students taught by author/poet Sapphire. Like any provocative story, it has been controversial and some have called it exploitative. But it is a heartfelt story, beautifully performed.

9. The Princess and the Frog Disney’s first African-American princess story is one of the studio’s best, with an endearing heroine and a rollicking score.

10. Diary of a Mad Black Woman Tyler Perry has quickly become one of the most powerful forces in entertainment, with successful theater, DVD, television, and movie productions. The success of his first theatrical release took Hollywood by surprise — they still do not understand the power of stories that come from the African-American experience without going through the filter of the studio “experts.” This film has Perry’s unique mash-up of high drama, low comedy, romance, spirituality, and of course the indomitable Madea played by Perry himself.

Turner Classic Movies Salutes the Oscars

Posted on February 1, 2011 at 9:15 am

Every year, Turner Classic Movies salutes the Oscars with a month full of classics and rarely-seen gems that were nominated for or won Oscars, not just for the acting and directing awards but for costume design, cinematography, and more. Today features three films about the same character — Robert Shaw, Charles Laughton, and Richard Burton all played Henry VIII in Oscar-nominated or awarded films. The most-nominated actor gets a special tribute. (Do you know who it is? Here’s a hint: “Five Easy Pieces,” “Terms of Endearment,” and “Reds.”) There’s also a tribute to the actress who had the most nominations without ever winning, Deborah Kerr. And there are enticing categories like “Oscar Falls in Love,” “Husbands and Wives,” and one for “Love at First Site.” Every movie on the schedule is worth watching, so get our your calendars and go through the whole schedule.

Johnny Belinda

Posted on January 4, 2011 at 3:59 pm

Celebrate the birthday of Jane Wyman with her Oscar-winning performance in the classic Johnny Belinda.

Belinda (Jane Wyman) lives with her father and aunt on a farm on an island off the coast of Nova Scotia. Her father, Black McDonald, is hard and angry. He resents Belinda because her mother died when she was born, and he treats her like an animal because she is deaf and mute. People in the town refer to her as “the dummy.” Dr. Robert Richardson (Lew Ayres) teaches Belinda to communicate through sign language, and for the first time, her sweet and loving personality emerges. She is raped by Locky McCormick, a drunken brute, and becomes pregnant. The baby is named Johnny Belinda.
Everyone assumes that Robert is the father, and he must leave the comÂ¬munity. Belinda’s father finds out Locky was responsible and confronts him. Locky kills Black, making it look like an accident. When Locky’s wife cannot have children, he wants Belinda’s baby, knowing it is the only child he will ever have. The people in the town believe that Belinda cannot take care of the baby and decide to take it away from her.

Locky goes to Belinda’s house and tries to take the baby, but she thinks he means to harm him. Trying to protect herself and the baby, she kills Locky. She is charged with murder. It looks as though she will be convicted, until Locky’s widow comes forward and tells the truth. The community understands that even though Belinda cannot speak, she is loving, devoted, brave, and intelligent. Robert returns to be with Belinda and her child.

Jane Wyman spoke of trying to achieve an “anticipation light” when she was preparing for this role, the look of interest and attention she saw in deaf people who were trying to understand what hearing people were trying to communicate.

This movie does a good job of showing that learning a little bit can make a person hungry to learn more, and that having even one person believe in someone can make that person feel capable of achieving anything. The key themes of this movie, recognizing the humanity in those who are different and the impact that having that humanity recognized has on people and everyone around them, are well worth discussing.

Some kids may want to know more about rape as well, and this provides an opportunity to discuss it as a crime of power and aggression rather than of sex. Young girls often misunderstand and worry about somehow sending a signal that invites rape. It is important to make sure they understand , as shown in this movie, rapists are not accepting an invitation and , on the contrary, it is the idea of overpowering someone who does not want to consent to sex that is exciting to them.

Parents should know that this movie includes a rape scene that is not explicit, but still disturbing, as well as a violent confrontation that proves fatal.

Family discussion: Why is Belinda’s father so hard on her? How much do you think Belinda understands before she learns sign language? How can you tell? What makes her decide to be more aware of her appearance? Why does Aggie change in the way she treats Belinda? What does she mean when she says their family may fight with each other, but they support each other when any one of them needs it? How is this movie similar to The Miracle Worker? How is it different? See if the kids can recognize this “anticipation light” look and even try to create it themselves. They also may want to wear earplugs, as Wyman did, to help adjust her reactions to those of someone who does not respond to auditory cues and signals.

Twelve More Great Christmas Movies Without Santa, Tiny Tim, or A Message from Ovaltine

Posted on December 19, 2010 at 3:58 pm

I love the classics, but if you’ve seen them all and want to try something new, take a look at these holiday gems:

Desk Set Before smart phones and Google, there were people like the character played by Katherine Hepburn in this romantic comedy, her first color film with her favorite on- and off-screen co-star, Spencer Tracy. She is old school as a researcher for a television network who relies on her reference books and prodigious memory to answer all questions. He’s the tech guy who is installing a computer (the size of a small house). Sparks of all kinds result. (Ages 10-Adult)

Die Hard One of the greatest action films of all time has Bruce Willis as a cop visiting his estranged wife at her office on Christmas eve, just as a group of super-genius bad guys (led by the magnificently malevolent Alan Rickman) take over the building. (Very strong language and explicit and graphic violence — Ages 15-Adult)

It Happened on 5th Avenue A homeless man moves into a mansion while the owner is away for the holidays and soon finds himself hosting some WWII vets and their families. The owner’s daughter comes home and finds herself pretending to be another squatter. (Ages 8-Adult)

An Affair To Remember Get out your handkerchiefs. Cary Grant and Deborah Kerr play a couple who meet on a ship as they are returning home to get married to wealthy, upper-class types who can support them in the manner to which they would like to be accustomed. When they fall deeply in love, they realize they must earn their right to be together. And when tragedy strikes, it will take all the magic of Christmas to bring them a happy ending. (10-Adult) Note: the original version, “Love Affair,” with Charles Boyer and Irene Dunne, is also a wonderful film, but skip the third version with Warren Beatty and Annette Bening.

The Shop Around the Corner Before You’ve Got Mail and the musical version In the Good Old Summertime was this charming black-and-white romance with Margaret Sullavan and James Stewart as warring co-workers in a department store who do not realize that they are in love with each other via a secret pen pal letter exchange. There is also a stage musical version called In the Good Old Summertime. (10-Adult)

Dr. Seuss’ How the Grinch Stole Christmas The Jim Carrey live action version is all right, but this animated film from Chuck Jones is the real Grinch movie, with the deliciously sinister voice of Boris Karloff. (All ages)

“Period of Adjustment” The only way to see this one is in its annual broadcast on Turner Classic Movies as it is not available on DVD. So set your TIVO for this story of newlyweds (Jane Fonda and Jim Hutton) who have something to learn about communication. He brings her to visit his old war buddy who is having some marital problems of his own. This is the only comedy from legendary playwright Tennessee Williams and it is a heart-warming gem.

The Gathering Ed Asner plays a tough, type-A businessman who neglected his family to pursue his career. He asks his estranged wife (the superb Maureen Stapleton) to bring together his grown children and their families for Christmas, and we and they later discover why it is so important to him to make peace with them at last.

Joyeux Noel On Christmas eve 1914, as officers prepared their troops for battle, the soldiers on opposing sides reached out to each other for a spontaneous celebration of Christmas, exchanging chocolates and playing soccer. The famous “Christmas truce” becomes an affecting and inspiring movie. For a similar story, see A Midnight Clear, based on the autobiographical novel by William Wharton.

Little Women “Christmas won’t be Christmas without any presents,” begins one of the most beloved of American novels, the autobiographical story of four sisters from Louisa May Alcott. All three filmed versions are fine, but I especially love this one, with Winona Ryder, Claire Danes, Susan Sarandon, Christian Bale, and Gabriel Byrne.

This Christmas A superb cast including Delroy Lindo, Idris Elba, Loretta Devine, Columbus Short, and Regina King, and Chris Brown nicely captures the rhythm and volatility of adult sibling interactions, a mash-up of in-jokes, old and new and often-shifting alliances, the need for acceptance and approval, and affectionate teasing that sometimes flares up to reveal or aggravate old wounds. Director Preston A. Whitmore has a sure hand in balancing half a dozen different storylines and multiple switches of tone from light-hearted romance to lacerating confrontations and gritty drama. The plots may be predicable but the individual cast members are all superb and completely believable as family, the whole greater than the sum of the parts. And Chris Brown sings “Try a Little Tenderness” and the title song.