Parents and some grandparents will remember the old “Beany and Cecil” show about the boy with the propeller hat and his friend the sea-sick sea serpent and their adventures in outsmarting the dastardly Dishonest John.
I’m very pleased that these adorable old cartoons are now available on DVD, including this week’s release of Bob Clampett’s Beany And Cecil Volume 2, including some nice extras like bumpers (the short clips before and after commercials) and some of the irreverent Clampett’s other work. I did not know until I heard him speak at Comic-Con that the hilarious Stan Freberg worked on “Beany and Cecil,” but it helps to explain the jokes that we had to think about a little harder to understand why our parents were laughing.
Danyl Johnson Gets By With a Little Help From His Friends
Posted on August 30, 2009 at 8:00 am
Please watch this X Factor clip of Danyl Johnson singing “I Get By With a Little Help From My Friends” in what the notoriously critical Simon Cowell calls the best first audition he has seen since the show began. Johnson, a 27-year-old teacher, takes a song that already has been unforgettably performed by the Beatles and Joe Cocker and makes it his own with a dazzling, supremely confident performance with indefinable but unmistakable star quality. You will want to be a part of this talented singer’s career from the beginning. He will be getting by with the help of a lot of new friends.
I love this Slate article by Kim Gittleson on the best and worst uses of the classic jazz album, Kind of Blue, by Miles Davis, in film and television. The list includes an action film with real-life jazz-lover Clint Eastwood (“In the Line of Fire”), a romantic comedy with Julia Roberts (“The Runaway Bride”), and an underrated fantasy film (“Pleasantville”), as well as a television series about a serial killer (“Dexter”) and a high-class cop show (“The Wire”).
“Wiseguy” was a tough, smart 1980’s television series about a cop (Ken Wahl) who goes deep undercover, starting with 18 months in prison to establish his criminal credentials. In this first season, just out on DVD, he infiltrates the organization of a volatile crime boss played by Ray Sharkey. The second season co-starred a very young Kevin Spacey. Warning: the producers of the DVD set did not secure the original music rights, so the soundtrack does not include “Knights in White Satin” and some of the other striking songs that gave extra power to the original broadcast. But it is still a sharp crime drama with excellent performances. I hope the second season is released. It featured a mesmerizing performance from a very young Kevin Spacey.
Ellen Leventry’s list of post-1990 angels on movies and television got me thinking about some of my favorites from the old days. Hard to believe that performers from Jack Benny to Cary Grant to Donald Duck have taken on an angelic role. Angels have appeared in comedies, dramas, cartoons, television series, and even in musicals. They are usually in the story to guide the main character, but quite often they end up learning something, too.
1. Claude Rains and Edward Everett Horton in Here Comes Mr. Jordan. This was the first version of a story later remade with Warren Beatty in “Heaven Can Wait” and Chris Rock in “Down to Earth.” Robert Montgomery (father of “Bewitched’s” Elizabeth Montgomery) plays a boxer whose soul is prematurely taken by an apprentice angel (Horton). Mr. Jordan (Rains), the supervising angel, has to help find a new body for the boxer’s soul. This gentle comedy has a sweetness and kindness that makes it touching as well as entertaining.
2. Clifton Webb in “For Heaven’s Sake.” The impeccable (if slightly fussy) Webb plays an angel who is sent to earth on an important task. There is a special place in heaven for the souls of babies waiting to be born, and two of them are getting anxious. Their prospective parents are postponing parenthood because they are too wrapped up in themselves. Webb appears as a rancher and another kind of angel — a theatrical backer — to get them to change their minds. It is fun to see the ultra-urbane Webb trying to look like a cowpoke and the story is charming.
3. The invisible (except to a little girl) baseball players in Angels in the Outfield. The 1994 remake has its pleasures, but I still prefer the 1951 original with Paul Douglas as the temperamental manager of the Pittsburgh Pirates and Janet Leigh as the reporter who befriends him after a little girl from an orphanage announces that she sees angels on the baseball diamond. Douglas is wonderfully appealing as he tries to learn to control his temper and finds himself falling for Leigh.
4. Henry Travers in It’s a Wonderful Life. Probably the most-loved angel in the history of movies is Clarence, who has a very unconventional way of helping George Bailey (James Stewart) — by showing him what life would have been like if he had not been born. Travers has just the right warmth and twinkle to make us believe that every time a bell rings an angel gets its wings.
5. Cary Grant in The Bishop’s Wife. The handsomest angel in movie history is Grant’s Dudley, who arrives at Christmas to guide a clergyman (David Niven) who has neglected his family and his faith and become too caught up in the effort to build a cathedral. The most touching moments come from the look in Dudley’s eyes as he understands that even heaven does not match the pleasures of home and family.
6. Gordon MacRae in Carousel. A carnival barker who is desperate for money to care for his pregnant wife dies in a failed robbery attempt. He is sent back to earth to help his teenage daughter, now graduating from high school, to let her know she will never walk alone.
7. Henry Jones in “The Twilight Zone” episode “Mr. Bevis.” Even angels make mistakes. And in this charming episode of the Rod Serling classic television show, Orson Bean plays a lovable loser whose guardian angel (Jones) offers to turn him into a “normal” upright citizen with a responsible job and a solid credit rating. But once Bevis becomes “normal,” he isn’t Bevis anymore, and he and the angel learn that the only way to be happy is to be yourself.
8. Jack Benny in “The Horn Blows at Midnight.” Benny loved to make jokes about this film and considered it a low point of his career. But it is actually a lot of fun. Benny plays a trumpet-player who dreams that he is the angel Athanael, who has been ordered to blow his horn at midnight to signal the end of the earth. Two fallen angels try to steal it from him so they can continue to experience earthly pleasures. The story is softened a bit from the studio-added dream structure, but it still manages some sharp observations and endearing characters. The celestially beautiful Alexis Smith makes a fine angelic companion as well.
9. Donald Duck in “Donald’s Better Self.” Even the irascible Disney duck can be persuaded to listen to what Abraham Lincoln called “the better angels of our nature.” In this animated short Donald is a schoolboy who is tempted by the devil to skip school and try smoking but is rescued by the angel, who has not only a shining (and waterproof) halo but a righteous punch.
10. Conrad Veidt in “The Passing of the Third Floor Back.” Awkwardly filmed but still very moving, this film is based on the story by Jerome K. Jerome of a stranger who changes the lives of the residents of a boarding house. Veidt often played bad guys, but here he truly shines as a character whose quiet dignity and courteous kindness bring warmth, self-respect, and inspiration to the other tenants.